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ビーチ・ボーイズ|Wild Honey (Remastered)

Wild Honey (Remastered)

The Beach Boys

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対応言語:英語

After the Smile sessions shut down, the Beach Boys became much more of a band than they had been in the mid-'60s. They began playing most of their own instruments on record for the first time since 1963, and Brian Wilson was no longer nearly as dominant a production mastermind. The problem was, as Wilson increasingly withdrew from a leadership role (and, subsequently, from the real world altogether), the Beach Boys were revealed as a group that, although capable of producing some fine and interesting music, were no longer innovators on the level of the Beatles and other figureheads. Wild Honey had a looser, funkier feel than any previous Beach Boys effort, at times approaching a kind of bleached-out white soul. The resulting music was often quite pleasant, for the great harmonies if nothing else, but the material and arrangements were quite simply thinner than they had been for a long time. The record does feature a nice Top 20 hit in "Darlin'" (even if it was a rewrite of a song that had been composed four years earlier, and recorded by Sharon Marie). The small hit single "Wild Honey," with its seductive theremin lines, was also a highlight, and "Here Comes the Night" (a group original, not the Them hit) also had a lot of appeal. But much of the rest was pleasing but inessential.

© Richie Unterberger /TiVo

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Wild Honey (Remastered)

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1
ワイルド・ハニー (Remastered 2001)
00:02:39

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, Producer, MainArtist - Carl Wilson, Vocalist, AssociatedPerformer

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

2
うれしくないかい (Remastered 2001)
00:02:18

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, Producer, MainArtist - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

3
愛するあの娘に (Remastered 2001)
00:02:07

Henry Cosby, Composer - Sylvia Moy, Composer - Joe Gastwirt, Mastering Engineer, StudioPersonnel - The Beach Boys, Producer, MainArtist - Carl Wilson, Vocalist, AssociatedPerformer - Stevie Wonder, Composer - LULA HARDAWAY, Composer - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

4
カントリー・エアー (Remastered 2001)
00:02:22

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, Producer, MainArtist - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

5
ア・シング・オア・トゥー (Remastered 2001)
00:02:42

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, Producer, MainArtist - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

6
ダーリン (Remastered 2001)
00:02:14

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, Producer, MainArtist - Carl Wilson, Vocalist, AssociatedPerformer

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

7
アイド・ラヴ・ジャスト・ワンス・トゥ・シー・ユー (Remastered 2001)
00:01:50

Brian Wilson, Producer, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, MainArtist

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

8
ヒア・カムズ・ザ・ナイト (Remastered 2001)
00:02:43

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, Producer, MainArtist - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

9
風を吹かせろ (Remastered 2001)
00:02:21

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, Vocalist, AssociatedPerformer, ComposerLyricist - Mike Love, Vocalist, AssociatedPerformer, ComposerLyricist - The Beach Boys, Producer, MainArtist - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

10
すてきなブーガルー (Remastered 2001)
00:01:58

Bruce Johnston, Composer - Joe Gastwirt, Mastering Engineer, StudioPersonnel - Mike Love, Composer - The Beach Boys, Producer, MainArtist - Carl Wilson, Vocalist, AssociatedPerformer - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

11
ママ・セズ (Remastered 2001)
00:01:08

Joe Gastwirt, Mastering Engineer, StudioPersonnel - Brian Wilson, ComposerLyricist - Mike Love, ComposerLyricist - The Beach Boys, Producer, MainArtist - BILL HALVERSON, Asst. Recording Engineer, StudioPersonnel - Jim Lockert, Engineer, StudioPersonnel

(C) 1967 Capitol Records, LLC ℗ 2001 Capitol Records, LLC

アルバム·レビュー

After the Smile sessions shut down, the Beach Boys became much more of a band than they had been in the mid-'60s. They began playing most of their own instruments on record for the first time since 1963, and Brian Wilson was no longer nearly as dominant a production mastermind. The problem was, as Wilson increasingly withdrew from a leadership role (and, subsequently, from the real world altogether), the Beach Boys were revealed as a group that, although capable of producing some fine and interesting music, were no longer innovators on the level of the Beatles and other figureheads. Wild Honey had a looser, funkier feel than any previous Beach Boys effort, at times approaching a kind of bleached-out white soul. The resulting music was often quite pleasant, for the great harmonies if nothing else, but the material and arrangements were quite simply thinner than they had been for a long time. The record does feature a nice Top 20 hit in "Darlin'" (even if it was a rewrite of a song that had been composed four years earlier, and recorded by Sharon Marie). The small hit single "Wild Honey," with its seductive theremin lines, was also a highlight, and "Here Comes the Night" (a group original, not the Them hit) also had a lot of appeal. But much of the rest was pleasing but inessential.

© Richie Unterberger /TiVo

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