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対応言語:英語
Unlike usual opera sequences, the ones excerpted from Zimmerman’s Die Soldaten (‘The Soldiers’) which he named Vokal-Sinfonie (Vocal Symphony) were created before the opera as proof that the music was playable. Indeed, its final score posed quite the challenge for the singers, the orchestra, the theatres and for the audience: with sixteen singing roles, around ten spoken roles, an orchestra of about one hundred musicians, crazy percussion instruments, film projectors, tape recordings and extra-musical sound effects – it’s enough to make any opera house fear for their budget! Not to mention the fact that the audience was also subject to the strict dodecaphonic system and some of the opera scenes actually overlapped. Zimmermann initially wanted the piece to be performed on twelve different stages that surrounded the audience who would be sitting on swivelling chairs and would rotate themselves accordingly. However, the idea was rejected by the theatre where the first performance was to take place and the composer finally abandoned the idea and remodelled his work to render it – almost – performable. Here, you can listen to Vokal-Sinfonie from 1963 which has some noticeable similarities with Berg’s Wozzeck, particularly in the raw and deeply moving lyricism of the vocal material. The Sinfonie is followed by the 1968 Photoptosis for full orchestra, one of the composer’s last two works before he died two years later after having suffered from severe depression. The score is both dark and light at the same time and is a work of sheer orchestral genius. The album opens with the 1950 Violin Concerto, which despite its supposedly classic form (Sonata-Fantasia-Rondo) explores the world of modernism in an intense and beautifully dark lyricism. © SM/Qobuz
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Violin Concerto (ベルント・アロイス・ツィンマーマン)
Leila Josefowicz, Violin - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Leila Josefowicz, Violin - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Leila Josefowicz, Violin - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Photoptosis (ベルント・アロイス・ツィンマーマン)
Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Die Soldaten, Vocal Symphony für 6 Gesangs-Solisten, Act I (ベルント・アロイス・ツィンマーマン)
Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Anu Komsi, Soprano - Peter Tantsits, Tenor - Juha Uusitalo, Bass - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Anu Komsi, Soprano - Juha Uusitalo, Bass - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Anu Komsi, Soprano - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Die Soldaten, Vocal Symphony für 6 Gesangs-Solisten, Act II (ベルント・アロイス・ツィンマーマン)
Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Anu Komsi, Soprano - Peter Tantsits, Tenor - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
Jeni Packalen, Alto - Hilary Summers, Contralto - Ville Rusanen, Baritone - Finnish Radio Symphony Orchestra - Hannu Lintu, Conductor - Bernd Alois Zimmermann, Composer
(C) 2019 Ondine (P) 2019 Ondine
アルバム·レビュー
Unlike usual opera sequences, the ones excerpted from Zimmerman’s Die Soldaten (‘The Soldiers’) which he named Vokal-Sinfonie (Vocal Symphony) were created before the opera as proof that the music was playable. Indeed, its final score posed quite the challenge for the singers, the orchestra, the theatres and for the audience: with sixteen singing roles, around ten spoken roles, an orchestra of about one hundred musicians, crazy percussion instruments, film projectors, tape recordings and extra-musical sound effects – it’s enough to make any opera house fear for their budget! Not to mention the fact that the audience was also subject to the strict dodecaphonic system and some of the opera scenes actually overlapped. Zimmermann initially wanted the piece to be performed on twelve different stages that surrounded the audience who would be sitting on swivelling chairs and would rotate themselves accordingly. However, the idea was rejected by the theatre where the first performance was to take place and the composer finally abandoned the idea and remodelled his work to render it – almost – performable. Here, you can listen to Vokal-Sinfonie from 1963 which has some noticeable similarities with Berg’s Wozzeck, particularly in the raw and deeply moving lyricism of the vocal material. The Sinfonie is followed by the 1968 Photoptosis for full orchestra, one of the composer’s last two works before he died two years later after having suffered from severe depression. The score is both dark and light at the same time and is a work of sheer orchestral genius. The album opens with the 1950 Violin Concerto, which despite its supposedly classic form (Sonata-Fantasia-Rondo) explores the world of modernism in an intense and beautifully dark lyricism. © SM/Qobuz
オリジナル音源の詳細 : Recordings : Helsinki Music Centre, Finland, V/2018 (Violin Concerto) - VI/2018 (Photoptosis) - VII/2018, live (Die Soldaten)
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 12曲
- 合計収録時間 : 01:13:20
- 1 デジタルブックレット
- メインアーティスト : フィンランド放送交響楽団
- 作曲家 : Bernd Alois Zimmermann
- レーベル : Ondine
- エリア: Allemagne
- ジャンル: クラシック
- 期間: 現代スタイル
(C) 2019 Ondine (P) 2019 Ondine
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