Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

The 1975 - Notes On A Conditional Form

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Notes On A Conditional Form

The 1975

Verfügbar in
logo Hi-Res
24-Bit 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, abonnieren Sie Sublime+

Text in englischer Sprache verfügbar

The fourth album from Manchester quartet led by the “bad boy of pop-rock” (as described by Pitchfork) Matty Healy, 31. The most interesting thing about The 1975’s music is its ability, through diversity and multiplicity, to represent the times in which we live. This is their strength, but also one of their limitations. On this rather pretentiously titled album, “Notes On A Conditional Form”, we find an ensemble of many styles: an intro of several minutes consisting of worrisome spoken-word à la Laurie Anderson (in fact an alarming speech by Great Thunberg on “The 1975”), thrashing rock and punks’ cries on “People”, a quasi-classical section resembling the soundtrack of a new age film on “The End (Music For Cars)” before finishing it all off with the very R&B, “Frail State of Mind”… A sort of virtuous patchwork, the album resembles an eclectic radio show or playlist. With some twenty-two tracks, and a one hour twenty minute run time, this might appear lengthy. But the diversity of this post modern collage helps us to forget that we are listening to just one group. The only danger? A blurred identity diluted through multitude. A little like our lives today. © Yan Céh/Qobuz

Weitere Informationen

Notes On A Conditional Form

The 1975

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 50 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 50 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
The 1975
00:04:55

Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Mixer, Drums, Programmer, Synthesizer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Ross MacDonald, Bass Guitar, AssociatedPerformer - Matthew Healy, Producer, Piano, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer - John Waugh, Saxophone, AssociatedPerformer - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Greta Thunberg, Vocals, AssociatedPerformer, ComposerLyricist

℗ 2019 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

2
People
00:02:38

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Synthesizer, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Producer, Recording Engineer, StudioPersonnel

℗ 2019 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

3
The End (Music For Cars)
00:02:30

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

4
Frail State Of Mind
00:03:53

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - Roy Hargrove, Trumpet, AssociatedPerformer - The 1975, MainArtist - George Daniel, Producer, Drums, Engineer, Harp, Piano, Vibraphone, Recording Engineer, Synthesizer, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, Vocals, Recording Engineer, Background Vocalist, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

5
Streaming
00:01:32

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Synthesizer, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Ben Lester, Pedal Steel, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

6
The Birthday Party
00:04:45

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Guitar, Keyboards, Vocals, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

7
Yeah I Know
00:04:13

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Keyboards, Synthesizer, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

8
Then Because She Goes
00:02:07

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Producer, Recording Engineer, StudioPersonnel - Phoebe Bridgers, Background Vocalist, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

9
Jesus Christ 2005 God Bless America
00:04:24

Mike Crossey, Mixer, StudioPersonnel - Rashawn Ross, Trumpet, AssociatedPerformer - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Keyboards, Synthesizer, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Double Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - John Waugh, Saxophone, AssociatedPerformer - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Phoebe Bridgers, Vocals, AssociatedPerformer - Ben Lester, Pedal Steel, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

10
Roadkill
00:02:55

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Producer, Recording Engineer, StudioPersonnel - Phoebe Bridgers, Background Vocalist, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

11
Me & You Together Song
00:03:27

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass Guitar, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Producer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

12
I Think There's Something You Should Know
00:04:00

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Harp, Keyboards, Piano, Vibraphone, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - John Waugh, Saxophone, AssociatedPerformer - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

13
Nothing Revealed / Everything Denied
00:03:38

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - London Community Gospel Choir, Choir - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, Synthesizer, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Jamie Squire, Guitar, Keyboards, Piano, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

14
Tonight (I Wish I Was Your Boy)
00:04:07

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - Hiroshi Sato, ComposerLyricist - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, Synthesizer, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Guendoline Viray, ComposerLyricist - Rome Gomez, ComposerLyricist

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

15
Shiny Collarbone
00:02:50

Mike Crossey, Mixer, StudioPersonnel - Cutty Ranks, Vocals, AssociatedPerformer - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Keyboards, Synthesizer, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

16
If You’re Too Shy (Let Me Know)
00:05:19

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, Synthesizer, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - John Waugh, Saxophone, AssociatedPerformer - Tahliah Debrett Barnett, Background Vocalist, AssociatedPerformer - Lemar Guillary, Trombone, AssociatedPerformer - Jonathan Gilmore, Producer, Recording Engineer, StudioPersonnel - BOB REYNOLDS, Alto Saxophone, Tenor Saxophone, AssociatedPerformer - Jamie Squire, Guitar, AssociatedPerformer - Rashwan Ross, Flugelhorn, Trumpet, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

