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Norma Waterson - Bright Shiny Morning

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Bright Shiny Morning

Norma Waterson

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Although Norma Waterson has been a fixture of the English folk scene for 35 years, Bright Shiny Morning is only her second solo album (her first, Norma Waterson, was released in 1996). She has remained a fixture due to her resonant voice and the depth of her interpretations of traditional English songs. From "The Chaps of Cockaigny" to "My Flower, My Companion & Me" Waterson's voice stands front and center, filled with romantic trills and often expressing a deep sadness. The individual arrangements add spice to this material, from the piano accordion on "Three Maids A-Milking" to the brass of "Barbary Allen." "Game of All Fours" is sung without accompaniment, recalling other traditional singers like Anne Briggs. Waterson writes, "All these songs, one way or another, are love songs," but love doesn't always go as one would like it to. Indeed, "One April Morning" carries the unhappy refrain, "Young men are false/young men they are deceitful." "Green Grows the Laurel" finds the narrator sadly parted from her lover, turned out of her home, and left to ramble with her baby. The artist receives a great deal of support from Eliza Carthy, Martin Carthy, and harp player Mary Macmaster, each tastefully adding touches that serve the voice of the singer. Eliza Carthy also receives credit for the fine production of Bright Shiny Morning, which has a crisp, vivid sound-brighter perhaps than one might expect for strict traditional music, but it works perfectly. Waterson has created a lasting artistic statement, and fans can only hope that she doesn't wait quite as long for her next effort.
© Ronnie D. Lankford, Jr. /TiVo

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Bright Shiny Morning

Norma Waterson

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1
The Chaps of Cockaigny
00:04:47

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Ben Ivitsky, Composer - Norma Waterson, Composer

2006 Topic

2
Three Maids - a - Milking
00:03:07

Norma Waterson, Performer - Martin Green, Composer - Trad, Composer - Norma Waterson, Composer

2006 Topic

3
One April Morning
00:03:58

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Ben Ivitsky, Composer - Norma Waterson, Composer

2006 Topic

4
Sheep Crook & Black Dog
00:03:38

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Ben Ivitsky, Composer - Mary MacMaster, Composer - Norma Waterson, Composer

2006 Topic

5
Game of All Fours
00:03:35

Norma Waterson, Performer - Norma Waterson, Composer

2006 Topic

6
Banks of the Dee
00:03:47

Norma Waterson, Composer, Performer - ELIZA CARTHY, Composer - John Adams, Composer

2006 Topic

7
Bright Shiny Morning
00:04:35

Norma Waterson, Composer, Performer - Ben Ivitsky, Composer - ELIZA CARTHY, Composer

2006 Topic

8
Barbary Allen
00:05:51

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Ben Ivitsky, Composer - Mary MacMaster, Composer - Norma Waterson, Composer

2006 Topic

9
Flower of Sweet Strabane
00:04:44

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Molleson Benedict Ivitsky, Composer - Norma Waterson, Composer

2006 Topic

10
Green Grows the Laurel
00:03:47

Norma Waterson, Performer - Drever Kris John Robert, Composer - John McCusker, Composer - Seward Andy, Composer

2006 Topic

11
Go & Leave Me
00:02:58

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Norma Waterson, Composer

2006 Topic

12
My Flower, My Companion & Me
00:03:49

Norma Waterson, Performer - Carthy Eliza Amy Forbes, Composer - Ben Ivitsky, Composer - Norma Waterson, Composer

2006 Topic

Albumbeschreibung

Although Norma Waterson has been a fixture of the English folk scene for 35 years, Bright Shiny Morning is only her second solo album (her first, Norma Waterson, was released in 1996). She has remained a fixture due to her resonant voice and the depth of her interpretations of traditional English songs. From "The Chaps of Cockaigny" to "My Flower, My Companion & Me" Waterson's voice stands front and center, filled with romantic trills and often expressing a deep sadness. The individual arrangements add spice to this material, from the piano accordion on "Three Maids A-Milking" to the brass of "Barbary Allen." "Game of All Fours" is sung without accompaniment, recalling other traditional singers like Anne Briggs. Waterson writes, "All these songs, one way or another, are love songs," but love doesn't always go as one would like it to. Indeed, "One April Morning" carries the unhappy refrain, "Young men are false/young men they are deceitful." "Green Grows the Laurel" finds the narrator sadly parted from her lover, turned out of her home, and left to ramble with her baby. The artist receives a great deal of support from Eliza Carthy, Martin Carthy, and harp player Mary Macmaster, each tastefully adding touches that serve the voice of the singer. Eliza Carthy also receives credit for the fine production of Bright Shiny Morning, which has a crisp, vivid sound-brighter perhaps than one might expect for strict traditional music, but it works perfectly. Waterson has created a lasting artistic statement, and fans can only hope that she doesn't wait quite as long for her next effort.
© Ronnie D. Lankford, Jr. /TiVo

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