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Bochum Symphony Orchestra - Marx: Orchestral Works, Vol. 2

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Marx: Orchestral Works, Vol. 2

Bochum Symphony Orchestra, Steven Sloane

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Text in englischer Sprache verfügbar

The Viennese composer Joseph Marx was admired by Nikolai Medtner, Wilhelm Furtwängler, and, more recently, Ricardo Chailly. He was extraordinarily prolific as a teacher as well. When the Nazis took over Austria, Marx lost his music criticism job but remained in Vienna. Because of suspicions of anti-Semitism (since largely disproved) and because of the general takeover of modernism in the German-language sphere after the war, his once very popular music was almost forgotten. It's well worth hearing; several conductors have revived it, but the attempt by the Bochum Symphony Orchestra under its longtime American conductor, Steven Sloane, has been the most thorough. Marx has the reputation of being a musical conservative, but that's not entirely fair. Even in the works here, written just before or in the early days of World War II, he uses Classical and Romantic styles in a novel way, and the label "neoclassical" seems somehow not to fit him. He may have modified his style to appeal to Nazi cultural authorities, but in fact the Alt-Wiener Serenaden, begun in 1937 well before the Anschuluss, is the most conservative of the three works, with songlike melodies and modal counterpoint reminiscent at times of Vaughan Williams. The Quartetto in modo antico and Quartetto in modo classico, both presented here in arrangements made by Marx in the last stages of the war, are not really the exercises in neoclassical writing their titles might suggest. Marx was influenced not only by Mozart, Beethoven, and Schubert, but by Debussy and Scriabin, and although the derivations of the basic themes from older models is clear, what follows is not predictable. Sample the "Minuet" from the latter work for a taste: the music is fun and has a lightness entirely uncharacteristic of the Nazi aesthetic. Sloane and the Bochum Symphony know Marx's music well by now, and the performances are clean and idiomatic. Recommended, and a good place to start with Marx, who is not at all what he seems.
© TiVo

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Marx: Orchestral Works, Vol. 2

Bochum Symphony Orchestra

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Alt-Wiener Serenaden (Joseph Marx)

1
I. Intrada. Allegro moderato ma deciso
00:05:48

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist - René Kornfeld, Engineer

(C) 2019 Naxos (P) 2019 Naxos

2
II. Aria. Andante appassionata
00:04:39

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

3
III. Tempo di menuetto
00:03:23

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

4
IV. Scherzo con marcia. Presto
00:04:34

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

Quartetto in modo antico (Version for String Orchestra) (Joseph Marx)

5
I. Allegro poco moderato
00:09:48

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist - René Kornfeld, Engineer

(C) 2019 Naxos (P) 2019 Naxos

6
II. Presto
00:08:32

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

7
III. Adagio molto
00:07:26

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

8
IV. Vivace
00:05:16

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

Quartetto in modo classico (Version for String Orchestra) (Joseph Marx)

9
I. Allegro con brio
00:05:55

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist - René Kornfeld, Engineer

(C) 2019 Naxos (P) 2019 Naxos

10
II. Adagio ma non troppo
00:08:41

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

11
III. Tempo di minuetto
00:04:43

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

12
IV. Poco presto
00:06:17

Steven Sloane, Conductor - Joseph Marx, Composer - Bochum Symphony Orchestra, Orchestra, MainArtist

(C) 2019 Naxos (P) 2019 Naxos

Albumbeschreibung

The Viennese composer Joseph Marx was admired by Nikolai Medtner, Wilhelm Furtwängler, and, more recently, Ricardo Chailly. He was extraordinarily prolific as a teacher as well. When the Nazis took over Austria, Marx lost his music criticism job but remained in Vienna. Because of suspicions of anti-Semitism (since largely disproved) and because of the general takeover of modernism in the German-language sphere after the war, his once very popular music was almost forgotten. It's well worth hearing; several conductors have revived it, but the attempt by the Bochum Symphony Orchestra under its longtime American conductor, Steven Sloane, has been the most thorough. Marx has the reputation of being a musical conservative, but that's not entirely fair. Even in the works here, written just before or in the early days of World War II, he uses Classical and Romantic styles in a novel way, and the label "neoclassical" seems somehow not to fit him. He may have modified his style to appeal to Nazi cultural authorities, but in fact the Alt-Wiener Serenaden, begun in 1937 well before the Anschuluss, is the most conservative of the three works, with songlike melodies and modal counterpoint reminiscent at times of Vaughan Williams. The Quartetto in modo antico and Quartetto in modo classico, both presented here in arrangements made by Marx in the last stages of the war, are not really the exercises in neoclassical writing their titles might suggest. Marx was influenced not only by Mozart, Beethoven, and Schubert, but by Debussy and Scriabin, and although the derivations of the basic themes from older models is clear, what follows is not predictable. Sample the "Minuet" from the latter work for a taste: the music is fun and has a lightness entirely uncharacteristic of the Nazi aesthetic. Sloane and the Bochum Symphony know Marx's music well by now, and the performances are clean and idiomatic. Recommended, and a good place to start with Marx, who is not at all what he seems.
© TiVo

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