Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Avishai Cohen (b) - Big Vicious

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Big Vicious

Avishai Cohen, Big Vicious

Digitales Booklet

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, abonnieren Sie Sublime+

Text in englischer Sprache verfügbar

On his fourth date for ECM, trumpeter Avishai Cohen leads a band he formed with friends after returning to Israel in 2013. The electro-acoustic ensemble includes guitarists Uzi Ramirez and Yonatan Albalak (also on electric bass) and drummers Aviv Cohen and Ziv Ravitz (who also did the live studio sampling); they deliver a program of nine originals and two covers. It is easily the most accessible album of Cohen's career thus far, in that it will likely appeal to listeners not normally drawn to jazz. There are several reasons for this. First is that Cohen's writing is songlike. The melodies are often hummable and there are many different stylistic forays into psychedelic rock, R&B and funk, Hebrew folk, and sound system electronica. It was cut over three days at Studios La Buissonne in France and produced by Manfred Eicher. Opener "Honey Fountain" commences with a sonar ping followed by a bassline and a skeletal double-time shuffle as Cohen enters with a lithe, flowing midtempo ballad and the electric guitars commingle behind him with atmospheric slide and airy fingerpicking. Though "Hidden Chamber" reveals some trumpet abstraction, it quickly evolves into a somber processional with staggered, shimmering guitars, a wave of ambient electronica, and whispering cymbals framing a mournful melody. The lyric line is carried even as the tune's intensity ramps up with rumbling basslines and sine-wave synths, all without losing the somber martial flavor. "King Kutner" is a rock tune with bluesy lead guitar and a popping bassline framed by snare breaks and a punchy kick drum. Its chorus nods directly at Heart's "Crazy on You" before Cohen enters to take it afield before falling in line. Beethoven's "Moonlight Sonata" is a complete reinvention, although it remains recognizable. The guitars are used impressionistically: one plays flamenco lines around Cohen's horn on the melody, and the other creates an open harmonic system as the snare holds down a basic beat with few embellishments. The other cover is Massive Attack's "Teardrop." Its reverbed drums and treated guitars flit across the foreground weightlessly as the bassline, synths, and samples find room to hover in the margin. Cohen's harmonic articulation of Liz Fraser's lyric line is a revelation: At its root, it's eerily similar to Traffic's "Dear Mr. Fantasy." The kick drums and tom-toms assume a dubwise flavor, adding heft to the sparse six-string embellishments before the tune travels off into trip-hop land and then returns with more complex textural dimensions. "The Things You Tell Me" is a hooky, Bill Frisell-esque Americana tune that slips in a quote from the intro to Blue Oyster Cult's "Don't Fear the Reaper." "This Time Is Different" is bumping, swinging, jazz-funk with great soloing from Cohen. "Teno Neno" emerges from mid-'70s soul with whammy-bar guitars, space, and a melody that resonates like a seductive love song. This band is one to keep an eye on if you have catholic tastes. Big Vicious wanders freely between its many influences to emerge with a compelling identity of its own.
© Thom Jurek /TiVo

Weitere Informationen

Big Vicious

Avishai Cohen (b)

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 60 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 60 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
Honey Fountain
00:04:34

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Composer, Drums, AssociatedPerformer - Yonatan Albalak, Composer, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Composer, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

2
Hidden Chamber
00:04:42

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Sampler, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Drums, AssociatedPerformer - Yonatan Albalak, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

3
King Kutner
00:04:10

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Drums, AssociatedPerformer - Yonatan Albalak, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

4
Moonlight Sonata
00:05:30

Ludwig van Beethoven, Composer - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Drums, AssociatedPerformer - Yonatan Albalak, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

5
Fractals
00:03:32

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Sampler, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Composer, Drums, AssociatedPerformer - Yonatan Albalak, Composer, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Composer, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

6
Teardrop
00:07:23

Grantley Marshall, ComposerLyricist - Elizabeth Fraser, ComposerLyricist - Andrew Vowles, ComposerLyricist - Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Robert Del Naja, ComposerLyricist - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Drums, AssociatedPerformer - Yonatan Albalak, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

7
The Things You Tell Me
00:03:12

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Drums, AssociatedPerformer - Yonatan Albalak, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

8
This Time It’s Different
00:03:20

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Composer, Drums, AssociatedPerformer - Yonatan Albalak, Composer, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Composer, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

9
Teno Neno
00:06:03

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Composer, Drums, AssociatedPerformer - Yonatan Albalak, Composer, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Composer, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

10
The Cow & The Calf
00:03:55

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Composer, Drums, AssociatedPerformer - Yonatan Albalak, Composer, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Composer, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

11
Intent
00:04:02

Gerard De Haro, Mixer, Recording Engineer, StudioPersonnel - Avishai Cohen, Composer, Trumpet, Electro-Acoustic Realization, Synthesizer Programming, MainArtist, AssociatedPerformer - Manfred Eicher, Producer - Ziv Ravitz, Drums, Synthesizer Programming, AssociatedPerformer - Romain castera, Mixer, Recording Engineer, StudioPersonnel - Nicolas Baillard, Mastering Engineer, StudioPersonnel - Aviv Cohen, Drums, AssociatedPerformer - Yonatan Albalak, Guitar, Bass Guitar, AssociatedPerformer - Big Vicious, MainArtist - Uzi Ramirez Feinerman, Guitar, AssociatedPerformer

