Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Katie Melua - The House

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

The House

Katie Melua

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Vocalist Katie Melua's 2010 album The House is an atmospheric, romantic, and sometimes eerie album of arty adult alternative pop. While longtime producer Mike Batt is on board here, journeyman electronic producer William Orbit takes the main production helm. The result is Melua's most mature album to date and one that will certainly draw well-earned comparisons to such art pop icons as Kate Bush and Tori Amos. And while immaculately produced tracks like "The Flood" and "Twisted" do evince Bush's literate and operatic sound, they also bring to mind the grand, retro-leaning approach of guitarist/singer-songwriter Richard Hawley. Which isn't to say that Melua hews closely to any kind of '60s pop; on the contrary, these are clearly contemporary songs with a modern point of view. But there is a bit of moody Nick Drake-style guitar work and the way the songs build and swoop, often with symphonic backing (the Royal Philharmonic Orchestra appears here), is very much in keeping with Hawley's particular Brill Building meets coastal British town grandeur. In that sense, the album is a bit of a grower and has an overall soft, reflective quality. As with most of The House, songs like the folk-inflected opener "I'd Love to Kill You," the Eastern-tinged "The Flood," and the yearning and pretty "Red Balloons," take time to build and grab you slowly with deft, biting lyrics and Melua's lilting, burnished vocals.
© Matt Collar /TiVo

Weitere Informationen

The House

Katie Melua

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
I'd Love To Kill You
00:02:58

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - B.J. Cole, Pedal Steel Guitar - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Katie Melua, Guy Chambers, Composer, Writer - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

2
The Flood
00:04:04

Lauren Christy, Composer, Writer - Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Guy Chambers, Composer, Writer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Paul Stanborough, Mandolin - Henry Spinetti, Drums - Jim Watson, Piano - Steve Donnelly, Guitar - Katie Melua, Composer, Acoustic Guitar, Vocals, Writer, MainArtist - Fergus Gerrand, Drums - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

3
A Happy Place
00:03:27

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Katie Melua, Guy Chambers, Composer, Writer - Rupert James Coulson, Engineer - Keith Brazil, Drums

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

4
A Moment Of Madness
00:03:47

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Katie Melua, Guy Chambers, Composer, Writer - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

5
Red Balloons
00:04:20

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - DOMINIC MILLER, Guitar - B.J. Cole, Pedal Steel Guitar - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Polly Scattergood, Composer, Writer - Katie Melua, Composer, Acoustic Guitar, Vocals, Writer, MainArtist - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

6
Tiny Alien
00:04:36

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger, Percussion - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Fergus Gerrand, Drums - Katie Melua, Guy Chambers, Composer, Writer - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

7
No Fear Of Heights
00:02:54

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Composer, Acoustic Guitar, Vocals, Writer, MainArtist - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

8
The One I Love Is Gone
00:03:39

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Bill Monroe, Composer, Writer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

9
Plague Of Love
00:03:26

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - DOMINIC MILLER, Guitar - B.J. Cole, Pedal Steel Guitar - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Fergus Gerrand, Drums - Katie Melua, Rick Nowels, Composer, Writer - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

10
God On The Drums, Devil On The Bass
00:03:48

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Fergus Gerrand, Drums - Katie Melua, Mike Batt, Composer, Writer - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

11
Twisted
00:03:44

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Acoustic Guitar, Vocals, MainArtist - Fergus Gerrand, Drums - Katie Melua, Rick Nowels, Composer, Writer - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

12
The House
00:05:01

Luke Potashnick, Guitar - WILLIAM ORBIT, Producer, Arranger - Olga Fitzroy, Assistant Engineer - Mike Batt, Conductor, Orchestral Arranger, Executive Producer - Tim Harries, Piano, Bass - Arden Hart, Keyboards - Nick Cervonaro, Assistant Engineer - Henry Spinetti, Drums - Steve Donnelly, Guitar - Katie Melua, Composer, Acoustic Guitar, Vocals, Writer, MainArtist - Rupert James Coulson, Engineer

