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ビー・ジーズ|To Whom It May Concern

To Whom It May Concern

Bee Gees

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The next to last of the Bee Gee's "old-style" albums is one of their most fully realized works, with pleasing and memorable songs from beginning to end, and for a change this time, it's the single ("Run to Me"), rather than the surrounding tracks, that suffers from predictability. Another in a string of haunting ballads, it has a more plaintive, whining quality, and less of an ethereal feel than its predecessor, "How Can You Mend a Broken Heart" -- not that "Run to Me" isn't a lovely song, but it was possible to tire of hearing it on the radio faster than their prior singles. By contrast, the album's other tracks are all intensely melodic and varied enough in tempo and texture to make for very satisfying listening, "You Know It's for You" calling to mind Paul McCartney at his most accessible; the group plunges into relatively hard rock, with a heavy guitar sound, on "Bad Bad Dreams," and a country-ish sound on "Road to Alaska," before returning to a kind of post-psychedelic mode in "Sweet Song of Summer." The Bee Gees were pushing their credibility as a cohesive band more than ever, emphasizing Barry Gibb and Maurice Gibb's contributions to their instrumental sound and retaining guitarist Alan Kendall, who had debuted with them on the Trafalgar album and who would play with them for the next two decades. As it turned out, To Whom It May Concern was also the commercial swan song for the trio in this phase of their career, and the last of their albums to be released by Atlantic Records in the United States, something of an artistic peak before a period of massive change in their sound and future.

© Bruce Eder /TiVo

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To Whom It May Concern

ビー・ジーズ

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1
Run To Me
00:03:12

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

2
We Lost The Road
00:03:27

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

3
Never Been Alone
00:03:11

Robin Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

4
Paper Mache, Cabbages & Kings
00:04:59

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

5
I Can Bring Love
00:02:07

Barry Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

6
I Held A Party
00:02:35

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

7
Please Don't Turn Out The Lights
00:02:00

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

8
Sea Of Smiling Faces
00:03:08

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

9
Bad Bad Dreams
00:03:47

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

10
You Know It's For You
00:02:56

Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

11
Alive
00:04:03

Barry Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

12
Road To Alaska
00:02:39

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

13
Sweet Song Of Summer
00:05:05

Barry Gibb, ComposerLyricist - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Bee Gees, Producer, MainArtist - Robert Stigwood, Producer

℗ 1972 Barry Gibb, The Estate of Robin Gibb and Yvonne Gibb

アルバム·レビュー

The next to last of the Bee Gee's "old-style" albums is one of their most fully realized works, with pleasing and memorable songs from beginning to end, and for a change this time, it's the single ("Run to Me"), rather than the surrounding tracks, that suffers from predictability. Another in a string of haunting ballads, it has a more plaintive, whining quality, and less of an ethereal feel than its predecessor, "How Can You Mend a Broken Heart" -- not that "Run to Me" isn't a lovely song, but it was possible to tire of hearing it on the radio faster than their prior singles. By contrast, the album's other tracks are all intensely melodic and varied enough in tempo and texture to make for very satisfying listening, "You Know It's for You" calling to mind Paul McCartney at his most accessible; the group plunges into relatively hard rock, with a heavy guitar sound, on "Bad Bad Dreams," and a country-ish sound on "Road to Alaska," before returning to a kind of post-psychedelic mode in "Sweet Song of Summer." The Bee Gees were pushing their credibility as a cohesive band more than ever, emphasizing Barry Gibb and Maurice Gibb's contributions to their instrumental sound and retaining guitarist Alan Kendall, who had debuted with them on the Trafalgar album and who would play with them for the next two decades. As it turned out, To Whom It May Concern was also the commercial swan song for the trio in this phase of their career, and the last of their albums to be released by Atlantic Records in the United States, something of an artistic peak before a period of massive change in their sound and future.

© Bruce Eder /TiVo

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