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Brigitte Bardot|The Best Of Bardot

The Best Of Bardot

Brigitte Bardot

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Was Brigitte Bardot a "good" singer, in the conventional sense? No. Was the material she sang in the 1960s especially deep or brilliant? No. But is this 19-track compilation of the cream of her 1963-1970 recordings a fun listen? Yes indeed. Although not the owner of conventional high-level vocal skills, Bardot invested her frivolous songs with a contagious sense of playful fun, and a refusal to take the music or herself too seriously. Certainly some of the tunes -- and their breathy delivery -- capitalize on her iconic sex kitten persona. But the guileless joy she projects is reminiscent of some of the early work by France Gall (one of the finest '60s French pop singers), though Bardot's voice is less girlish and more adult in tone. Like the better French pop of the 1960s, the tracks on this disc -- an "extremely selective compilation," the liner notes state, of a '60s discography that strung together "fine pearls and cheap imitations, scintillating gems and tawdry kitsch" -- have a likable giddiness that borrows from early-'60s girl group and twist rock & roll on the earlier sides, and bears a slight psychedelic influence on some of the later ones. It's a pretty versatile bunch, though, also venturing on occasion into melodic sentimental Continental ballads and (less successfully) theatrical chanson and vaudevillian territory. Some of the standouts, naturally, are found in the seven Serge Gainsbourg compositions, including the eerie Eastern-influenced "Contact" (arguably her most interesting recording), and "Harley Davidson," but also the famous Bardot-Gainsbourg vocal duets "Comic Strip," "Bonnie and Clyde," and "Je T'Aime...Moi Non Plus." (The last of these, unreleased at the time it was recorded in 1968 due to nervousness over its sexually explicit nature, of course became a big international hit when Gainsbourg re-recorded it using Jane Birkin as his duet partner.) The numerous tracks to which composers Jean-Max Rivière and Gérard Bourgeois contributed, however, have their share of highlights too, even if they lack the strange edge of Gainsbourg's songs. [DRG's U.S. reissue of The Best of Bardot omits one track, "Je Reviendrai Toujours Vers Toi," from the version released in Europe, though no one seems to have told annotator Christophe Conte, who makes special mention of it.]

© Richie Unterberger /TiVo

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The Best Of Bardot

Brigitte Bardot

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1
L'appareil à sous (Album Version)
00:01:26

Claude Bolling, Music Director & Conductor, AssociatedPerformer - Serge Gainsbourg, ComposerLyricist - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist

℗ 1963 Mercury Music Group

2
La madrague (Album Version)
00:02:34

Gerard Bourgeois, Composer - Claude Bolling, Music Director & Conductor, AssociatedPerformer - Jean-Max Rivière, Author - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist

℗ 1963 Mercury Music Group

3
Moi je joue (Album Version)
00:01:38

Gerard Bourgeois, Composer - Jean-Max Rivière, Author - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist - Alain Goraguer, Music Director & Conductor, AssociatedPerformer

℗ 1964 Mercury Music Group

4
Invitango (Album Version)
00:02:32

Claude Bolling, Composer, Music Director & Conductor, AssociatedPerformer - Jean-Max Rivière, Author - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist

℗ 1963 Mercury Music Group

5
Ça pourrait changer (Album Version)
00:01:39

Gerard Bourgeois, Translator - Jean-Max Rivière, Translator - CLAUDE DEJACQUES, Producer - D Barratt, ComposerLyricist - Brigitte Bardot, MainArtist - Alain Goraguer, Music Director & Conductor, AssociatedPerformer

℗ 1964 Mercury Music Group

6
Ne me laisse pas l'aimer (Album Version)
00:01:44

Jean-Michel Rivat, Author - Brigitte Bardot, MainArtist - Alain Goraguer, Music Director & Conductor, AssociatedPerformer - Jean Francis Fumiere, Composer

℗ 1964 Mercury Music Group

7
Maria Ninguen (Album Version)
00:02:37

Carlos Lyra, ComposerLyricist - Brigitte Bardot, MainArtist - Alain Goraguer, Music Director & Conductor, AssociatedPerformer

℗ 1964 Mercury Music Group

8
Comic Strip (Mono Version)
00:02:09

Serge Gainsbourg, Composer, Author, MainArtist - Brigitte Bardot, MainArtist - David Whitaker, Recording Arranger, Music Director & Conductor, AssociatedPerformer

℗ 1968 Mercury Music Group

9
Ciel de lit (Album Version)
00:01:37

Gerard Bourgeois, Composer - Gloria Lasso, Composer - Jean-Max Rivière, Author - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist - Alain Goraguer, Music Director & Conductor, AssociatedPerformer

℗ 1964 Mercury Music Group

10
Bonnie And Clyde (Album Version)
00:04:15

Serge Gainsbourg, Composer, Author, Vocals, MainArtist, AssociatedPerformer - Michel Colombier, Recording Arranger, AssociatedPerformer - CLAUDE DEJACQUES, Producer - Brigitte Bardot, Vocals, MainArtist, AssociatedPerformer

