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ギドン・クレーメル|Weinberg : Chamber Music

Weinberg : Chamber Music

Gidon Kremer, Giedre Dirvanauskaite, Yulianna Avdeeva

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Composer Mieczysław Weinberg has increasingly often gained performances in the 21st century, mostly for his larger works (he wrote 22 symphonies). However, his oeuvre continues to yield worthwhile and rarely performed music, and the present set of chamber pieces offers a good example. They have been assembled by violinist Gidon Kremer, who has plenty of experience with Weinberg and is a persuasive interpreter. Here, he performs with cellist Giedré Dirvanauskaité and pianist Yulianna Avdeeva, and the readings are crisp and clean. The common line on Weinberg's music is that it is inspired by, or derivative of Shostakovich, depending on your perspective, and certainly one can hear the influence of the older composer here. The Violin Sonata No. 6, Op. 136bis, was written in 1982, after Shostakovich's death, but certainly reflects the decades of close cooperation between the two. Elsewhere, though, Weinberg's music has a positive note missing from that of Shostakovich, acidic except when he was absolutely forced not to be. The opening Three Pieces for violin and piano, written when Weinberg was 15 and not given an opus number, is an attractive piece of juvenilia from the years before the composer experienced the horrors of World War II; the finale, "Traum von einer Puppe" ("A Doll's Dream," sample this), is a piece on the edge of Romanticism that sounds nothing like Shostakovich. The strongest work is the Piano Trio in A minor, Op. 24, is a fully accomplished chamber work largely devoid of the grim quality of Shostakovich's wartime chamber works. The music, whether in a Shostakovich vein or not, is consistently absorbing, and the album is a good choice for Russian and Eastern European chamber collections.

© TiVo

詳細はこちら

Weinberg : Chamber Music

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3つの小品 (ミェチスワフ・ヴァインベルク)

1
第1曲: Nocturne
00:06:33

Gidon Kremer, Violin - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Helmut Mühle, Producer - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer, Recording Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

2
第2曲: Scherzo
00:02:19

Gidon Kremer, Violin - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Helmut Mühle, Producer - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer, Recording Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

3
第3曲: Traum von einer Puppe
00:06:11

Gidon Kremer, Violin - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Helmut Mühle, Producer - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer, Recording Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

ピアノ三重奏曲 イ短調 作品24 (ミェチスワフ・ヴァインベルク)

4
第1曲: Praeludium and Aria
00:05:38

Gidon Kremer, Violin - Giedre Dirvanauskaite, Cello - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

Piano Trio in A minor, Op. 24 (ミェチスワフ・ヴァインベルク)

5
II. Toccata
00:04:06

Gidon Kremer, Violin - Giedre Dirvanauskaite, Cello - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

ピアノ三重奏曲 イ短調 作品24 (ミェチスワフ・ヴァインベルク)

6
第3曲: Poem
00:09:43

Gidon Kremer, Violin - Giedre Dirvanauskaite, Cello - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

Piano Trio in A minor, Op. 24 (ミェチスワフ・ヴァインベルク)

7
IV. Finale
00:10:01

Gidon Kremer, Violin - Giedre Dirvanauskaite, Cello - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

ヴァイオリン・ソナタ 第6番 作品136bis (ミェチスワフ・ヴァインベルク)

8
第1曲: Moderato
00:06:27

Gidon Kremer, Violin - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Helmut Mühle, Producer - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer, Recording Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

9
第2曲: Adagio
00:02:55

Gidon Kremer, Violin - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Helmut Mühle, Producer - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer, Recording Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

10
第3曲: Moderato
00:04:49

Gidon Kremer, Violin - Yulianna Avdeeva, Piano - Mieczysław Weinberg, Composer - Baltic Mobile Recordings, Production Company - Helmut Mühle, Producer - Aleksandra Kerienė, Balance Engineer - Vilius Keras, Mastering Engineer, Recording Engineer

℗ 2019 Deutsche Grammophon GmbH, Berlin

アルバム·レビュー

Composer Mieczysław Weinberg has increasingly often gained performances in the 21st century, mostly for his larger works (he wrote 22 symphonies). However, his oeuvre continues to yield worthwhile and rarely performed music, and the present set of chamber pieces offers a good example. They have been assembled by violinist Gidon Kremer, who has plenty of experience with Weinberg and is a persuasive interpreter. Here, he performs with cellist Giedré Dirvanauskaité and pianist Yulianna Avdeeva, and the readings are crisp and clean. The common line on Weinberg's music is that it is inspired by, or derivative of Shostakovich, depending on your perspective, and certainly one can hear the influence of the older composer here. The Violin Sonata No. 6, Op. 136bis, was written in 1982, after Shostakovich's death, but certainly reflects the decades of close cooperation between the two. Elsewhere, though, Weinberg's music has a positive note missing from that of Shostakovich, acidic except when he was absolutely forced not to be. The opening Three Pieces for violin and piano, written when Weinberg was 15 and not given an opus number, is an attractive piece of juvenilia from the years before the composer experienced the horrors of World War II; the finale, "Traum von einer Puppe" ("A Doll's Dream," sample this), is a piece on the edge of Romanticism that sounds nothing like Shostakovich. The strongest work is the Piano Trio in A minor, Op. 24, is a fully accomplished chamber work largely devoid of the grim quality of Shostakovich's wartime chamber works. The music, whether in a Shostakovich vein or not, is consistently absorbing, and the album is a good choice for Russian and Eastern European chamber collections.

© TiVo

オリジナル音源の詳細 : Recorded September 2018, Cesis Vidzeme Concert Hall (Latvia)

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