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The Sounds|Dying to Say This to You  (Premium Download Version)

Dying to Say This to You (Premium Download Version)

The Sounds

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It can be said with as much certainty that any outside observer can have that the Sounds' sophomore effort, Dying to Say This to You, has achieved all of its goals and then some. The Swedish indie rock band by all appearances set out to make a fun, high-quality pop/rock record and they did so, brilliantly. This disc has been rendered with creativity and panache, and it features hooky songwriting so compelling that it's easy to listen to the mere 35 minutes of material (divided into 11 three-minute long, radio-friendly songs) on a continuous loop. Missing Persons comparisons have abounded in reviews of the Sounds, owed mostly to their integrated use of synthesizers, and singer Maja Ivarsson's sassy delivery (not to mention her iconic look, complete with obligatory Nordic platinum blonde hair), but this doesn't really do the group justice. Keyboardist Jesper Anderberg's use of synth on the album finds the instrument's natural place in indie rock, giving it a chance to evolve rather than languish as a tool for the retro and sarcastic. The hard rocking guitar and an unapologetic rhythm section don't let up to make way for the synthesizers; they all simply exist in a cohesive arrangement. This, combined with Ivarsson's spunky voice, brings to life highly danceable tunes that come off as just a little bit punky, despite their strong on-paper adherence to pop sensibilities, which proves that attitude in delivery counts for a lot in the overall feel of a record. Moods of individual songs do vary, from the pissy vibe on "Queen of Apology" to the wry and earnest ballad "Night After Night," which manages to evoke a sense of vulnerability amid the just-out-for-a-good-time songs that surround it on the album. The tone of the disc as a whole, however, is consistent and clear, leaving no question that the Sounds have found their voice.

© Cammila Albertson /TiVo

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Dying to Say This to You (Premium Download Version)

The Sounds

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1
Song With a Mission (Album Version)
00:02:58

PAUL KOLDERIE, Mixer - Jeff Saltzman, Producer - The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2005 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

2
Queen of Apology (Album Version)
00:03:06

J. Bengtsson, Writer - The Sounds, MainArtist - F. Rodriguez, Writer - F. Nilsson, Writer - J. Anderberg, Writer - M.Ivarsson, Writer

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

3
Tony the Beat (Album Version)
00:03:11

The Sounds, Composer, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

4
24 Hours (Album Version)
00:02:41

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

5
Painted By Numbers (Album Version)
00:03:19

Jesper Anderberg, Composer - Felix Rodriquez, Composer - Fredrik Nilsson, Composer - Johan Bengtsson, Composer - Maja Ivarsson, Composer - The Sounds, Composer, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

6
Night After Night (Album Version)
00:04:14

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

7
Ego (Album Version) Explicit
00:02:43

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

8
Hurt You (Album Version)
00:03:50

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

9
Much Too Long (Album Version)
00:03:07

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

10
Running Out of Turbo (Album Version)
00:02:45

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

11
Night After Night (Bonus Track)
00:03:52

The Sounds, Writer, MainArtist

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

12
Living in America
00:03:25

Jesper Anderberg, Writer - Felix Rodriguez, Writer - Johan Bengtsson, Writer - Maja Ivarsson, Writer - The Sounds, MainArtist - Ade, Producer - Shooting Star, Producer - Fredrik Blond, Writer

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2002 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

13
Rock n Roll
00:03:55

Jesper Anderberg, Writer - Felix Rodriguez, Writer - Johan Bengtsson, Writer - Maja Ivarsson, Writer - The Sounds, MainArtist - Fredrik Blond, Writer

© 2006 Woah Dad/Telegram Music distributed by Warner Music Sweden AB ℗ 2002 Woah Dad/Telegram Music distributed by Warner Music Sweden AB

Albumbeschreibung

It can be said with as much certainty that any outside observer can have that the Sounds' sophomore effort, Dying to Say This to You, has achieved all of its goals and then some. The Swedish indie rock band by all appearances set out to make a fun, high-quality pop/rock record and they did so, brilliantly. This disc has been rendered with creativity and panache, and it features hooky songwriting so compelling that it's easy to listen to the mere 35 minutes of material (divided into 11 three-minute long, radio-friendly songs) on a continuous loop. Missing Persons comparisons have abounded in reviews of the Sounds, owed mostly to their integrated use of synthesizers, and singer Maja Ivarsson's sassy delivery (not to mention her iconic look, complete with obligatory Nordic platinum blonde hair), but this doesn't really do the group justice. Keyboardist Jesper Anderberg's use of synth on the album finds the instrument's natural place in indie rock, giving it a chance to evolve rather than languish as a tool for the retro and sarcastic. The hard rocking guitar and an unapologetic rhythm section don't let up to make way for the synthesizers; they all simply exist in a cohesive arrangement. This, combined with Ivarsson's spunky voice, brings to life highly danceable tunes that come off as just a little bit punky, despite their strong on-paper adherence to pop sensibilities, which proves that attitude in delivery counts for a lot in the overall feel of a record. Moods of individual songs do vary, from the pissy vibe on "Queen of Apology" to the wry and earnest ballad "Night After Night," which manages to evoke a sense of vulnerability amid the just-out-for-a-good-time songs that surround it on the album. The tone of the disc as a whole, however, is consistent and clear, leaving no question that the Sounds have found their voice.

© Cammila Albertson /TiVo

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