℗ 2020 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

On his fourth date for ECM, trumpeter Avishai Cohen leads a band he formed with friends after returning to Israel in 2013. The electro-acoustic ensemble includes guitarists Uzi Ramirez and Yonatan Albalak (also on electric bass) and drummers Aviv Cohen and Ziv Ravitz (who also did the live studio sampling); they deliver a program of nine originals and two covers. It is easily the most accessible album of Cohen's career thus far, in that it will likely appeal to listeners not normally drawn to jazz. There are several reasons for this. First is that Cohen's writing is songlike. The melodies are often hummable and there are many different stylistic forays into psychedelic rock, R&B and funk, Hebrew folk, and sound system electronica. It was cut over three days at Studios La Buissonne in France and produced by Manfred Eicher. Opener "Honey Fountain" commences with a sonar ping followed by a bassline and a skeletal double-time shuffle as Cohen enters with a lithe, flowing midtempo ballad and the electric guitars commingle behind him with atmospheric slide and airy fingerpicking. Though "Hidden Chamber" reveals some trumpet abstraction, it quickly evolves into a somber processional with staggered, shimmering guitars, a wave of ambient electronica, and whispering cymbals framing a mournful melody. The lyric line is carried even as the tune's intensity ramps up with rumbling basslines and sine-wave synths, all without losing the somber martial flavor. "King Kutner" is a rock tune with bluesy lead guitar and a popping bassline framed by snare breaks and a punchy kick drum. Its chorus nods directly at Heart's "Crazy on You" before Cohen enters to take it afield before falling in line. Beethoven's "Moonlight Sonata" is a complete reinvention, although it remains recognizable. The guitars are used impressionistically: one plays flamenco lines around Cohen's horn on the melody, and the other creates an open harmonic system as the snare holds down a basic beat with few embellishments. The other cover is Massive Attack's "Teardrop." Its reverbed drums and treated guitars flit across the foreground weightlessly as the bassline, synths, and samples find room to hover in the margin. Cohen's harmonic articulation of Liz Fraser's lyric line is a revelation: At its root, it's eerily similar to Traffic's "Dear Mr. Fantasy." The kick drums and tom-toms assume a dubwise flavor, adding heft to the sparse six-string embellishments before the tune travels off into trip-hop land and then returns with more complex textural dimensions. "The Things You Tell Me" is a hooky, Bill Frisell-esque Americana tune that slips in a quote from the intro to Blue Oyster Cult's "Don't Fear the Reaper." "This Time Is Different" is bumping, swinging, jazz-funk with great soloing from Cohen. "Teno Neno" emerges from mid-'70s soul with whammy-bar guitars, space, and a melody that resonates like a seductive love song. This band is one to keep an eye on if you have catholic tastes. Big Vicious wanders freely between its many influences to emerge with a compelling identity of its own.
© Thom Jurek /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Blue Train John Coltrane
A Love Supreme John Coltrane
Chopin : Piano Concertos Benjamin Grosvenor
Mehr auf Qobuz
Von Avishai Cohen (b)
A Moment In Time Avishai Cohen (b)
Seven Seas Avishai Cohen (b)
From Darkness Avishai Cohen (b)
1970 Avishai Cohen (b)
Aurora Avishai Cohen (b)

Playlists

Das könnte Ihnen auch gefallen...
Panorama-Artikel...
Miles Davis spielt mit dem Strom

1968 lässt sich Miles Davis von den elektromusikalischen Effekten verzaubern. Im Bann der psychedelisch-revolutionären und funkigen Wandlungen eines Jimi Hendrix oder Persönlichkeiten wie Sly Stone & Compagnie mausert sich der Trompeter und erneuert damit gleich wennschon, dennschon auch den Jazz.

Die neue britische Jazzszene in 10 Alben

Hard Bop oder Hip-Hop, free oder groovy, Electronic oder Calypso, experimentell oder karibisch - die aktuelle britische Jazzszene strotzt nur so von Abenteurern, die ihre Ohren weit geöffnet haben, Musiker, die die Klassiker des Genres beherrschen und sie in verschiedene Terrains überführen. Hier sind 10 Alben, die diese neue Welle symbolisieren.

John Barry, ein geniales Faktotum

Wer Musik für die Leinwand schreiben will, muss alle Stilrichtungen gut kennen und viel Geschmack haben: Diskomusik für eine Szene im Nachtclub, ein Madrigal für einen historischen Film – ein Filmmusiker muss für alle Herausforderungen bereit sein! John Barry gehört zweifellos zu den Filmmusikkomponisten, die sich am besten an verschiedenste Film- und Musikgenres anpassen konnten.

Aktuelles...