Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Burt Bacharach - Reach Out

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Reach Out

Burt Bacharach

Verfügbar in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Burt Bacharach's second album will either delight or sorely disappoint modern listeners, depending upon how aware they are of who he really is. It's easy to forget, amidst his '90s revival, that Bacharach was never fundamentally a "rock" songwriter. Reach Out was reissued in 1995, just as Bacharach's star was rising among more mature rock listeners. Parts of this album do aspire to a kind of big-band pop soulfulness. The rest is quasi-jazz of the light variety, very cleanly and carefully arranged by the composer, who tends to emphasize the obvious. A lot of what is here is very basic, well played but displaying no dazzling interpretive details. That's often a risk when a composer interprets his own work -- frequently, it is the outside personality, the performance specialist rather than the composer, who picks up the hidden and unusual sides of a score. Some listeners will also be thrown by the presence of "Lisa," a throwback to pre-'60s pop. But that is a valid part of what Bacharach was about -- he grew up in an environment in which big-band jazz represented mainstream music, and was aspiring to make it as a pop composer when rock & roll hit. So it should be expected that he would have had an affinity for elegant pop music, which he would indulge on his first album for a soft-jazz and pop label like A&M. Reach Out isn't a Rosetta Stone to understanding his music, but it does present Bacharach's vision of his work at its most straightforward, and it is enjoyable on its own terms, as a snapshot of his own sensibilities at that time.
© Bruce Eder /TiVo

Weitere Informationen

Reach Out

Burt Bacharach

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 70 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 70 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Reach Out For Me
00:02:50

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist

℗ 1968 UMG Recordings, Inc., Mit freundlicher Genehmigung: Polydor Island Group, a division of Universal Music GmbH

2
Alfie
00:03:04

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist

℗ 1968 UMG Recordings, Inc., Mit freundlicher Genehmigung: Polydor Island Group, a division of Universal Music GmbH

3
Bond Street
00:02:05

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

4
Are You There (With Another Girl)
00:02:55

Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist - Henry Lewy, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

5
What The World Needs Now Is Love
00:04:16

Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist - Henry Lewy, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc., Mit freundlicher Genehmigung: Polydor Island Group, a division of Universal Music GmbH

6
The Look Of Love
00:02:43

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Composer, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Hal David, Author

℗ 1968 UMG Recordings, Inc., Mit freundlicher Genehmigung: Polydor Island Group, a division of Universal Music GmbH

7
A House Is Not A Home
00:03:51

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist

℗ 1968 UMG Recordings, Inc., Mit freundlicher Genehmigung: Polydor Island Group, a division of Universal Music GmbH

8
I Say A Little Prayer
00:02:28

Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist - Henry Lewy, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc., Mit freundlicher Genehmigung: Polydor Island Group, a division of Universal Music GmbH

9
The Windows Of The World
00:02:31

Burt Bacharach, Composer, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Hal David, Author - Henry Lewy, Engineer, StudioPersonnel

℗ 1968 UMG Recordings, Inc.

10
Lisa
00:03:40

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

11
Message To Michael
00:03:23

Phil Ramone, Engineer, StudioPersonnel - Burt Bacharach, Producer, Recording Arranger, MainArtist, AssociatedPerformer, ComposerLyricist - Hal David, ComposerLyricist

℗ 1967 UMG Recordings, Inc.

Albumbeschreibung

Burt Bacharach's second album will either delight or sorely disappoint modern listeners, depending upon how aware they are of who he really is. It's easy to forget, amidst his '90s revival, that Bacharach was never fundamentally a "rock" songwriter. Reach Out was reissued in 1995, just as Bacharach's star was rising among more mature rock listeners. Parts of this album do aspire to a kind of big-band pop soulfulness. The rest is quasi-jazz of the light variety, very cleanly and carefully arranged by the composer, who tends to emphasize the obvious. A lot of what is here is very basic, well played but displaying no dazzling interpretive details. That's often a risk when a composer interprets his own work -- frequently, it is the outside personality, the performance specialist rather than the composer, who picks up the hidden and unusual sides of a score. Some listeners will also be thrown by the presence of "Lisa," a throwback to pre-'60s pop. But that is a valid part of what Bacharach was about -- he grew up in an environment in which big-band jazz represented mainstream music, and was aspiring to make it as a pop composer when rock & roll hit. So it should be expected that he would have had an affinity for elegant pop music, which he would indulge on his first album for a soft-jazz and pop label like A&M. Reach Out isn't a Rosetta Stone to understanding his music, but it does present Bacharach's vision of his work at its most straightforward, and it is enjoyable on its own terms, as a snapshot of his own sensibilities at that time.
© Bruce Eder /TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Crime Of The Century [2014 - HD Remaster]

Supertramp

Aqualung

Jethro Tull

Aqualung Jethro Tull

Thick as a Brick

Jethro Tull

Thick as a Brick Jethro Tull

Misplaced Childhood

Marillion

Mehr auf Qobuz
Von Burt Bacharach

Blue Umbrella

Burt Bacharach

Blue Umbrella Burt Bacharach

Make It Easy On Yourself

Burt Bacharach

Make It Easy On Yourself Burt Bacharach

Butch Cassidy And The Sundance Kid

Burt Bacharach

Blue Umbrella

Burt Bacharach

Blue Umbrella Burt Bacharach

Make It Easy On Yourself

Burt Bacharach

Make It Easy On Yourself Burt Bacharach
Das könnte Ihnen auch gefallen...

Starseeds

Suduaya

Starseeds Suduaya

In The Wee Small Hours

Frank Sinatra

In The Wee Small Hours Frank Sinatra

Ultimate Sinatra: The Centennial Collection

Frank Sinatra

Ultimate Sinatra

Frank Sinatra

Ultimate Sinatra Frank Sinatra

Hôtel Costes Volume 9

Hôtel Costes

Hôtel Costes Volume 9 Hôtel Costes
Panorama-Artikel...
Tony Bennett, der letzte Crooner

Während Frank Sinatra, Dean Martin, Bing Crosby und Sammy Davis, Jr. schon seit einer Ewigkeit nicht mehr dabei sind, ist Tony Bennett nun der letzte große Crooner schlechthin. Ein Sänger voller Charme, wie man im letzten Jahrhundert noch sagte, und was ihn so besonders macht, ist seine einzigartige Liebesgeschichte mit dem Jazz.

Françoise Hardy, ein Star des Yéyé

Françoise Hardy gab dem Yéyé, der sich in Frankreich Anfang der sechziger Jahre etablierte, einen wichtigen Impuls. Und doch waren ihre Berührungspunkte mit dieser Stilrichtung nicht immer problemlos.

Aktuelles...