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スティーヴ・ミラー・バンド|Your Saving Grace

Your Saving Grace

Steve Miller Band

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Your Saving Grace is a much more earthy collection of tunes when compared to the band's previous three long-players. While there are distinct psychedelic remnants of the Boz Scaggs (guitar/vocals) and Jim Peterman (keyboards) era, the addition of keyboardists Ben Sidran and Nicky Hopkins -- which began on the Steve Miller Band's previous effort, Brave New World -- adds a jazzier facet to this second incarnation of the group. Harking back to the band's blues roots, Your Saving Grace includes a couple of distinct blues originals -- such as the up-tempo and gospel-doused "Don't Let Nobody Turn You Around" and a somewhat uninspired arrangement of "Motherless Children," which sounds more synchronous with the Sailor or Brave New World albums. The funky "Little Girl," the elegantly pensive "Baby's House," and the title track -- which is oddly programmed as the LP's final cut -- are among the highlights of this disc. Once again, the production is handled by Glyn Johns, whose contributions here are more subdued, yet no less noticeable. This is especially true of Miller's crystalline slide guitar licks on Lonnie Turner's cryptically titled "The Last Wombat in Mecca." The same upfront clean sound holds true on the laid-back and bluesy "Feel So Glad" -- which is punctuated by some inspired and unmistakable ivory tickling by studio wunderkind Nicky Hopkins. Although the album is not as thoroughly solid as earlier efforts, Your Saving Grace and the follow-up, Number 5, are definite bridges between the early trippy montages prevalent on Children of the Future and the direction that Miller would take on his much more successful mid-'70s discs.

© Lindsay Planer /TiVo

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Your Saving Grace

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1
Little Girl (Remastered 1991)
00:03:22

STEVE MILLER, Guitar, Vocals, AssociatedPerformer, Bass (Vocal) - Sweet, Mastering Engineer, StudioPersonnel - Tim Davis, Drums, AssociatedPerformer - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Glyn Jones, Producer - Steven Haworth Miller, ComposerLyricist

℗ 1990 Capitol Records, LLC

2
Just A Passin' Fancy In A Midnite Dream
00:03:40

Ben Sidran, ComposerLyricist - Steve Miller Band, MainArtist - Glyn Jones, Producer - Steven Haworth Miller, ComposerLyricist

℗ 1969 Capitol Records, LLC

3
Don't Let Nobody Turn You Around (Remastered 1991)
00:02:29

STEVE MILLER, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Traditional, ComposerLyricist - Sweet, Mastering Engineer, StudioPersonnel - Tim Davis, Drums, Background Vocalist, AssociatedPerformer - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Glyn Jones, Producer, Background Vocalist, AssociatedPerformer - Lonnie Turner, AssociatedPerformer, Bass (Vocal)

℗ 1990 Capitol Records, LLC

4
Baby's House (Remastered 1991)
00:08:52

Nicky Hopkins, Organ, Piano, AssociatedPerformer, ComposerLyricist - STEVE MILLER, Guitar, Vocals, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Steven Haworth Miller, ComposerLyricist - Lonnie Turner, AssociatedPerformer, Bass (Vocal)

℗ 1991 Capitol Records, LLC

5
Motherless Children (Remastered 1991)
00:06:03

STEVE MILLER, Arranger, Guitar, Vocals, Work Arranger, AssociatedPerformer - Traditional, Composer - Tim Davis, Drums, AssociatedPerformer - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Glyn Jones, Producer - Lonnie Turner, AssociatedPerformer, Bass (Vocal)

℗ 1991 Capitol Records, LLC

6
The Last Wombat In Mecca (2016 Version)
00:02:32

Sweet, Mastering Engineer, StudioPersonnel - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Glyn Jones, Producer - Lonnie Turner, Composer

℗ 2016 Capitol Records, LLC

7
Feel So Glad (Remastered 1991)
00:05:19

Sweet, Mastering Engineer, StudioPersonnel - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Glyn Jones, Producer - Steven Haworth Miller, ComposerLyricist

℗ 1991 Capitol Records, LLC

8
Your Saving Grace (Remastered 1991)
00:04:45

Nicky Hopkins, Keyboards, AssociatedPerformer - STEVE MILLER, Background Vocalist, AssociatedPerformer - Sweet, Mastering Engineer, StudioPersonnel - Tim Davis, Composer, Drums, Percussion, Vocals, Background Vocalist, AssociatedPerformer - Larry Walsh, Mastering Engineer, StudioPersonnel - Steve Miller Band, MainArtist - Glyn Jones, Producer, Background Vocalist, AssociatedPerformer - Lonnie Turner, AssociatedPerformer, Bass (Vocal) - James Cooke, Guitar, AssociatedPerformer

℗ 1990 Capitol Records, LLC

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Your Saving Grace is a much more earthy collection of tunes when compared to the band's previous three long-players. While there are distinct psychedelic remnants of the Boz Scaggs (guitar/vocals) and Jim Peterman (keyboards) era, the addition of keyboardists Ben Sidran and Nicky Hopkins -- which began on the Steve Miller Band's previous effort, Brave New World -- adds a jazzier facet to this second incarnation of the group. Harking back to the band's blues roots, Your Saving Grace includes a couple of distinct blues originals -- such as the up-tempo and gospel-doused "Don't Let Nobody Turn You Around" and a somewhat uninspired arrangement of "Motherless Children," which sounds more synchronous with the Sailor or Brave New World albums. The funky "Little Girl," the elegantly pensive "Baby's House," and the title track -- which is oddly programmed as the LP's final cut -- are among the highlights of this disc. Once again, the production is handled by Glyn Johns, whose contributions here are more subdued, yet no less noticeable. This is especially true of Miller's crystalline slide guitar licks on Lonnie Turner's cryptically titled "The Last Wombat in Mecca." The same upfront clean sound holds true on the laid-back and bluesy "Feel So Glad" -- which is punctuated by some inspired and unmistakable ivory tickling by studio wunderkind Nicky Hopkins. Although the album is not as thoroughly solid as earlier efforts, Your Saving Grace and the follow-up, Number 5, are definite bridges between the early trippy montages prevalent on Children of the Future and the direction that Miller would take on his much more successful mid-'70s discs.

© Lindsay Planer /TiVo

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