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Chrissie Hynde|Stockholm

Stockholm

Chrissie Hynde

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Some 35 years after the Pretenders' debut, Chrissie Hynde steps out on her own with 2014's Stockholm. Its title is not a reference to the infamous "Stockholm syndrome" but rather an allusion to her chief collaborator on the project, Björn Yttling, of the Swedish pop band Peter Bjorn and John. He's the most prominent collaborator Hynde has had in a while -- she collaborated with then-lover JP Jones on the 2010 album Fidelity! and spent most of 2002's Loose Screw writing with long-term latter-day Pretenders guitarist Adam Seymour -- but collaborators tend to fade into the background with Hynde, just like how distinctions between a band and solo performances blur with her, too. Hynde is that powerful of a presence and she remains so on Stockholm, although it is by many measures one of the lightest records she's ever made. Some of this is certainly due to Yttling, who encourages Hynde to indulge in pop inclinations she's hinted at but never explored, but it's also true she's in a fairly sunny state of mind, never dwelling on either mortality or heartbreak. This suits the glistening production, which employs several mildly modernistic techniques -- there are electronic rhythms, suggested synthesizers, sly effects, and a general bright openness that feels fresh -- and helps accentuate her sprightlier melodies, whether it's the Spector-esque spangle of "You or No One," the echoing nocturnal vistas of "A Plan Too Far," or the heady rush of "Dark Sunglasses," the cut here that comes closest to sounding like vintage Pretenders. Even if Stockholm rarely suggests either the muscle or roar of the Pretenders, it never once doesn't feel like the work of Chrissie Hynde; sonically and aesthetically, it feels like the next logical chapter after 2008's Break Up the Concrete and 2010's Fidelity! And, as it is a Chrissie Hynde project, it is a little inconsistent, sometimes sagging on ballads or dragging its feet at mid-tempos, but there are several strong additions to her canon and the overall feel is appealing and, thanks to her unexpected collaborator, fresher than expected.

© Stephen Thomas Erlewine /TiVo

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Stockholm

Chrissie Hynde

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1
You or no One
00:03:40

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Andreas Forsman, Violin - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Electric Guitar, Piano, Synthesizer, Electric Bass - John Eriksson, Drums, Percussion - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Petter Axelsson, Viola - Hans Stenlund, RecordingEngineer - Conny Lindgren, Violin - Gustav Lindelöw, RecordingEngineer - Leo Svensson Sander, Cello

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

2
Dark Sunglasses
00:03:05

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Electric Guitar, Electric Bass - John Eriksson, Drums - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Hans Stenlund, RecordingEngineer - Gustav Lindelöw, RecordingEngineer - Zacharias Blad, Backing Vocals

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

3
Like in the Movies
00:03:16

Joakim Åhlund, Producer, Guitar, Backing Vocals - Chrissie Hynde, Composer, Lead Vocals, MainArtist - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer - Henrik Jonsson, MasteringEngineer - Niklas Gabrielsson, Drums - Ulf Engström, Bass

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

4
Down the Wrong Way
00:03:37

Neil Young, Electric Guitar - Chrissie Hynde, Lead Vocals, Writer, MainArtist - Lasse Marten, MixingEngineer - Bjorn Yttling, Producer, Acoustic Guitar, Organ, Writer, Electric Bass - John Eriksson, Drums, Percussion - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Hans Stenlund, RecordingEngineer - Gustav Lindelöw, RecordingEngineer

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

5
You're the One
00:02:50

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Andreas Forsman, Violin - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Acoustic Guitar, Synthesizer, Electric Bass - John Eriksson, Percussion - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Petter Axelsson, Viola - Hans Stenlund, RecordingEngineer - Conny Lindgren, Violin - Gustav Lindelöw, RecordingEngineer - Leo Svensson Sander, Cello, Saw

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

6
A Plan too Far
00:03:13

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Andreas Forsman, Violin - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Electric Bass - John Eriksson, Drums - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Petter Axelsson, Viola - Hans Stenlund, RecordingEngineer - Conny Lindgren, Violin - Gustav Lindelöw, RecordingEngineer - Mattias Boström, Electric Guitar - Leo Svensson Sander, Cello - John McEnroe, Electric Guitar