17
Playing On My Mind
00:03:24

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Phoebe Bridgers, Background Vocalist, AssociatedPerformer - Ben Lester, Pedal Steel, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

18
Having No Head
00:06:04

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, Piano, Synthesizer, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, ComposerLyricist - Adam Hann, ComposerLyricist - John Waugh, Saxophone, AssociatedPerformer - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

19
What Should I Say
00:04:06

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Keyboards, Synthesizer, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

20
Bagsy Not In Net
00:02:26

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Programming, AssociatedPerformer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

21
Don’t Worry
00:02:48

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - Tim Healy, Vocals, AssociatedPerformer, ComposerLyricist - The 1975, MainArtist - George Daniel, Producer, ComposerLyricist - Ross MacDonald, ComposerLyricist - Matthew Healy, Producer, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, ComposerLyricist - Jonathan Gilmore, Recording Engineer, StudioPersonnel - Jamie Squire, Piano, AssociatedPerformer

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

22
Guys
00:04:29

Mike Crossey, Mixer, StudioPersonnel - Robin Schmidt, Mastering Engineer, StudioPersonnel - The 1975, MainArtist - George Daniel, Producer, Drums, Synthesizer, Background Vocalist, AssociatedPerformer, ComposerLyricist - Ross MacDonald, Bass, AssociatedPerformer, ComposerLyricist - Matthew Healy, Producer, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Adam Hann, Guitar, AssociatedPerformer, ComposerLyricist - Jonathan Gilmore, Producer, Recording Engineer, StudioPersonnel

℗ 2020 Dirty Hit, under exclusive licence to Polydor Records and Interscope Records

Albumbeschreibung

The fourth album from Manchester quartet led by the “bad boy of pop-rock” (as described by Pitchfork) Matty Healy, 31. The most interesting thing about The 1975’s music is its ability, through diversity and multiplicity, to represent the times in which we live. This is their strength, but also one of their limitations. On this rather pretentiously titled album, “Notes On A Conditional Form”, we find an ensemble of many styles: an intro of several minutes consisting of worrisome spoken-word à la Laurie Anderson (in fact an alarming speech by Great Thunberg on “The 1975”), thrashing rock and punks’ cries on “People”, a quasi-classical section resembling the soundtrack of a new age film on “The End (Music For Cars)” before finishing it all off with the very R&B, “Frail State of Mind”… A sort of virtuous patchwork, the album resembles an eclectic radio show or playlist. With some twenty-two tracks, and a one hour twenty minute run time, this might appear lengthy. But the diversity of this post modern collage helps us to forget that we are listening to just one group. The only danger? A blurred identity diluted through multitude. A little like our lives today. © Yan Céh/Qobuz

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
The Complete Studio Albums Creedence Clearwater Revival
Folk Singer Muddy Waters
Live At The Regal B.B. King
Mehr auf Qobuz
Von The 1975
Das könnte Ihnen auch gefallen...
Punisher Phoebe Bridgers
Myopia Agnes Obel
Ghosteen Nick Cave & The Bad Seeds
Panorama-Artikel...
Der Grunge in 10 Alben

Vor dreißig Jahren wurde Seattle zu DER Hauptstadt des Rock. Dies lag am Grunge. Dieser “schmutzige” Stil und diese “Scheiß drauf”-Einstellung, die den Spuren des Punk, Heavy Metal und Alternativ folgte, schlug wie ein Blitz in den Underground ein und wurde zu einem Welterfolg. In den 90er Jahren erstickte dieses Genre, das von einem System zu schnell verneint wurde, in seiner eigenen Karikatur. Ein Rückblick auf zehn repräsentative Alben.

Kraftwerk – 50 Jahre Vorsprung

Kraftwerk – einflussreichste Elektromusik-Gruppe der Geschichte – waren ihrer Zeit immer schon weit voraus. Und das betrifft sowohl die Technologie als auch die Komposition und die Performances. Die Deutschen bewiesen damit dem breiten Publikum, dass auch Maschinen Gefühle auslösen können und bereiteten dem Techno, dem New Wave und sogar dem Hip-Hop den Weg.

Nirvana, Ende des Rock’n’Roll…

33 Jahre ist es her, dass Nirvana, dieser total unerwartete Schlenker der Punkbewegung, am Ende des 20. Jahrhunderts das Licht der Welt erblickte. Blitzkarriere, internationale Hits, Fans in rauen Mengen und tragisches Nachspiel für einen in aller Welt bekannten Sonderling. Die Band von Kurt Cobain war vielleicht ganz einfach die letzte Rockgruppe der Geschichte. Das allerletzte derartige Phänomen einer ganzen Generation, wenn nicht sogar ihr letzter Mythos.

Aktuelles...