Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Danish String Quartet - Prism II (Bach, Schnittke, Beethoven)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Prism II (Bach, Schnittke, Beethoven)

Danish String Quartet

Digitales Booklet

Verfügbar in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

This release by the Danish String Quartet is part of a five-album series titled "Prism," each of which will apparently include three works: an arrangement of a Bach fugue for string quartet, one of Beethoven's five late quartets, and a 20th century work that somehow lies in the shadow of both, or, to use the quartet's own words, "a beam of music is split through Beethoven's prism." In this case, the program is unusually coherent, with the String Quartet No. 3 of Alfred Schnittke engaging itself directly with the Beethoven String Quartet No. 13 in B flat major, Op. 130, and Grosse Fuge, Op. 133, here played as the finale of the String Quartet No. 13 as Beethoven originally conceived the work. Logically, the Beethoven should go in the middle, but after you hear the Danish String Quartet's blistering performance of the String Quartet No. 13, you'll agree that it would be an impossible act to follow. The group gets just how radical this quartet was, especially with the Grosse Fuge in place, as sharp contrasts grow throughout the work and explode in the unthinkably intense fugue. The quartet takes the first movements of the six-movement work very rapidly, with the lighter melodic passages seeming like passing thoughts, takes a deep pause with the Cavatina slow movement, and then plunges into the fugue at top power. They are aided by magnificent engineering work from ECM, working on the Reitstadel Neumarkt, a riding stadium with famed acoustics. The Schnittke quartet is a fascinating work in itself, quoting the Beethoven extensively and exploring its sharp contrasts (sample the Agitato middle movement). One awaits the rest of the Danish String Quartet's series breathlessly, but it's possible that this volume, with a Beethoven performance for the ages, will tower over the rest. A bonus is a set of notes by the great Paul Griffiths, writing mostly for ECM these days.
© TiVo

Weitere Informationen

Prism II (Bach, Schnittke, Beethoven)

Danish String Quartet

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 60 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 60 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

The Well-Tempered Clavier: Book 1, BWV 846-869 (Johann Sebastian Bach)

1
Fugue in B Minor, BWV 869 (Arr. Förster for Strings)
00:06:48

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Johann Sebastian Bach, Composer - Emanuel Aloys Förster, Arranger - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

String Quartet No. 3 (Alfred Schnittke)

2
1. Andante
00:06:11

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Alfred Schnittke, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

3
2. Agitato
00:07:49

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Alfred Schnittke, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

4
3. Pesante
00:08:36

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Alfred Schnittke, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

String Quartet No. 13 in B-Flat Major, Op. 130 (Ludwig van Beethoven)

5
1. Adagio ma non troppo – Allegro
00:09:52

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Ludwig van Beethoven, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

6
2. Presto
00:02:00

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Ludwig van Beethoven, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

7
3. Poco scherzando. Andante con moto ma non troppo
00:07:05

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Ludwig van Beethoven, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

8
4. Alla danza tedesca. Allegro assai
00:03:22

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Ludwig van Beethoven, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

9
5. Cavatina. Adagio molto espressivo
00:07:49

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Ludwig van Beethoven, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

10
6. Große Fuge, Op. 133 (Ouverture. Allegro – Fuga)
00:16:44

Danish String Quartet (Rune Tonsgaard Sorensen, Violin - Frederik Øland, Violin - Asbjørn Nørgaard, Viola - Fredrik Schøyen Sjölin, Cello) - Ludwig van Beethoven, Composer - Manfred Eicher, Producer - Engineer, Recording Engineer - Markus Heiland, Mixer, Mastering