© 2014 BMG Rights Management GmbH ℗ 2010 BMG Rights Management GmbH

Albumbeschreibung

Vocalist Katie Melua's 2010 album The House is an atmospheric, romantic, and sometimes eerie album of arty adult alternative pop. While longtime producer Mike Batt is on board here, journeyman electronic producer William Orbit takes the main production helm. The result is Melua's most mature album to date and one that will certainly draw well-earned comparisons to such art pop icons as Kate Bush and Tori Amos. And while immaculately produced tracks like "The Flood" and "Twisted" do evince Bush's literate and operatic sound, they also bring to mind the grand, retro-leaning approach of guitarist/singer-songwriter Richard Hawley. Which isn't to say that Melua hews closely to any kind of '60s pop; on the contrary, these are clearly contemporary songs with a modern point of view. But there is a bit of moody Nick Drake-style guitar work and the way the songs build and swoop, often with symphonic backing (the Royal Philharmonic Orchestra appears here), is very much in keeping with Hawley's particular Brill Building meets coastal British town grandeur. In that sense, the album is a bit of a grower and has an overall soft, reflective quality. As with most of The House, songs like the folk-inflected opener "I'd Love to Kill You," the Eastern-tinged "The Flood," and the yearning and pretty "Red Balloons," take time to build and grab you slowly with deft, biting lyrics and Melua's lilting, burnished vocals.
© Matt Collar /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Parachutes

Coldplay

Parachutes Coldplay

Songs In The Key Of Life

Stevie Wonder

Songs In The Key Of Life Stevie Wonder

Innervisions

Stevie Wonder

Innervisions Stevie Wonder

Talking Book

Stevie Wonder

Talking Book Stevie Wonder
Mehr auf Qobuz
Von Katie Melua

Joy (Edit)

Katie Melua

Joy (Edit) Katie Melua

Album No. 8

Katie Melua

Album No. 8 Katie Melua

Ultimate Collection

Katie Melua

Ultimate Collection Katie Melua

Live in Concert

Katie Melua

Live in Concert Katie Melua

Piece By Piece

Katie Melua

Piece By Piece Katie Melua

Playlists

Das könnte Ihnen auch gefallen...

Chemtrails Over The Country Club

Lana Del Rey

Random Access Memories (Hi-Res Version)

Daft Punk

Pick Me Up Off The Floor

Norah Jones

Meryem

Meryem Aboulouafa

Meryem Meryem Aboulouafa

Summer In Berlin

Schiller

Summer In Berlin Schiller
Panorama-Artikel...
Nirvana, Ende des Rock…

34 Jahre ist es her, dass Nirvana, dieser total unerwartete Schlenker der Punkbewegung, am Ende des 20. Jahrhunderts das Licht der Welt erblickte. Blitzkarriere, internationale Hits, Fans in rauen Mengen und tragisches Nachspiel für einen in aller Welt bekannten Sonderling. Die Band von Kurt Cobain war vielleicht ganz einfach die letzte Rockgruppe der Geschichte. Das allerletzte derartige Phänomen einer ganzen Generation, wenn nicht sogar ihr letzter Mythos.

Elton John: die ersten 10 Jahre

Was bieten uns die ersten Jahre von Elton Johns Karriere? Eine umfangreiche Diskographie, eine unüberschaubare Anzahl von Hits, alles in eine üppige Verpackung gehüllt mit einigen dunklen Seiten. Anlässlich der Veröffentlichung der ihm gewidmeten Filmbiografie ("Rocketman" von Dexter Fletcher), werfen wir einen Rückblick auf die 1970er Jahre eines so großartigen Künstlers.

New Order, vom Keller auf die Tanzfläche

Wie wurde die dunkelste Band der Punk-Ära zu den Königen der Tanzfläche? New Order wurden in den frühen 80ern aus der Asche von Joy Division geboren, symbolisieren eine der ersten erfolgreichen Verbindungen zwischen Rock und Dance Music und schufen den makellosen Soundtrack des mürrischen Englands unter Margaret Thatcher.

Aktuelles...