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シェリル・クロウ|Tuesday Night Music Club (Deluxe Edition)

Tuesday Night Music Club (Deluxe Edition)

Sheryl Crow

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対応言語:英語

Sheryl Crow earned her recording contract through hard work, gigging as a backing vocalist for everyone from Don Henley to Michael Jackson before entering the studio with Hugh Padgham to record her debut album. As it turned out, things didn't go entirely as planned. Instead of adhering to her rock & roll roots, the record was a slick set of contemporary pop, relying heavily on ballads. Upon hearing the completed album, Crow convinced A&M not to release the album, choosing to cut a new record with producer Bill Bottrell. Along with several Los Angeles-based songwriters and producers, including David Baerwald, David Ricketts, and Brian McLeod, Bottrell was part of a collective dubbed "the Tuesday Night Music Club." Every Tuesday, the group would get together, drink beer, jam, and write songs. Crow became part of the Club and, within a few months, she decided to craft her debut album around the songs and spirit of the collective. It was, for the most part, an inspired idea, since Tuesday Night Music Club has a loose, ramshackle charm that her unreleased debut lacked. At its best -- the opening quartet of "Run, Baby, Run," "Leaving Las Vegas," "Strong Enough," and "Can't Cry Anymore," plus the deceptively infectious "All I Wanna Do" -- are remarkable testaments to their collaboration, proving that roots rock can sound contemporary and have humor. That same spirit, however, also resulted in some half-finished songs, and the preponderance of those tracks make Tuesday Night Music Club better in memory than it is in practice. Still, even with the weaker moments, Crow manages to create an identity for herself -- a classic rocker at heart but with enough smarts to stay contemporary. And that's the lasting impression Tuesday Night Music Club leaves.

© Stephen Thomas Erlewine /TiVo

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Tuesday Night Music Club (Deluxe Edition)

シェリル・クロウ

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
ラン・ベイビー・ラン
00:04:53

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - David Francis Baerwald, ComposerLyricist

℗ 1993 UMG Recordings, Inc.

2
さらばラス・ヴェガス (Album Version)
00:05:10

Kevin Gilbert, ComposerLyricist - Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, StudioPersonnel, ComposerLyricist - David Ricketts, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, ComposerLyricist

℗ 1993 A&M Records

3
ストロング・イナフ (Album Version)
00:03:09

Kevin Gilbert, ComposerLyricist - Brian MacLeod, ComposerLyricist - Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, StudioPersonnel, ComposerLyricist - David Ricketts, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, ComposerLyricist

℗ 1993 A&M Records

4
キャント・クライ・エニーモア (Album Version)
00:03:41

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, StudioPersonnel, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - Toad Hall, Mixer, Recording Engineer, StudioPersonnel

℗ 1993 A&M Records

5
ソリディファイ
00:04:08

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - David Ricketts, ComposerLyricist - David Francis Baerwald, ComposerLyricist - Kevin Hunter, ComposerLyricist - Kevin M. Gilbert, ComposerLyricist - Brian S. Mcleod, ComposerLyricist

℗ 1993 A&M Records

6
ナ・ナ・ソング Explicit
00:03:12

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - David Ricketts, ComposerLyricist - Kevin M. Gilbert, ComposerLyricist - Brian S. Mcleod, ComposerLyricist - David Bearwald, ComposerLyricist

℗ 1993 A&M Records

7
ノー・ワン・セッド・イット・ウッド・ビー・イージー
00:05:29

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - DAN SCHWARTZ, ComposerLyricist - Kevin M. Gilbert, ComposerLyricist

℗ 1993 A&M Records

8
ホワット・アイ・キャン・ドゥ・フォー・ユー (Album Version)
00:04:14

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer - David Francis Baerwald, ComposerLyricist

℗ 1993 A&M Records

9
オール・アイ・ウォナ・ドゥ (Album Version)
00:04:34

Kevin Gilbert, Drums, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Sheryl Crow, Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, Guitar, Pedal Steel, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, Guitar, AssociatedPerformer, ComposerLyricist - Wyn Cooper, ComposerLyricist

℗ 1993 UMG Recordings, Inc.

