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アレステッド・ディベロップメント|Zingalamaduni

Zingalamaduni

Arrested Development

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The follow-up to Arrested Development's hugely acclaimed debut, Zingalamaduni was something of a letdown, and not just because conscious rap's moment in the sun was over for the time being. The record is simply less exciting, falling prey to too many aimless grooves that don't always capture the effortless earthiness of the debut's best moments. That's a shame, because there are subtle progressions on the group's signature sound. There's more frequent and explicit use of African musical elements, especially chanting; that reflects a slightly more Afrocentric viewpoint in the lyrics (not to mention the album's title, which is Swahili for "beehive of culture"), which tones down the sunny positivity of the debut somewhat. A few cuts are jazzier than anything on the debut, yet the overall lack of focus produces too many lackluster-to-average moments. The best tracks are a match for their counterparts on 3 Years... (save for "Tennessee"); songs like "Mr. Landlord," "Ache'n for Acres," "Praisin' U," and the catchy "In the Sunshine" illustrate why some critics found reasons to like Zingalamaduni that weren't purely intellectual. But overall, it failed to captivate Arrested Development's audience the way its predecessor had. Not until the ascendance of the Fugees would another group command the level of critical and commercial respect that Arrested Development had in its prime.

© Steve Huey /TiVo

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Zingalamaduni

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1
WMFW (We Must Fight & Win) Fm
00:01:55

Arrested Development, Composer, MainArtist - Speech, Author - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

2
United Minds
00:05:16

Arrested Development, Composer, MainArtist - Speech, Author, Producer - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

3
Ache'n For Acres
00:02:39

Arrested Development, Composer, MainArtist - Speech, Author, Producer - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

4
ユナイテッド・フロント
00:04:39

Arrested Development, MainArtist - Speech, Producer - Alvin Speights, Recording Engineer, StudioPersonnel - Todd Thomas, Composer - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

5
アフリカズ・インサイド・ミー
00:03:10

Arrested Development, Composer, MainArtist - Speech, Producer - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer - Fulani Faluke, Composer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

6
プライド
00:05:38

Arrested Development, MainArtist, ComposerLyricist - Speech, Producer - Alvin Speights, Mixer, StudioPersonnel - Mike Mauldin, Producer, Executive Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

7
シェル
00:03:26

Arrested Development, Composer, MainArtist - Speech, Producer, Executive Producer - Mike Mauldin, Producer, Executive Producer - Kwesi Asuo, Composer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

8
Mister Landlord
00:02:48

Arrested Development, MainArtist - Speech, Producer - Alvin Speights, Recording Engineer, StudioPersonnel - Todd Thomas, Composer - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

9
Warm Sentiments
00:04:10

Arrested Development, Composer, MainArtist - Speech, Author - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

10
The Drum
00:01:57

Arrested Development, Author, MainArtist - Speech, Composer - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

11
In The Sunshine
00:04:31

Arrested Development, Composer, MainArtist - Speech, Author - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

12
Kneelin' At My Altar
00:02:33

Arrested Development, Composer, MainArtist - Speech, Author - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

13
回春の泉
00:03:20

Isaac Hayes, Composer - David Porter, Composer - Arrested Development, MainArtist - Todd Thomas, Composer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

14
イーズ・マイ・マインド
00:04:12

George Clinton, Composer - Arrested Development, MainArtist - Speech, Producer, Executive Producer - Alvin Speights, Mixer, StudioPersonnel - Todd Thomas, Composer - Mike Mauldin, Producer, Executive Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

15
Praisin' U
00:04:01

Arrested Development, Composer, MainArtist - Speech, Author - Alvin Speights, Recording Engineer, StudioPersonnel - Mike Mauldin, Producer

(C) 1994 Capitol Records, Inc. ℗ 1994 Capitol Records, LLC

アルバム·レビュー

The follow-up to Arrested Development's hugely acclaimed debut, Zingalamaduni was something of a letdown, and not just because conscious rap's moment in the sun was over for the time being. The record is simply less exciting, falling prey to too many aimless grooves that don't always capture the effortless earthiness of the debut's best moments. That's a shame, because there are subtle progressions on the group's signature sound. There's more frequent and explicit use of African musical elements, especially chanting; that reflects a slightly more Afrocentric viewpoint in the lyrics (not to mention the album's title, which is Swahili for "beehive of culture"), which tones down the sunny positivity of the debut somewhat. A few cuts are jazzier than anything on the debut, yet the overall lack of focus produces too many lackluster-to-average moments. The best tracks are a match for their counterparts on 3 Years... (save for "Tennessee"); songs like "Mr. Landlord," "Ache'n for Acres," "Praisin' U," and the catchy "In the Sunshine" illustrate why some critics found reasons to like Zingalamaduni that weren't purely intellectual. But overall, it failed to captivate Arrested Development's audience the way its predecessor had. Not until the ascendance of the Fugees would another group command the level of critical and commercial respect that Arrested Development had in its prime.

© Steve Huey /TiVo

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