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ニーナ・シュテンメ|Wagner: Wesendonck-Lieder - Siegfried-Idyll

Wagner: Wesendonck-Lieder - Siegfried-Idyll

Nina Stemme, Svenska Kammarorkestern and Thomas Dausgaard

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The highlight of this all-Wagner SACD is Nina Stemme's radiant performance of the Wesendonk Lieder, a collector's item for fans of this highly regarded soprano. Stemme has emerged since the millennium as the leading interpreter of Wagner's heroines, appearing in several major productions and recordings, though this is her first presentation of the Wesendonk Lieder, which calls for a somewhat modulated style of singing and expression. Her smooth delivery and warm tone give the music a special intimacy that is a change from her more heroic operatic roles, and her success here makes a compelling case that she should record more Romantic art songs. The rest of the program is arguably less important, for there are already many collections of Wagner's concert pieces, such as Siegfried Idyll, the Prelude to Die Meistersinger von Nürnberg, and the Overture to Die fliegende Holländer, though two versions of that overture are offered for variety's sake. Also included is Wagner's Träume, for violin and orchestra, an instrumental version of No. 5 of the Wesendonk Lieder. While the Swedish Chamber Orchestra under Thomas Dausgaard is a competent ensemble that plays fairly accurately with only a few problems that are exposed by the orchestra's small size and the super audio recording, there are better recordings of these pieces in many other compilations.

© TiVo

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Wagner: Wesendonck-Lieder - Siegfried-Idyll

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Der fliegende Holländer (the Flying Dutchman) (Richard Wagner)

1
Overture [1841 version]
Svenska Kammarorkestern
00:08:49

Richard Wagner, Composer - Thomas Dausgaard, Conductor, MainArtist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

5 Gedichte für eine Frauenstimme, "Wesendonck Lieder" (Richard Wagner)

2
No. 1, Der Engel (the Angel) [arr. F. Mottl for voice and orchestra]
ニーナ・シュテンメ
00:02:48

Richard Wagner, Composer - Nina Stemme, MainArtist, AssociatedPerformer - Thomas Dausgaard, Conductor, MainArtist - Felix Mottl, Arranger - Mathilde Wesendonck, Lyricist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

3
No. 2, Stehe still (Stand Still) [arr. F. Mottl for voice and orchestra]
ニーナ・シュテンメ
00:03:44

Richard Wagner, Composer - Nina Stemme, MainArtist, AssociatedPerformer - Thomas Dausgaard, Conductor, MainArtist - Felix Mottl, Arranger - Mathilde Wesendonck, Lyricist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

4
No. 3, Im Treibhaus (In the Hothouse) [arr. F. Mottl for voice and orchestra]
ニーナ・シュテンメ
00:05:50

Richard Wagner, Composer - Nina Stemme, MainArtist, AssociatedPerformer - Thomas Dausgaard, Conductor, MainArtist - Felix Mottl, Arranger - Mathilde Wesendonck, Lyricist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

5
No. 4, Schmerzen (Pain) [arr. F. Mottl for voice and orchestra]
ニーナ・シュテンメ
00:02:22

Richard Wagner, Composer - Nina Stemme, MainArtist, AssociatedPerformer - Thomas Dausgaard, Conductor, MainArtist - Felix Mottl, Arranger - Mathilde Wesendonck, Lyricist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

5 Gedichte für eine Frauenstimme, "Wesendonck Lieder", No. 5. Träume (Dreams) [version for voice and orchestra] (Richard Wagner)

6
5 Gedichte für eine Frauenstimme, "Wesendonck Lieder": No. 5, Traume
ニーナ・シュテンメ
00:04:26

Richard Wagner, Composer - Nina Stemme, MainArtist, AssociatedPerformer - Thomas Dausgaard, Conductor, MainArtist - Mathilde Wesendonck, Lyricist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

Der fliegende Holländer, WWV 63 (Richard Wagner)

7
Der fliegende Holländer (the Flying Dutchman): Overture [Final Version]
Svenska Kammarorkestern
00:09:50

Richard Wagner, Composer - Thomas Dausgaard, Conductor, MainArtist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

8
Siegfried Idyll
Svenska Kammarorkestern
00:17:10

Richard Wagner, Composer - Thomas Dausgaard, Conductor, MainArtist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

5 Gedichte für eine Frauenstimme, "Wesendonck Lieder", No. 5. Traume (Dreams) [version for solo violin and chamber orchestra] (Richard Wagner)

9
Wesendonk Lieder: No. 5, Traume
Katarina Andreasson
00:04:07

Richard Wagner, Composer - Thomas Dausgaard, Conductor, MainArtist - Katarina Andreasson, MainArtist, AssociatedPerformer - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

Die Meistersinger von Nürnberg, WWV 96, Die Meistersinger von Nürnberg (the Mastersingers of Nuremberg), Act I (Richard Wagner)

10
Prelude
Svenska Kammarorkestern
00:08:55

Richard Wagner, Composer - Thomas Dausgaard, Conductor, MainArtist - Svenska Kammarorkestern, Orchestra, MainArtist

2013 BIS 2013 (P) BIS

アルバム·レビュー

The highlight of this all-Wagner SACD is Nina Stemme's radiant performance of the Wesendonk Lieder, a collector's item for fans of this highly regarded soprano. Stemme has emerged since the millennium as the leading interpreter of Wagner's heroines, appearing in several major productions and recordings, though this is her first presentation of the Wesendonk Lieder, which calls for a somewhat modulated style of singing and expression. Her smooth delivery and warm tone give the music a special intimacy that is a change from her more heroic operatic roles, and her success here makes a compelling case that she should record more Romantic art songs. The rest of the program is arguably less important, for there are already many collections of Wagner's concert pieces, such as Siegfried Idyll, the Prelude to Die Meistersinger von Nürnberg, and the Overture to Die fliegende Holländer, though two versions of that overture are offered for variety's sake. Also included is Wagner's Träume, for violin and orchestra, an instrumental version of No. 5 of the Wesendonk Lieder. While the Swedish Chamber Orchestra under Thomas Dausgaard is a competent ensemble that plays fairly accurately with only a few problems that are exposed by the orchestra's small size and the super audio recording, there are better recordings of these pieces in many other compilations.

© TiVo

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