10
スイング・ジャズを聴きながら
00:05:39

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - DAN SCHWARTZ, ComposerLyricist - Kevin M. Gilbert, ComposerLyricist

℗ 1993 A&M Records

11
アイ・シャル・ビリーヴ
00:05:33

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist

℗ 1993 A&M Records

Disc 2

1
コーヒー・ショップ(未発表曲)
00:04:24

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist

℗ 2009 A&M Records

2
キラー・ライフ(未発表曲)
00:04:57

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist

℗ 2009 A&M Records

3
エッセンシャル・トリップ・オブ・ヒアネス(未発表曲)
00:05:29

Brian MacLeod, ComposerLyricist - Jennifer Condos, ComposerLyricist - Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist - Scott Bryan, ComposerLyricist

℗ 2009 A&M Records

4
リーチ・アラウンド・ジャーク(アルバム未収録曲)
00:04:01

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, ComposerLyricist - DAN SCHWARTZ, ComposerLyricist

℗ 1995 UMG Recordings, Inc.

5
ボルボ・カウガール99 Explicit
00:02:04

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, ComposerLyricist - DAN SCHWARTZ, ComposerLyricist - David Francis Baerwald, ComposerLyricist - Kevin M. Gilbert, ComposerLyricist - Brian S. Mcleod, ComposerLyricist

℗ 1993 A&M Records

6
ユー・ウォント・モア
00:06:00

Jeff Trott, ComposerLyricist - Sheryl Crow, MainArtist, ComposerLyricist

℗ 2009 A&M Records

7
オール・バイ・マイセルフ
00:04:48

Sergei Rachmaninoff, Composer - Sheryl Crow, MainArtist - BILL BOTTRELL, Producer - Eric Carmen, ComposerLyricist

℗ 1993 A&M Records

8
オン・ジ・アウトサイド
00:04:37

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Mixer, StudioPersonnel - Jeffrey Trott, ComposerLyricist

℗ 1996 A&M Records

9
デジャ・メイク・ハー
00:04:20

Sheryl Crow, MainArtist - BILL BOTTRELL, Producer, Mixer, StudioPersonnel - Robert Plant, ComposerLyricist - Jimmy Page, ComposerLyricist - John Bonham, ComposerLyricist - John Paul Jones, ComposerLyricist

℗ 1995 A&M Records

10
アイ・シャル・ビリーヴ(2009リミックス) (2009 Remix)
00:04:35

Sheryl Crow, MainArtist, ComposerLyricist - BILL BOTTRELL, Producer, Remixer, StudioPersonnel, ComposerLyricist

℗ 2009 A&M Records

アルバム·レビュー

Sheryl Crow earned her recording contract through hard work, gigging as a backing vocalist for everyone from Don Henley to Michael Jackson before entering the studio with Hugh Padgham to record her debut album. As it turned out, things didn't go entirely as planned. Instead of adhering to her rock & roll roots, the record was a slick set of contemporary pop, relying heavily on ballads. Upon hearing the completed album, Crow convinced A&M not to release the album, choosing to cut a new record with producer Bill Bottrell. Along with several Los Angeles-based songwriters and producers, including David Baerwald, David Ricketts, and Brian McLeod, Bottrell was part of a collective dubbed "the Tuesday Night Music Club." Every Tuesday, the group would get together, drink beer, jam, and write songs. Crow became part of the Club and, within a few months, she decided to craft her debut album around the songs and spirit of the collective. It was, for the most part, an inspired idea, since Tuesday Night Music Club has a loose, ramshackle charm that her unreleased debut lacked. At its best -- the opening quartet of "Run, Baby, Run," "Leaving Las Vegas," "Strong Enough," and "Can't Cry Anymore," plus the deceptively infectious "All I Wanna Do" -- are remarkable testaments to their collaboration, proving that roots rock can sound contemporary and have humor. That same spirit, however, also resulted in some half-finished songs, and the preponderance of those tracks make Tuesday Night Music Club better in memory than it is in practice. Still, even with the weaker moments, Crow manages to create an identity for herself -- a classic rocker at heart but with enough smarts to stay contemporary. And that's the lasting impression Tuesday Night Music Club leaves.

© Stephen Thomas Erlewine /TiVo

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