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Karen O|Lux Prima

Lux Prima

Karen O & Danger Mouse

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With the Yeah Yeah Yeahs and on her own, Karen O proved herself one of the most powerful voices of the 2000s -- and one that went missing for most of the 2010s. While she took some well-deserved time to raise her child and pursue other projects, whenever she resurfaced, as on the 2017 Daniele Luppi and Parquet Courts collaboration Milano, it was a reminder of just how much she was missed. On her first album since 2014's Crush Songs, O draws on the different aspects of her previous work without repeating herself, blending together thoughtful ballads and the occasional fiery rock song with soundtrack-worthy atmospheres. Her partner in this balancing act is Danger Mouse, whose lush, funky production harks back to his work with Gnarls Barkley; "Drown," with its layered strings, electric piano and mellow acoustic strumming, is an archetypal example of his sound. Together, the pair sets a dramatic, mysterious, and strangely luxurious mood that fits Lux Prima's musings on birth and rebirth. They begin the album with its most ambitious track: A nine-minute, four-part suite, "Lux Prima" swirls eerie synth passages, symphonic grandeur, and slinky R&B together with an unhurried mystique. It's an impressive, somewhat daunting prologue that hints at just how much ground Karen O and Danger Mouse cover on the album, and how well they complement each other. Some of her previous solo work was so sparse-sounding that it didn't take full advantage of her presence as a singer, but his full-bodied style holds its own with her vocals. Likewise, O's vivid songwriting gives Danger Mouse plenty of fodder for his evocative approach on tracks like "Ministry of Love," which magnifies the introspective bent of her solo work into a late-night song of devotion. Elsewhere, she revels in the freedom that Lux Prima affords her, moving from the slow-motion disco shimmy of "Turn the Light" to the collage of Motown stomp and dreamy girl group pop that make up "Woman." When she taps into the rock power that made her a star nearly 20 years before Lux Prima, she doesn't try to recapture the Yeah Yeah Yeahs' glory days; "Redeemer" and "Leopard's Tongue" are sultry instead of explosive. When "Nox Lumina" closes the album by bringing it full circle, it reaffirms that Lux Prima is the sophisticated, sonically adventurous album Karen O deserves to make at this point in her career.
© Heather Phares /TiVo

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Lux Prima

Karen O

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1
Lux Prima
00:09:02

Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer, MixingEngineer - Todd Monfalcone, Engineer, MixingEngineer - Bob Weston, Engineer, MasteringEngineer - Karen O, Performance, MainArtist - Chris Tedesco, Conductor, Trombone, Trumpet - Saundra Williams, Background Vocals - James Casey, Background Vocals - J-Zone, Drums, Background Vocals - Karen Lee Orzolek, Composer - Sam Cohen, Composer, Bass Guitar, Synthesizer - Alecia Chakour, Background Vocals - Jacob Dennis, Mixer - Inflo, VocalProducer - David Christian, Drums - Jasmine Muhammad, Background Vocals - Andre' Kellman, Recording

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

2
Ministry
00:05:06

Peter Kent, Violin - Brian Burton, Composer - Hector Delgado, Composer, Drum Programmer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Saundra Williams, Background Vocals - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - James Casey, Background Vocals - Kathleen Robertson, Violin - Sharon Jackson, Violin - Karen Lee Orzolek, Composer - Sam Cohen, Composer, Drums, Engineer, Bass Guitar, Electric Guitar - Alecia Chakour, Background Vocals - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - Jasmine Muhammad, Background Vocals - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

3
Turn The Light
00:03:19

Peter Kent, Violin - Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Saundra Williams, Background Vocals - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - James Casey, Background Vocals - Kathleen Robertson, Violin - Sharon Jackson, Violin - Karen Lee Orzolek, Composer - Sam Cohen, Composer, Engineer, Bass Guitar, Electric Guitar, Synthesizer - Alecia Chakour, Background Vocals - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Inflo, Background Vocals - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - Jasmine Muhammad, Background Vocals - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

4
Woman
00:02:54

Peter Kent, Violin - Brian Burton, Composer - Orville Burrell, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Dwayne Shippy, Composer, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Saundra Williams, Background Vocals - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - James Casey, Background Vocals - Kathleen Robertson, Violin - Sharon Jackson, Violin - Nick Zinner, Electric Guitar - Karen Lee Orzolek, Composer - Sam Cohen, Engineer, Bass Guitar - Alecia Chakour, Background Vocals - Jacob Dennis, Mixer - Max Alfred Elliott, Composer - Benjamin Powell, Violin - Erika Walczak, Violin - Josh Kaufman, Bass Guitar - Inflo, Background Vocals - Shane Hoosong, Composer, Arranger - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - David Christian, Drums - Jared Samuel, Piano - Jasmine Muhammad, Background Vocals - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