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

7
In a Miracle
00:03:59

Chrissie Hynde, Composer, Backing Vocals, Lead Vocals, MainArtist - Andreas Forsman, Violin - Christopher Öhman, Viola - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Synthesizer, Electric Bass - John Eriksson, Drums - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Hans Stenlund, RecordingEngineer - Conny Lindgren, Violin - Gustav Lindelöw, RecordingEngineer - Andreas Pettersson, Steel Guitar - Cecilia Linné, Cello

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

8
House of Cards
00:03:51

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Percussion, Synthesizer - John Eriksson, Drums - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Hans Stenlund, RecordingEngineer - Gustav Lindelöw, RecordingEngineer

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

9
Tourniquet (Cynthia Anne)
00:02:41

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Organ, Celeste Piano - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Hans Stenlund, RecordingEngineer - Gustav Lindelöw, RecordingEngineer

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

10
Sweet Nuthin'
00:03:00

Chrissie Hynde, Composer, Lead Vocals, MainArtist - Andreas Forsman, Violin - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer, Producer, Acoustic Guitar, Electric Guitar, Synthesizer, Electric Bass, Mellotron - John Eriksson, Drums - Nille Perned, RecordingEngineer - Henrik Jonsson, MasteringEngineer - Petter Axelsson, Viola - Hans Stenlund, RecordingEngineer - Gustav Lindelöw, RecordingEngineer - Leo Svensson Sander, Cello

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

11
Adding the Blue
00:04:38

Joakim Åhlund, Producer, Guitar, Piano, Backing Vocals, Mellotron - Chrissie Hynde, Composer, Lead Vocals, MainArtist - Nino Keller, Drums, Backing Vocals - Lasse Marten, MixingEngineer - Bjorn Yttling, Composer - Henrik Jonsson, MasteringEngineer - Gustav Lindelöw, Engineer - Ulf Engström, Backing Vocals, Bass

Under exclusive licence to Warner music UK Limited, © 2014 Chrissie Hynde Under exclusive licence to Warner Music UK Limited, ℗ 2014 Chrissie Hynde

Albumbeschreibung

Some 35 years after the Pretenders' debut, Chrissie Hynde steps out on her own with 2014's Stockholm. Its title is not a reference to the infamous "Stockholm syndrome" but rather an allusion to her chief collaborator on the project, Björn Yttling, of the Swedish pop band Peter Bjorn and John. He's the most prominent collaborator Hynde has had in a while -- she collaborated with then-lover JP Jones on the 2010 album Fidelity! and spent most of 2002's Loose Screw writing with long-term latter-day Pretenders guitarist Adam Seymour -- but collaborators tend to fade into the background with Hynde, just like how distinctions between a band and solo performances blur with her, too. Hynde is that powerful of a presence and she remains so on Stockholm, although it is by many measures one of the lightest records she's ever made. Some of this is certainly due to Yttling, who encourages Hynde to indulge in pop inclinations she's hinted at but never explored, but it's also true she's in a fairly sunny state of mind, never dwelling on either mortality or heartbreak. This suits the glistening production, which employs several mildly modernistic techniques -- there are electronic rhythms, suggested synthesizers, sly effects, and a general bright openness that feels fresh -- and helps accentuate her sprightlier melodies, whether it's the Spector-esque spangle of "You or No One," the echoing nocturnal vistas of "A Plan Too Far," or the heady rush of "Dark Sunglasses," the cut here that comes closest to sounding like vintage Pretenders. Even if Stockholm rarely suggests either the muscle or roar of the Pretenders, it never once doesn't feel like the work of Chrissie Hynde; sonically and aesthetically, it feels like the next logical chapter after 2008's Break Up the Concrete and 2010's Fidelity! And, as it is a Chrissie Hynde project, it is a little inconsistent, sometimes sagging on ballads or dragging its feet at mid-tempos, but there are several strong additions to her canon and the overall feel is appealing and, thanks to her unexpected collaborator, fresher than expected.

© Stephen Thomas Erlewine /TiVo

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