Olivier Latry Bach to the future

Bach to the future

Olivier Latry

Erschienen am 22. März 2019 bei La Dolce Volta

Künstler: Olivier Latry

Genre: Klassik

Auszeichnungen: 4F de Télérama ( Mai 2019) - Gramophone Editor's Choice ( Juni 2019)

Inkl.: 1 Digitales Booklet

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Bach to the Future gained considerable publicity from being the last recording made on the 1868 Cavaillé-Coll organ at Notre-Dame cathedral before the devastating fire of 2019. It might just as well, however, have become renowned if there had been no fire: it is one of the most exciting organ releases of recent years. Organist Olivier Latry became titulaire des grands orgues at Notre-Dame in 1985, when he was just 23, but he has lost none of his youthful brashness, indicated perhaps by the album's punning title. Latry explains his ideas in an interesting an readable accompanying note. More than in any other genre of classical music, a performance of an organ work is an interpretation by the player, who shapes its basic textures. Latry takes this idea and develops it, using stops that did not exist in Bach's time. Furthermore, he has familiarized himself with arrangements of Bach's organ works made for other media, including Leopold Stokowski's crowd-pleasing orchestral version of the Toccata and fugue in D minor, BWV 565, and Liszt's version of the Fantasy and Fugue, BWV 542 (presented here as two separate tracks, for Latry is unconvinced that they were meant as a unit). Latry incorporates sonorities of these into his organ performances; sample the blazing Toccata and fugue, a real thrill that, like everything else on the album, is recorded to the hilt. The result is an organ album of almost unprecedented textural breadth and brilliance. Latry has other unusual ideas, such as the organ performance of the six-part ricercar from the Musical Offering, BWV 1079, at the beginning, plunging the listener into a murky world of complexity, and the narrative treatment of the Passacaglia and fugue in C minor, BWV 582. Yet more is there for the listener to discover, all of it part of the story of the great Notre-Dame organ that will, thankfully, be ongoing.
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Album : 1 Disc - 10 Tracks Gesamte Laufzeit : 01:17:28

    Musical Offering, BWV 1079 (Johann Sebastian Bach)
  1. 1 Ricercare a 6

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  2. Fugue in G Minor, BWV 578
  3. 2 Fugue in G Minor, BWV 578

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  4. Toccata and Fuge in D Minor, BWV 565
  5. 3 Toccata and Fuge in D Minor, BWV 565

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  6. Choral 'Erbarm' dich mein, o Herre Gott', BWV 721
  7. 4 Choral 'Erbarm' dich mein, o Herre Gott', BWV 721

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  8. Fantasia and Fugue in G Minor, BWV 542
  9. 5 I. Fantasia

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  10. 6 II. Fugue

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  11. In Dir ist Freude, BWV 615
  12. 7 In Dir ist Freude, BWV 615

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  13. Choral 'Herzlich tut mich verlangen', BWV 727
  14. 8 Choral 'Herzlich tut mich verlangen', BWV 727

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  15. Pièce d'orgue in G Major, BWV 572
  16. 9 Pièce d'orgue in G Major, BWV 572

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  17. Passacaille and Fuge in C Minor, BWV 582
  18. 10 Passacaille and Fuge in C Minor, BWV 582

    Olivier Latry, grand orgue de Notre-Dame de Paris - Johann Sebastian Bach, Composer Copyright : © 2019 La Prima Volta / La Dolce Volta - ℗ 2019 La Prima Volta

  • Beschreibung des Albums
  • Bach to the Future gained considerable publicity from being the last recording made on the 1868 Cavaillé-Coll organ at Notre-Dame cathedral before the devastating fire of 2019. It might just as well, however, have become renowned if there had been no fire: it is one of the most exciting organ releases of recent years. Organist Olivier Latry became titulaire des grands orgues at Notre-Dame in 1985, when he was just 23, but he has lost none of his youthful brashness, indicated perhaps by the album's punning title. Latry explains his ideas in an interesting an readable accompanying note. More than in any other genre of classical music, a performance of an organ work is an interpretation by the player, who shapes its basic textures. Latry takes this idea and develops it, using stops that did not exist in Bach's time. Furthermore, he has familiarized himself with arrangements of Bach's organ works made for other media, including Leopold Stokowski's crowd-pleasing orchestral version of the Toccata and fugue in D minor, BWV 565, and Liszt's version of the Fantasy and Fugue, BWV 542 (presented here as two separate tracks, for Latry is unconvinced that they were meant as a unit). Latry incorporates sonorities of these into his organ performances; sample the blazing Toccata and fugue, a real thrill that, like everything else on the album, is recorded to the hilt. The result is an organ album of almost unprecedented textural breadth and brilliance. Latry has other unusual ideas, such as the organ performance of the six-part ricercar from the Musical Offering, BWV 1079, at the beginning, plunging the listener into a murky world of complexity, and the narrative treatment of the Passacaglia and fugue in C minor, BWV 582. Yet more is there for the listener to discover, all of it part of the story of the great Notre-Dame organ that will, thankfully, be ongoing.

Infos zur ersten Aufzeichnung:

Recorded 6-8 January, 2019, Cathédrale Notre-Dame de Paris

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