Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
The complicated rhythm patterns and diverse sonic textures on Olé Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album). The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner, the song's author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. [Some reissues include an extra track cut during the same sessions, "To Her Ladyship."]
© Lindsay Planer /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Phil Ramone, Engineer - John Coltrane, Soprano Saxophone, Writer, MainArtist - Nesuhi Ertegun, Producer - Art Davis, Bass Guitar - Freddie Hubbard, Trumpet - Eric Dolphy, Flute - McCoy Tyner, Piano - Reggie Workman, Bass Guitar - Elvin Jones, Drums - George Lane, Flute
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.
Phil Ramone, Engineer - John Coltrane, Tenor Saxophone, Writer, MainArtist - Nesuhi Ertegun, Producer - Art Davis, Bass Guitar - Freddie Hubbard, Trumpet - Eric Dolphy, Alto Saxophone - McCoy Tyner, Piano - Reggie Workman, Bass Guitar - Elvin Jones, Drums - George Lane, Flute
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.
Phil Ramone, Engineer - John Coltrane, Tenor Saxophone, MainArtist - Nesuhi Ertegun, Producer - Freddie Hubbard, Trumpet - Eric Dolphy, Alto Saxophone - McCoy Tyner, Piano, Writer - Reggie Workman, Bass Guitar - Elvin Jones, Drums - George Lane, Flute
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.
Phil Ramone, Engineer - John Coltrane, Soprano Saxophone, Tenor Saxophone, MainArtist - Nesuhi Ertegun, Producer - Art Davis, Bass Guitar - Freddie Hubbard, Trumpet - Eric Dolphy, Flute - McCoy Tyner, Piano - Elvin Jones, Drums - Billy Frazier, Writer
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1962 Atlantic Recording Corporation for the United States and WEA International for the world outside of the United States.
Albumbeschreibung
The complicated rhythm patterns and diverse sonic textures on Olé Coltrane are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick -- beyond his appreciable musical skills -- guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced two days prior to this session on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two sets complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane on soprano and tenor sax, McCoy Tyner on piano, and Elvin Jones on drums, with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with trumpeter Freddie Hubbard and Eric Dolphy on flute and alto sax (although Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album). The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that undoubtedly excited Coltrane, who was perpetually searching for sounds outside the norm. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner, the song's author, and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. [Some reissues include an extra track cut during the same sessions, "To Her Ladyship."]
© Lindsay Planer /TiVo
Informationen zu dem Album
- 1 Disc(s) - 4 Track(s)
- Gesamte Laufzeit: 00:45:51
- Künstler: John Coltrane
- Label: Rhino Atlantic
- Genre: Jazz
© 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 2005 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.