無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
対応言語:英語
Like many Krautrock-inspired bands of the '90s, Kreidler can at times seem like they're loving their inspirations not too wisely, but too well. At once funky and astringent rhythms straight from Can at their prime, droning washes familiar from the likes of Ash Ra Tempel and Neu!, the overall air of experimentation crossed with restraint -- Weekend is, if nothing else, well aware of its particular heritage. But if it's a tentative start in ways, Weekend is still a very listenable one, with the group taking its overall politeness in delivery as a virtue and then working on it. None of the tracks will blow anyone off their feet, but none of them are meant to! Sometimes the mix and delivery suggests the work of countrymen and semi-fellow travelers Couch, especially in terms of the drum sound, but again the inspiration tends more towards Germany 1973 instead of Louisville 1991. Aside from a couple of tracks that break the five-minute mark and beyond -- the opening groove of "Traffic Way," the modern film noir flow of "Polaroid" -- Weekend sticks to shorter numbers instead of lengthy jams stretching out forever, an economy of approach that actually showcases the group's ability as setting moods rapidly. Some songs again call to mind Can in its "ethnological forgery" guise, thus the funk-and-sparkle of the charming "Spat" or the openly dub-tinged "Lio," with just enough echo and slow-crawling bass to make the connection. The use of soft, chiming keyboard parts at many points, though, give a fun, gentle sense of contrast, adding delicacy in contrast to the darker, heavier elements of the songs. It's a low-key tension, but one that works wonderfully, and invests such fine songs as "Reflections" and "La Fille En Beige" with the extra touch that shows the promise of Kreidler as a whole.
© Ned Raggett /TiVo
現在、試聴中です。
無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Priest, Composer - Kreidler, MainArtist - Earl Blaize, Composer
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
Simone Pace, Composer - Kreidler, MainArtist - Kazu Makino, Composer - Amedeo Pace, Composer
1996 [PIAS] Germany 1996 [PIAS] Germany
Kreidler, MainArtist
1996 [PIAS] Germany 1996 [PIAS] Germany
アルバム·レビュー
Like many Krautrock-inspired bands of the '90s, Kreidler can at times seem like they're loving their inspirations not too wisely, but too well. At once funky and astringent rhythms straight from Can at their prime, droning washes familiar from the likes of Ash Ra Tempel and Neu!, the overall air of experimentation crossed with restraint -- Weekend is, if nothing else, well aware of its particular heritage. But if it's a tentative start in ways, Weekend is still a very listenable one, with the group taking its overall politeness in delivery as a virtue and then working on it. None of the tracks will blow anyone off their feet, but none of them are meant to! Sometimes the mix and delivery suggests the work of countrymen and semi-fellow travelers Couch, especially in terms of the drum sound, but again the inspiration tends more towards Germany 1973 instead of Louisville 1991. Aside from a couple of tracks that break the five-minute mark and beyond -- the opening groove of "Traffic Way," the modern film noir flow of "Polaroid" -- Weekend sticks to shorter numbers instead of lengthy jams stretching out forever, an economy of approach that actually showcases the group's ability as setting moods rapidly. Some songs again call to mind Can in its "ethnological forgery" guise, thus the funk-and-sparkle of the charming "Spat" or the openly dub-tinged "Lio," with just enough echo and slow-crawling bass to make the connection. The use of soft, chiming keyboard parts at many points, though, give a fun, gentle sense of contrast, adding delicacy in contrast to the darker, heavier elements of the songs. It's a low-key tension, but one that works wonderfully, and invests such fine songs as "Reflections" and "La Fille En Beige" with the extra touch that shows the promise of Kreidler as a whole.
© Ned Raggett /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 14曲
- 合計収録時間 : 00:50:18
- メインアーティスト : Kreidler
- 作曲家 : Various Composers
- レーベル : [PIAS] Germany
- ジャンル: エレクトロニック
1996 [PIAS] Germany 1996 [PIAS] Germany
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット(FLAC, ALAC, WAV, AIFF...)でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。