5
Redeemer
00:03:49

Peter Kent, Violin - Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Chris Tedesco, Trombone, Trumpet - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - Kathleen Robertson, Violin - Sharon Jackson, Violin - Karen Lee Orzolek, Composer - Sam Cohen, Engineer, Electric Guitar - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Josh Kaufman, Bass Guitar - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - David Christian, Drums - Jared Samuel, Wurlitzer - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

6
Drown
00:03:26

Peter Kent, Violin - Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer, Acoustic Guitar - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Chris Tedesco, Trombone, Trumpet - Saundra Williams, Background Vocals - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - James Casey, Background Vocals - Kathleen Robertson, Violin - Sharon Jackson, Violin - Karen Lee Orzolek, Composer - Sam Cohen, Engineer, Bass Guitar, Electric Guitar - Alecia Chakour, Background Vocals - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Josh Kaufman, Electric Guitar - Inflo, Background Vocals - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - David Christian, Drums - Jasmine Muhammad, Background Vocals - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

7
Leopard's Tongue
00:03:13

Peter Kent, Violin - Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - Kathleen Robertson, Violin - Sharon Jackson, Violin - Karen Lee Orzolek, Composer - Sam Cohen, Composer, Engineer, Bass Guitar, Electric Guitar - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - David Christian, Composer, Drums - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

8
Reveries
00:03:44

Peter Kent, Violin - Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - Kathleen Robertson, Violin - Sharon Jackson, Violin - Nick Zinner, Electric Guitar - Karen Lee Orzolek, Composer - Sam Cohen, Engineer - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

9
Nox Lumina
00:06:09

Peter Kent, Violin - Brian Burton, Composer - Danger Mouse , Producer, Performance, MainArtist - Kennie Takahashi, Engineer, Programmer - Todd Monfalcone, Engineer - Daniele Luppi, Conductor, Arranger - Bob Weston, Engineer - Karen O, Performance, MainArtist - Saundra Williams, Background Vocals - Cameron Patrick, Violin - Adriana Zoppo, Viola - Marina Manukian, Violin - Stefanie Fife, Cello - James Casey, Background Vocals - Kathleen Robertson, Violin - Sharon Jackson, Violin - Karen Lee Orzolek, Composer - Sam Cohen, Engineer - Alecia Chakour, Background Vocals - Jacob Dennis, Mixer - Benjamin Powell, Violin - Erika Walczak, Violin - Inflo, Background Vocals - Gosha Usov, Engineer - Mei Chang, Violin - Justin Harrison, Engineer - Jasmine Muhammad, Background Vocals - James D Goodwin, Engineer - Rob Duffy, Engineer

© 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC ℗ 2018 Lux Prima, LLC under exclusive license to BMG Rights Management (US) LLC

Albumbeschreibung

With the Yeah Yeah Yeahs and on her own, Karen O proved herself one of the most powerful voices of the 2000s -- and one that went missing for most of the 2010s. While she took some well-deserved time to raise her child and pursue other projects, whenever she resurfaced, as on the 2017 Daniele Luppi and Parquet Courts collaboration Milano, it was a reminder of just how much she was missed. On her first album since 2014's Crush Songs, O draws on the different aspects of her previous work without repeating herself, blending together thoughtful ballads and the occasional fiery rock song with soundtrack-worthy atmospheres. Her partner in this balancing act is Danger Mouse, whose lush, funky production harks back to his work with Gnarls Barkley; "Drown," with its layered strings, electric piano and mellow acoustic strumming, is an archetypal example of his sound. Together, the pair sets a dramatic, mysterious, and strangely luxurious mood that fits Lux Prima's musings on birth and rebirth. They begin the album with its most ambitious track: A nine-minute, four-part suite, "Lux Prima" swirls eerie synth passages, symphonic grandeur, and slinky R&B together with an unhurried mystique. It's an impressive, somewhat daunting prologue that hints at just how much ground Karen O and Danger Mouse cover on the album, and how well they complement each other. Some of her previous solo work was so sparse-sounding that it didn't take full advantage of her presence as a singer, but his full-bodied style holds its own with her vocals. Likewise, O's vivid songwriting gives Danger Mouse plenty of fodder for his evocative approach on tracks like "Ministry of Love," which magnifies the introspective bent of her solo work into a late-night song of devotion. Elsewhere, she revels in the freedom that Lux Prima affords her, moving from the slow-motion disco shimmy of "Turn the Light" to the collage of Motown stomp and dreamy girl group pop that make up "Woman." When she taps into the rock power that made her a star nearly 20 years before Lux Prima, she doesn't try to recapture the Yeah Yeah Yeahs' glory days; "Redeemer" and "Leopard's Tongue" are sultry instead of explosive. When "Nox Lumina" closes the album by bringing it full circle, it reaffirms that Lux Prima is the sophisticated, sonically adventurous album Karen O deserves to make at this point in her career.
© Heather Phares /TiVo

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