Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Accentus - Laurence Equilbey|Farrenc: Symphonies Nos 1 & 3

Farrenc: Symphonies Nos 1 & 3

Laurence Equilbey

Verfügbar in
24-Bit/96 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Louise Farrenc, a pioneer of striking stature among female composers in France, has been receiving attention for her often entirely original chamber music and piano music, but she also wrote a number of orchestral works that have been sparsely played and recorded. They have been championed by conductor Laurence Equilbey and her Insula Orchestra, and anyone enthusiastic about the history of music by women will welcome this nicely recorded release. The Symphony No. 1 in C minor, Op. 32, although composed in 1842 when Farrenc was almost 40, is something of a student essay in the symphonic form, with many gestures resembling source material found in Beethoven's Symphony No. 5 in C minor, Op. 67. The Symphony No. 3 in G minor, Op. 36, was written just five years later, and Beethoven is an influence here as well, but Farrenc's treatment is freer, with more of the distinctive and serious voice revealed in the composer's chamber music. Equilbey moves the works fully into the Romantic era with a rather explosive approach that contrasts her orchestra's trademark slinky sound with big, forceful climaxes. These are not works on the order of Farrenc's chamber music, which everyone should hear, but neither are they conventional, and they will reward the listener with plenty of surprises. The Symphony No. 3 could be added profitably to any symphonic program of early 19th century music.

© TiVo

Weitere Informationen

Farrenc: Symphonies Nos 1 & 3

Accentus - Laurence Equilbey

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
Symphony No. 1 in C Minor, Op. 32: IV. Allegro assai
00:08:12

Laurence Equilbey, Conductor, MainArtist - Louise Farrenc, Composer - Insula Orchestra, Orchestra

A Warner Classics/Erato release, © 2021 ERDA under exclusive licence to Parlophone Records Limited ℗ 2021 ERDA, under exclusive licence to Parlophone Records Limited

Albumbeschreibung

Louise Farrenc, a pioneer of striking stature among female composers in France, has been receiving attention for her often entirely original chamber music and piano music, but she also wrote a number of orchestral works that have been sparsely played and recorded. They have been championed by conductor Laurence Equilbey and her Insula Orchestra, and anyone enthusiastic about the history of music by women will welcome this nicely recorded release. The Symphony No. 1 in C minor, Op. 32, although composed in 1842 when Farrenc was almost 40, is something of a student essay in the symphonic form, with many gestures resembling source material found in Beethoven's Symphony No. 5 in C minor, Op. 67. The Symphony No. 3 in G minor, Op. 36, was written just five years later, and Beethoven is an influence here as well, but Farrenc's treatment is freer, with more of the distinctive and serious voice revealed in the composer's chamber music. Equilbey moves the works fully into the Romantic era with a rather explosive approach that contrasts her orchestra's trademark slinky sound with big, forceful climaxes. These are not works on the order of Farrenc's chamber music, which everyone should hear, but neither are they conventional, and they will reward the listener with plenty of surprises. The Symphony No. 3 could be added profitably to any symphonic program of early 19th century music.

© TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Ravel : Complete Works for Solo Piano

Bertrand Chamayou

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

Tharaud plays Rachmaninov

Alexandre Tharaud

Tharaud plays Rachmaninov Alexandre Tharaud
Mehr auf Qobuz
Von Accentus - Laurence Equilbey

Franz Schubert : Nacht und Träume

Accentus - Laurence Equilbey

Franz Schubert : Nacht und Träume Accentus - Laurence Equilbey

Wolfgang Amadeus Mozart : Requiem

Accentus - Laurence Equilbey

Wolfgang Amadeus Mozart : Requiem Accentus - Laurence Equilbey

Louise Farrenc: Symphonies Nos. 1-3, Overtures Nos. 1 & 2

Accentus - Laurence Equilbey

Louise Farrenc: Symphonies Nos 1 & 3

Accentus - Laurence Equilbey

Louise Farrenc: Symphonies Nos 1 & 3 Accentus - Laurence Equilbey

Magic Mozart

Accentus - Laurence Equilbey

Magic Mozart Accentus - Laurence Equilbey

Playlists

Das könnte Ihnen auch gefallen...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana