無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
The eccentric costume of Diane Dufresne may be symbolic of the slight incongruities of this album. Dufresne sings Weill's songs with the attitude of an actress, very effectively giving them all the character the lyrics demand. Her independent personality and her vocal talents suit these songs wonderfully. It's the lush, full-orchestra arrangements of the songs and the touch of large-hall resonance in the recording that sounds out of place. Rather than the small combo accompaniment, and without an accordion or banjo, the sound of the songs takes on a sheen of old-fashioned Hollywood glamour, as if they were cleaned up for presentation to the Production Code board. Dufresne's last two songs, Nannas Lied and Je ne t'aime pas, are accompanied simply by an uncredited pianist, with warmth. This lets the listener come closer to the music and the personality Dufresne puts into it. Another odd thing about the disc is the programming of this variety of Weill songs with his Symphony No. 2. The scale of the songs isn't up to that of the symphony, even with the orchestral arrangements. Weill's Seven Deadly Sins would have made a better match with the symphony and would have given Dufresne just as much drama to work with. The sound of the recording also evens out the timbres of the orchestra, in both the songs and the symphony, but in the symphony it makes more of a difference. The smoothness adds weight to the stature of the piece whenever there is a moving line of music against a static line, which is frequently in the Largo movement, giving the static line precedence. It also leaves the liveliness and vibrancy that conductor Yannick Nézet-Séguin and the orchestra members are putting into the finale a little blunted. There are redeeming points to the performances on this album, but taken as a whole -- performances, program, and recording -- it isn't an entirely convincing conception.
© TiVo
現在、試聴中です。
無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Kurt Weill, Composer - Yannick Nézet-Séguin, Conductor, MainArtist - Jacques Deval, Author, Original Text Author - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Bertolt Brecht, Author, Original Text Author - Yannick Nézet-Séguin, Conductor, MainArtist - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Bertolt Brecht, Author, Original Text Author - Yannick Nézet-Séguin, Conductor, MainArtist - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Bertolt Brecht, Author, Original Text Author - Yannick Nézet-Séguin, Conductor, MainArtist - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Bertolt Brecht, Author, Original Text Author - Yannick Nézet-Séguin, Conductor, MainArtist - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Yannick Nézet-Séguin, Conductor, MainArtist - Roger Fernay, Author, Original Text Author - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Bertolt Brecht, Author, Original Text Author - Yannick Nézet-Séguin, Conductor, MainArtist - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Yannick Nézet-Séguin, Conductor, MainArtist - Maurice Magre, Author, Original Text Author - TOBY GENDRON, Recording Engineer, StudioPersonnel - Orchestre Metropolitain, Orchestra, MainArtist - Diane Dufresne, Singer, MainArtist, AssociatedPerformer - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Yannick Nézet-Séguin, Conductor, MainArtist - Orchestre Metropolitain, Orchestra, MainArtist - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Yannick Nézet-Séguin, Conductor, MainArtist - Orchestre Metropolitain, Orchestra, MainArtist - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
Kurt Weill, Composer - Yannick Nézet-Séguin, Conductor, MainArtist - Orchestre Metropolitain, Orchestra, MainArtist - Anne-Marie Sylvestre, Recording Engineer, StudioPersonnel - Johanne Goyette, Producer
℗ 2005 ATMA Classique
アルバム·レビュー
The eccentric costume of Diane Dufresne may be symbolic of the slight incongruities of this album. Dufresne sings Weill's songs with the attitude of an actress, very effectively giving them all the character the lyrics demand. Her independent personality and her vocal talents suit these songs wonderfully. It's the lush, full-orchestra arrangements of the songs and the touch of large-hall resonance in the recording that sounds out of place. Rather than the small combo accompaniment, and without an accordion or banjo, the sound of the songs takes on a sheen of old-fashioned Hollywood glamour, as if they were cleaned up for presentation to the Production Code board. Dufresne's last two songs, Nannas Lied and Je ne t'aime pas, are accompanied simply by an uncredited pianist, with warmth. This lets the listener come closer to the music and the personality Dufresne puts into it. Another odd thing about the disc is the programming of this variety of Weill songs with his Symphony No. 2. The scale of the songs isn't up to that of the symphony, even with the orchestral arrangements. Weill's Seven Deadly Sins would have made a better match with the symphony and would have given Dufresne just as much drama to work with. The sound of the recording also evens out the timbres of the orchestra, in both the songs and the symphony, but in the symphony it makes more of a difference. The smoothness adds weight to the stature of the piece whenever there is a moving line of music against a static line, which is frequently in the Largo movement, giving the static line precedence. It also leaves the liveliness and vibrancy that conductor Yannick Nézet-Séguin and the orchestra members are putting into the finale a little blunted. There are redeeming points to the performances on this album, but taken as a whole -- performances, program, and recording -- it isn't an entirely convincing conception.
© TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 11曲
- 合計収録時間 : 01:06:57
- メインアーティスト : Orchestre Metropolitain ヤニック・ネゼ=セガン Diane Dufresne
- 作曲家 : クルト・ワイル
- レーベル : ATMA Classique
- ジャンル: クラシック
© 2005 ATMA Classique ℗ 2005 ATMA Classique
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット(FLAC, ALAC, WAV, AIFF...)でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。