℗ 1968 Mercury Music Group

11
Bubble Gum (Album Version)
00:01:44

Serge Gainsbourg, ComposerLyricist - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist - Alain Goraguer, Music Director & Conductor, AssociatedPerformer

℗ 1966 Mercury Music Group

12
Le soleil (Album Version)
00:03:15

Gerard Bourgeois, Producer - G. Bourgeois, Composer - Jean-Max Rivière, Author, Producer - Brigitte Bardot, MainArtist

℗ 1966 Rivière-Bourgeois

13
Harley Davidson (Album Version)
00:02:28

Serge Gainsbourg, ComposerLyricist - Michel Colombier, Recording Arranger, Music Director & Conductor, AssociatedPerformer - Brigitte Bardot, MainArtist

℗ 1967 Mercury Music Group

14
Je reviendrai toujours vers toi (Album Version)
00:02:25

Gerard Bourgeois, Producer, ComposerLyricist - Jean-Max Rivière, Producer, ComposerLyricist - Brigitte Bardot, MainArtist

℗ 1966 Rivière-Bourgeois

15
Contact (Album Version)
00:02:18

Serge Gainsbourg, ComposerLyricist - Michel Colombier, Recording Arranger, AssociatedPerformer - Brigitte Bardot, MainArtist

℗ 1967 Mercury Music Group

16
Oh qu'il est vilain (Album Version)
00:02:30

Paul Piot, Recording Arranger, AssociatedPerformer - Gerard Bourgeois, ComposerLyricist - Jean-Max Rivière, ComposerLyricist - Brigitte Bardot, MainArtist

℗ 1968 Mercury Music Group

17
Le diable est anglais (Album Version)
00:02:33

Gerard Bourgeois, ComposerLyricist - Jean-Max Rivière, ComposerLyricist - Brigitte Bardot, MainArtist

℗ 1968 Mercury Music Group

18
Nue Au Soleil (Album Version)
00:02:20

Jean Schmitt, Author - Brigitte Bardot, MainArtist - Jean Fredenucci, Composer

℗ 1970 Mercury Music Group

19
Tu veux ou tu veux pas? (Album Version)
00:02:30

Carlos Imperial, Composer, Author - Pierre Cour, Translator - Brigitte Bardot, MainArtist

℗ 1970 Mercury Music Group

20
Je t'aime moi non plus (Original Mix 1967)
00:04:25

Serge Gainsbourg, FeaturedArtist, ComposerLyricist - Michel Colombier, Music Director & Conductor, AssociatedPerformer - CLAUDE DEJACQUES, Producer - Brigitte Bardot, MainArtist

℗ 1968 Mercury Music Group

Albumbeschreibung

Was Brigitte Bardot a "good" singer, in the conventional sense? No. Was the material she sang in the 1960s especially deep or brilliant? No. But is this 19-track compilation of the cream of her 1963-1970 recordings a fun listen? Yes indeed. Although not the owner of conventional high-level vocal skills, Bardot invested her frivolous songs with a contagious sense of playful fun, and a refusal to take the music or herself too seriously. Certainly some of the tunes -- and their breathy delivery -- capitalize on her iconic sex kitten persona. But the guileless joy she projects is reminiscent of some of the early work by France Gall (one of the finest '60s French pop singers), though Bardot's voice is less girlish and more adult in tone. Like the better French pop of the 1960s, the tracks on this disc -- an "extremely selective compilation," the liner notes state, of a '60s discography that strung together "fine pearls and cheap imitations, scintillating gems and tawdry kitsch" -- have a likable giddiness that borrows from early-'60s girl group and twist rock & roll on the earlier sides, and bears a slight psychedelic influence on some of the later ones. It's a pretty versatile bunch, though, also venturing on occasion into melodic sentimental Continental ballads and (less successfully) theatrical chanson and vaudevillian territory. Some of the standouts, naturally, are found in the seven Serge Gainsbourg compositions, including the eerie Eastern-influenced "Contact" (arguably her most interesting recording), and "Harley Davidson," but also the famous Bardot-Gainsbourg vocal duets "Comic Strip," "Bonnie and Clyde," and "Je T'Aime...Moi Non Plus." (The last of these, unreleased at the time it was recorded in 1968 due to nervousness over its sexually explicit nature, of course became a big international hit when Gainsbourg re-recorded it using Jane Birkin as his duet partner.) The numerous tracks to which composers Jean-Max Rivière and Gérard Bourgeois contributed, however, have their share of highlights too, even if they lack the strange edge of Gainsbourg's songs. [DRG's U.S. reissue of The Best of Bardot omits one track, "Je Reviendrai Toujours Vers Toi," from the version released in Europe, though no one seems to have told annotator Christophe Conte, who makes special mention of it.]

© Richie Unterberger /TiVo

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