℗ 2019 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

This release by the Danish String Quartet is part of a five-album series titled "Prism," each of which will apparently include three works: an arrangement of a Bach fugue for string quartet, one of Beethoven's five late quartets, and a 20th century work that somehow lies in the shadow of both, or, to use the quartet's own words, "a beam of music is split through Beethoven's prism." In this case, the program is unusually coherent, with the String Quartet No. 3 of Alfred Schnittke engaging itself directly with the Beethoven String Quartet No. 13 in B flat major, Op. 130, and Grosse Fuge, Op. 133, here played as the finale of the String Quartet No. 13 as Beethoven originally conceived the work. Logically, the Beethoven should go in the middle, but after you hear the Danish String Quartet's blistering performance of the String Quartet No. 13, you'll agree that it would be an impossible act to follow. The group gets just how radical this quartet was, especially with the Grosse Fuge in place, as sharp contrasts grow throughout the work and explode in the unthinkably intense fugue. The quartet takes the first movements of the six-movement work very rapidly, with the lighter melodic passages seeming like passing thoughts, takes a deep pause with the Cavatina slow movement, and then plunges into the fugue at top power. They are aided by magnificent engineering work from ECM, working on the Reitstadel Neumarkt, a riding stadium with famed acoustics. The Schnittke quartet is a fascinating work in itself, quoting the Beethoven extensively and exploring its sharp contrasts (sample the Agitato middle movement). One awaits the rest of the Danish String Quartet's series breathlessly, but it's possible that this volume, with a Beethoven performance for the ages, will tower over the rest. A bonus is a set of notes by the great Paul Griffiths, writing mostly for ECM these days.
© TiVo

Informationen zu dem Album

Auszeichnungen:

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Tickets To My Downfall Machine Gun Kelly
Mehr auf Qobuz
Von Danish String Quartet
Last Leaf Danish String Quartet
Wood Works Danish String Quartet
Prism II Danish String Quartet

Playlists

Das könnte Ihnen auch gefallen...
some kind of peace Ólafur Arnalds
Seasons: Orchestral Music of Michael Fine The Royal Scottish National Orchestra
Debussy – Rameau Víkingur Ólafsson
Panorama-Artikel...
Hugo Wolf - Feuerreiter des Liedes

Hugo Wolf gilt als einer der wichtigsten Lied-Komponisten. Ein Überblick über die spannendsten Aufnahmen seiner Liedgruppen.

Weihnachten in 15 Alben

Sie haben keinen besonders guten Ruf. Oft werden sie unter Musikkritikern verpönt und doch werden sie von aller Welt gehört. Diese besondere Spezies der Weihnachtsalben sprießt jedes Jahr von den bekanntesten und renommiertesten Künstlern aus dem Boden. Die ersten Pop-Weihnachtstlieder, die keinen kirchlichen Bezug mehr aufwiesen, entstanden um 1934 aus Kinderliedern, wie etwa Santa Claus Is Coming to Town von Fred Coots und Haven Gillespie, das 1935 von Tommy Dorsey und seinem Orchester aufgezeichnet wurde. Mit den Croonern kamen die ersten LPs auf, die eine Sammlung an mehreren Songs für die Festtage vereinten. Hier ist eine Auswahl an Alben, die wir mit größter Sorgfalt für Sie auserlesen haben und die Ihnen die Weihnachtszeit in diesem Jahr ganz besonders schön machen soll...

Wilhelm Backhaus, ein gigantisches Repertoire

Wilhelm Backhaus (1884-1969), Titan der deutschen klassischen Musik, wurde oft für streng und fantasielos gehalten. Sein immenses diskographisches Vermächtnis bei Decca, zu seiner Zeit noch eine Seltenheit, wird heute unter besten Bedingungen neu herausgegeben und trägt dazu bei, seinen allzu oft ungerechten Ruf aufzuwerten. Backhaus wirkt heute – von der allerersten Aufnahme eines Konzerts im Jahr 1909 (das stark gekürzte Klavierkonzert von Grieg) bis zu seinem letzten Konzert wenige Tage vor seinem Tod – dank seiner Texttreue und seiner schlichten Interpretationen, die den Komponisten bestmöglich gerecht werden, eigenartigerweise moderner als in der Vergangenheit.

Aktuelles...