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Sonny Rollins|The Bridge

The Bridge

Sonny Rollins

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Tenor saxophonist Sonny Rollins' first recording after ending a surprising three-year retirement found the great saxophonist sounding very similar to how he had played in 1959, although he would soon start investigating freer forms. In a pianoless quartet with guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, Rollins explores four standards (including "Without a Song" and "God Bless the Child") plus two fiery originals, highlighted by the title cut. The interplay between Rollins and Hall is consistently impressive, making this set a near-classic and a very successful comeback.

© Scott Yanow /TiVo

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The Bridge

Sonny Rollins

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1
Without a Song (Remastered 2003)
00:07:28

Bob Prince, Producer - Jim Hall, Guitar - Mark Wilder, Mixing Engineer - Bob Cranshaw, Acoustic Bass - Edward Eliscu, Composer - Edward Eliscu, Lyricist - Barry Feldman, Re-Issue Producer - Ray Hall, Recording Engineer - Ben Riley, Drums - Billy Rose, Composer - Billy Rose, Lyricist - Vincent Youmans, Composer - Vincent Youmans, Lyricist - Sonny Rollins, Tenor Saxophone - George Avakian, Producer

Originally released 1962. All rights reserved by RCA Records, a division of Sony Music Entertainment

2
Where Are You (Remastered 2003)
00:05:10

Harold Adamson, Composer - Harold Adamson, Lyricist - Bob Prince, Producer - Jim Hall, Guitar - Mark Wilder, Mixing Engineer - Bob Cranshaw, Acoustic Bass - Barry Feldman, Re-Issue Producer - Ray Hall, Recording Engineer - Ben Riley, Drums - Sonny Rollins, Tenor Saxophone - Jimmy McHugh, Composer - Jimmy McHugh, Lyricist - George Avakian, Producer

Originally released 1962. All rights reserved by RCA Records, a division of Sony Music Entertainment

3
John S. (Remastered 2003)
00:07:45

Bob Prince, Producer - Jim Hall, Guitar - Mark Wilder, Mixing Engineer - Bob Cranshaw, Acoustic Bass - Barry Feldman, Re-Issue Producer - Ray Hall, Recording Engineer - Ben Riley, Drums - Sonny Rollins, Composer - Sonny Rollins, Lyricist - Sonny Rollins, Tenor Saxophone - George Avakian, Producer

Originally released 1962. All rights reserved by RCA Records, a division of Sony Music Entertainment

4
The Bridge (Remastered 2003)
00:05:58

Bob Prince, Producer - Jim Hall, Guitar - Mark Wilder, Mixing Engineer - Bob Cranshaw, Bass - Barry Feldman, Re-Issue Producer - Ray Hall, Recording Engineer - Ben Riley, Drums - Sonny Rollins, Composer - Sonny Rollins, Tenor Saxophone - Sonny Rollins, Lyricist - George Avakian, Producer

Originally released 1962. All rights reserved by RCA Records, a division of Sony Music Entertainment

5
God Bless the Child (Remastered 2003)
00:07:29

Harry T. Saunders, Drums - Bob Prince, Producer - Jim Hall, Guitar - Mark Wilder, Mixing Engineer - Bob Cranshaw, Bass - Barry Feldman, Re-Issue Producer - Ray Hall, Recording Engineer - Billie Holiday, Composer - Billie Holiday, Lyricist - Sonny Rollins, Tenor Saxophone - Arthur Herzog, Jr., Composer - Arthur Herzog, Jr., Lyricist - George Avakian, Producer

Originally released 1962. All rights reserved by RCA Records, a division of Sony Music Entertainment

6
You Do Something to Me (Remastered 2003)
00:06:49

Bob Prince, Producer - Jim Hall, Guitar - Mark Wilder, Mixing Engineer - Bob Cranshaw, Acoustic Bass - Barry Feldman, Re-Issue Producer - Ray Hall, Recording Engineer - Cole Porter, Composer - Cole Porter, Lyricist - Ben Riley, Drums - Sonny Rollins, Tenor Saxophone - George Avakian, Producer

Originally released 1962. All rights reserved by RCA Records, a division of Sony Music Entertainment

Albumbeschreibung

Tenor saxophonist Sonny Rollins' first recording after ending a surprising three-year retirement found the great saxophonist sounding very similar to how he had played in 1959, although he would soon start investigating freer forms. In a pianoless quartet with guitarist Jim Hall, bassist Bob Cranshaw, and drummer Ben Riley, Rollins explores four standards (including "Without a Song" and "God Bless the Child") plus two fiery originals, highlighted by the title cut. The interplay between Rollins and Hall is consistently impressive, making this set a near-classic and a very successful comeback.

© Scott Yanow /TiVo

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