Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Arditti String Quartet|Conlon Nancarrow : Quartets and Studies

Conlon Nancarrow : Quartets and Studies

Arditti Quartet

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Any ensemble that takes on transcriptions of Nancarrow's player piano music deserves huge credit for bravery, and if it can pull it off, awestruck admiration. The Arditti Quartet programs both transcriptions of his works for player piano and works originally written for live performers, plus a duet for violin and player piano and a player piano solo. The Arditti, which has set before itself the most daunting musical challenges of the era since its founding in 1974, succeeds beautifully in maintaining the distinctive balancing act between the seeming chaos and systematic rigor Nancarrow demands. This high-wire act is most fear-inducing in Ivar Mikhashoff's arrangement of Study for Player piano No. 15, which sounds perilously close to the verge of spinning out of control, but the players miraculously bring the apparently unrelated lines to a tidy and satisfying cadence. Many of Nancarrow's works are canons, often using stupefyingly complex ratios (such as the square root of two to two) to determine the tempo of the various entries of the subject. His String Quartet No. 3 (1987), one of a handful of works he wrote for live performers rather than for player piano, uses the ratio of three to four to five to six. Each player's ability to maintain independence of tempo while remaining correctly related to the timing of the other three players is simply dazzling. Technical brilliance is not the Arditti's only triumph here; it plays with gorgeously full tone and subtly nuanced phrasing, giving the transcriptions a life they can never have when performed by a mechanical instrument. Nancarrow would have been proud, and probably amazed.

© TiVo

Weitere Informationen

Conlon Nancarrow : Quartets and Studies

Arditti String Quartet

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

String Quartet No. 1 (ca. 1942) (Conlon Nancarrow)

1
I. Allegro molto
Arditti String Quartet
00:02:33

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

2
II. Andante moderato
Arditti String Quartet
00:03:33

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

3
III. Prestissimo
Arditti String Quartet
00:05:04

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

String Quartet No. 3 (Canon 3/4/5/6 - 1987) (Conlon Nancarrow)

4
A Measure = 72
Arditti String Quartet
00:02:13

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

5
B Measure = 50
Arditti String Quartet
00:05:51

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

6
C Measure = 92
Arditti String Quartet
00:06:05

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

Study No. 15 (Version for Strings) (Conlon Nancarrow)

7
Study No. 15 (ca.1955 - Arranged for String Quartet 1987) (First recording)
Arditti String Quartet
00:01:35

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer - Yvar Mikhashoff, Arranger

(C) 2007 Wergo (P) 2007 Wergo

Study No. 31 (Version for Strings) (Conlon Nancarrow)

8
Study No. 31 (ca.1968 - Arranged for String Quartet 2003) (First recording)
Arditti String Quartet
00:02:43

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer - Paul Usher, Arranger

(C) 2007 Wergo (P) 2007 Wergo

Study No. 33 (Version for Strings) (Conlon Nancarrow)

9
Study No. 33 (ca.1968 - Arranged for String Quartet 2003) (First recording)
Arditti String Quartet
00:07:47

Arditti Quartet (Irvine Arditti, Violin - Graeme Jennings, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer - Paul Usher, Arranger

(C) 2007 Wergo (P) 2007 Wergo

Study No. 34 for Player Piano (Conlon Nancarrow)

10
Study No. 34 (ca.1969 - Arranged for String Trio 1988) (First recording)
Arditti String Quartet
00:04:55

Arditti Quartet (Irvine Arditti, Violin - Ralf Ehlers, Viola - Rohan de Saram, Cello) - Conlon Nancarrow, Composer & Arranger - Renotated by Graeme Jennings

(C) 2007 Wergo (P) 2007 Wergo

Toccata for Violin and Player Piano (1935-1980) (Conlon Nancarrow)

11
Toccata for Violin and Player Piano
Arditti String Quartet
00:01:40

Arditti Quartet (Irvine Arditti, Violin) - A Marshall & Wendell Ampico Player Piano is used from the estate of Conlon Nancarrow - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

Trilogy for Player Piano (1987) (Conlon Nancarrow)

12
I. (First recording)
Conlon Nancarrow
00:02:05

A Marshall & Wendell Ampico Player Piano is used from the estate of Conlon Nancarrow - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

13
II. (First recording)
Conlon Nancarrow
00:04:05

A Marshall & Wendell Ampico Player Piano is used from the estate of Conlon Nancarrow - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

14
III. (First recording)
Conlon Nancarrow
00:01:53

A Marshall & Wendell Ampico Player Piano is used from the estate of Conlon Nancarrow - Conlon Nancarrow, Composer

(C) 2007 Wergo (P) 2007 Wergo

Albumbeschreibung

Any ensemble that takes on transcriptions of Nancarrow's player piano music deserves huge credit for bravery, and if it can pull it off, awestruck admiration. The Arditti Quartet programs both transcriptions of his works for player piano and works originally written for live performers, plus a duet for violin and player piano and a player piano solo. The Arditti, which has set before itself the most daunting musical challenges of the era since its founding in 1974, succeeds beautifully in maintaining the distinctive balancing act between the seeming chaos and systematic rigor Nancarrow demands. This high-wire act is most fear-inducing in Ivar Mikhashoff's arrangement of Study for Player piano No. 15, which sounds perilously close to the verge of spinning out of control, but the players miraculously bring the apparently unrelated lines to a tidy and satisfying cadence. Many of Nancarrow's works are canons, often using stupefyingly complex ratios (such as the square root of two to two) to determine the tempo of the various entries of the subject. His String Quartet No. 3 (1987), one of a handful of works he wrote for live performers rather than for player piano, uses the ratio of three to four to five to six. Each player's ability to maintain independence of tempo while remaining correctly related to the timing of the other three players is simply dazzling. Technical brilliance is not the Arditti's only triumph here; it plays with gorgeously full tone and subtly nuanced phrasing, giving the transcriptions a life they can never have when performed by a mechanical instrument. Nancarrow would have been proud, and probably amazed.

© TiVo

Informationen zur Originalaufnahme : Recorded November 23-25 at Kammermusiksaal, Beethoven-Haus Bonn (1-10) & October 21-22, 2005 at Musikakademie der Stadt Basel; 11-14 produced in cooperation with Paul Sacher Stiftung, Basel

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Speak Now (Taylor's Version)

Taylor Swift

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

1989 (Taylor's Version)

Taylor Swift

Mehr auf Qobuz
Von Arditti String Quartet

Henri Dutilleux: Ainsi la nuit - Pascal Dusapin: Time zones & Quatuor III

Arditti String Quartet

Ferneyhough: Complete Works for String Quartet & Trio

Arditti String Quartet

Schoenberg: La nuit transfigurée

Arditti String Quartet

Schoenberg: La nuit transfigurée Arditti String Quartet

Dusapin: Quatuor Vl 'Hinterland' & Quatuor Vll 'OpenTime'

Arditti String Quartet

José Manuel López López: Infinita Domenica

Arditti String Quartet

Das könnte Ihnen auch gefallen...

Six Evolutions - Bach: Cello Suites

Yo-Yo Ma

Schubert: Chamber Works

Christian Tetzlaff

Schubert: Chamber Works Christian Tetzlaff

Mendelssohn

Sol Gabetta

Mendelssohn Sol Gabetta

Schumann: Piano Quartet - Piano Quintet

Isabelle Faust

Arvo Pärt: Portrait

Arvo Pärt