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Patricia Petibon - Nouveau Monde - Baroque Arias And Songs

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Nouveau Monde - Baroque Arias And Songs

La Cetra Barockorchester Basel

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The program for this release by French soprano Patricia Petibon is insanely ambitious, but she pulls it off brilliantly. The "nouveau monde" of the title refers not only to the Americas but to other overseas (from Europe) lands and even, Petibon says in the interview-style booklet, to the new world '"revealed to me by [early music pioneers] William Christie, Jordi Savall, and Nikolaus Harnoncourt when they revolutionized the approach to style and sound." But, Petibon goes on, this new world "is one that always has to be expanded with new explorations and new conquests." Thus we get pieces from a previously untouched Peruvian manuscript of the late 18th century along with a Spanish-language aria by Handel, popular songs from the Old and New Worlds, excerpts from Charpentier's Medée (with its crossing of the river Styx, yet another "new world" opera), Rameau's Les Indes galantes (a work desperately in need of a full-scale revival), Purcell's "When I Am Laid in Earth" from Dido and Aeneas (an "Egyptian" work), and more. Petibon weaves the various themes -- pastoral, nostalgic, self-destructive -- together in such a way that this extremely disparate material seems to flow together, and indeed she makes the point convincingly that audiences of the Baroque and Classical eras might have known a good deal of this music and considered it fit for inclusion on the same bill. Her voice may be a bit on the dry side for some, but the same is true of many Christie products, and she has given the Baroque repertory a very strong shake-up here. The La Cetra ensemble of Basel is an adept co-conspirator in Petibon's plans, and even Deutsche Grammophon's graphics, not a field in which the label typically excels, are delightful.
© TiVo

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Nouveau Monde - Baroque Arias And Songs

Patricia Petibon

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Vendado es amor, no es ciego (Zarzuela) (José de Nebra)

1
El bajel que no recela
00:05:30

Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - José de Nebra, ComposerLyricist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Yo soy la locura (Henri de Bailly)

2
de Bailly: Yo soy la locura
00:02:40

Anonymous, Author - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Henri de Bailly, Composer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Codex Martínez Compañon (Anonymous)

3
Cachua a voz y bajo Al Nacimento de Christo Nuestro Señor
00:03:13

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Vendado es amor, no es ciego (Zarzuela) (José de Nebra)

4
En amor, pastorcillos, no hay quien distinga
00:01:47

Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - José de Nebra, ComposerLyricist - Joël Grare, Castanets, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Dido and Aeneas / Act 3 (Henry Purcell)

5
"Thy hand, Belinda...When I am laid in earth"
00:05:21

Virgil, Author, Original Text Author - Nahum Tate, Author - Henry Purcell, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Les Indes galantes / Nouvelle Entrée: Les Sauvages Scène 6 (Jean-Philippe Rameau)

6
Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles
00:04:12

Jean-Philippe Rameau, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Louis Fuzelier, Author - Kevin Greenlaw, Baritone, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Cantata spagnola HWV 140 (Georg Friedrich Händel)

7
No se emendará jamás
00:03:36

George Frideric Handel, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Castanets, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Codex Martínez Compañon (Anonymous)

8
Tonada la Lata a voz y bajo para bailar cantando
00:02:10

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Flute, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Mon amy s'en est allÈ (Anonymous)

9
Mon amy s'en est allé
00:03:35

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Flute, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, Arranger, Work Arranger, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Codex Martínez Compañon (Anonymous)

10
Tonada la Lata el Congo a voz y bajo para baylar cantando
00:03:20

Anonymous, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Flute, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Chaconne for Soprano and Continuo (Marc-Antoine Charpentier)

11
Sans frayer dans ce bois
00:02:29

Anonymous, Author - Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Ovid, Author, Original Text Author - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Medée / Acte III / Scène 3 (Marc-Antoine Charpentier)

12
Quel prix de mon amour
00:05:35

Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Medée / Acte III / Scène 5 / Scéne 6 (Marc-Antoine Charpentier)

13
Prélude - Noire filles du stix - L'Enfer obéit à ta voix
00:03:57

Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Medée / Acte III / Scène 7 (Marc-Antoine Charpentier)

14
Dieu du Cocyte et des Royaumes sombres
00:04:49

Marc-Antoine Charpentier, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Greensleeves To A Ground (Anonymous)

15
Anonymous: Greensleeves To A Ground - Arranged By La Cetra
00:04:08

Traditional, Author - Anonymous, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Bagpipes, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, Arranger, Work Arranger, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

J'ai vu le loup, le renard et la belette (Anonymous)

16
J'ai vu le loup, le renard et la belette
00:02:54

Traditional, ComposerLyricist - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Joël Grare, Percussion, MainArtist, AssociatedPerformer - Pierre Hamon, Bagpipes, MainArtist, AssociatedPerformer - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, Arranger, Work Arranger, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Les Indes galantes / Première Entrée: Le Turc généreux Scène 2 (Jean-Philippe Rameau)

17
La nuit couvre les cieux - Que nous sert d'échapper à la fureur des mers
00:04:44

Jean-Philippe Rameau, Composer - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Louis Fuzelier, Author - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - La Cetra Vocalensemble Basel, Chorus, MainArtist, AssociatedPerformer - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

King Arthur, or The British Worthy (1691) / Act 5 (Henry Purcell)

18
Fairest Isle (Venus)
00:03:37

Henry Purcell, Composer - John Dryden, Author - Patricia Petibon, Soprano, MainArtist, AssociatedPerformer - Arend Prohmann, Producer, Recording Producer - Andrea Marcon, Conductor, MainArtist - Rainer Maillard, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - La Cetra Barockorchester Basel, Orchestra, MainArtist - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

The program for this release by French soprano Patricia Petibon is insanely ambitious, but she pulls it off brilliantly. The "nouveau monde" of the title refers not only to the Americas but to other overseas (from Europe) lands and even, Petibon says in the interview-style booklet, to the new world '"revealed to me by [early music pioneers] William Christie, Jordi Savall, and Nikolaus Harnoncourt when they revolutionized the approach to style and sound." But, Petibon goes on, this new world "is one that always has to be expanded with new explorations and new conquests." Thus we get pieces from a previously untouched Peruvian manuscript of the late 18th century along with a Spanish-language aria by Handel, popular songs from the Old and New Worlds, excerpts from Charpentier's Medée (with its crossing of the river Styx, yet another "new world" opera), Rameau's Les Indes galantes (a work desperately in need of a full-scale revival), Purcell's "When I Am Laid in Earth" from Dido and Aeneas (an "Egyptian" work), and more. Petibon weaves the various themes -- pastoral, nostalgic, self-destructive -- together in such a way that this extremely disparate material seems to flow together, and indeed she makes the point convincingly that audiences of the Baroque and Classical eras might have known a good deal of this music and considered it fit for inclusion on the same bill. Her voice may be a bit on the dry side for some, but the same is true of many Christie products, and she has given the Baroque repertory a very strong shake-up here. The La Cetra ensemble of Basel is an adept co-conspirator in Petibon's plans, and even Deutsche Grammophon's graphics, not a field in which the label typically excels, are delightful.
© TiVo

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