カテゴリー:
かご 0

かごは空です

ダニー・オズモンド|This Is The Moment

This Is The Moment

Donny Osmond

提供音質
16-Bit/44.1 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

対応言語:英語

Donny Osmond has a tendency to take decades off from his recording career. He let most of the 1980s go by, presumably to clear the air after his teen idol days of the 1970s, before re-launching himself as a dance-pop singer with his self-titled Capitol album in 1989, then took off most of the '90s after the relative disappointment of its follow-up, Eyes Don't Lie. In the meantime, he gained a measure of legitimacy as a musical theater performer with a long-running portrayal of the title character in Andrew Lloyd Webber and Tim Rice's Joseph and the Amazing Technicolor Dreamcoat. By the end of the decade, with the cancellation of the syndicated talk show he shared with his sister Marie, Osmond was again available to take another chance in the record stores. And so, here is This Is the Moment, the concept of which is to take show tunes of various vintages and given them contemporary pop arrangements. Of course, that's what pop artists used to do all the time with show music, until it fell out of favor at the end of the 1960s. Osmond and veteran producer Phil Ramone may not be trying to resurrect that tradition so much as they are trying to craft a new, more respectable image for Osmond as an adult contemporary performer. Hence, in one of the more radical restatements of a song, arranger/conductor Rob Mounsey provides a setting for the 50-year-old "Luck Be a Lady" from Guys & Dolls that sounds like nothing so much as a track from a 1970s Steely Dan album, complete with funky rhythms and a punchy horn chart. That sort of thing can backfire, of course (it makes you think about what Osmond was singing when "Rikki Don't Lose That Number" was a hit), but for the most part, Osmond and Ramone select show songs from recent years that already have a pop element to them, such as "Seasons of Love" from Rent and "This Is the Moment" from Jekyll & Hyde, so they are halfway to their goal already. Osmond clearly has learned a lot about singing from his stage work, but he still employs a pop singer's sense of feel over a stage singer's desire to convey meaning. Oddly, the staginess of his approach derives more from his pop background than his theater work; he never for a second sounds like he's really feeling anything. This artificiality is accentuated by the timbre of his light, flexible tenor. Decca Broadway seems to have chosen "Seasons of Love" as the album's emphasis track and is probably holding the duet with Vanessa Williams on Sweeney Todd's "Not While I'm Around" in reserve, but those aren't really the likeliest candidates to break this album. Osmond just doesn't nail the former, and the latter was a bad casting idea -- Osmond and Williams' voices are too similar. Rather, the real chances for hits are Whistle Down the Wind's "No Matter What" (which scored for Boyzone in the U.K., though they flopped with it in the U.S.) and Saturday Night Fever's "Immortality." These are highly melodic, lightly rhythmic ballads perfectly suited to Osmond's voice and approach. This Is the Moment is both the best Donny Osmond album ever made and conclusive evidence that the former teen idol, who was 43 when it was released, is never going to be more than a pleasant, modestly talented singer.

© William Ruhlmann /TiVo

詳細はこちら

This Is The Moment

ダニー・オズモンド

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
シーズンズ・オブ・ラヴ (Album Version)
ロブ・マウンジー
00:04:02

Phil Ramone, Producer - ROB MOUNSEY, Conductor, Arranger, Recording Arranger, Work Arranger, AssociatedPerformer - ELLIOT SCHEINER, Mixer, StudioPersonnel - Jonathan Larson, ComposerLyricist - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

2
THIS IS THE MOMENT JEKYLL & HYDE^ (Album Version)
Philippe Saisse
00:04:15

F. Wildhorn, ComposerLyricist - Phil Ramone, Producer - Leslie Bricusse, ComposerLyricist - Frank Wildhorn, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - PHILIPPE SAISSE, Recording Arranger, AssociatedPerformer - Fred Bekky, ComposerLyricist - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

3
Luck Be A Lady (Album Version)
00:04:03

Phil Ramone, Producer - ROB MOUNSEY, Conductor, Arranger, Engineer, Work Arranger, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - FRANK LOESSER, ComposerLyricist - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

4
Our Kind Of Love (Album Version)
ジャムシード・シャリフィ
00:03:44

Phil Ramone, Producer - Andrew Lloyd Webber, Composer - ELLIOT SCHEINER, Mixer, StudioPersonnel - Jamshied Sharifi, Recording Arranger, AssociatedPerformer - Donny Osmond, MainArtist - Ben Elton, Author - Jamishied Sharifi, Conductor, Arranger, Work Arranger

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

5
It's Possible (Album Version)
00:03:54

Phil Ramone, Producer - Doug Katsaros, Arranger, Work Arranger - ROB MOUNSEY, Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Lynn Ahrens, Author - Stephen Flaherty, Composer - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

6
At The Edge Of The World (Album Version)
00:03:47

Phil Ramone, Producer - ROB MOUNSEY, Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Donny Osmond, MainArtist - Bill Whelan, ComposerLyricist - Jamishied Sharifi, Arranger, Work Arranger

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

7
Not While I'm Around (From "This Is The Moment")
ダニー・オズモンド
00:04:10

Phil Ramone, Producer - ROB MOUNSEY, Conductor, Engineer, StudioPersonnel - Stephen Sondheim, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Vanessa Williams, MainArtist - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

8
Solla Sollew (Album Version)
00:03:43

Phil Ramone, Producer - ROB MOUNSEY, Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Lynn Ahrens, Author - Stephen Flaherty, Composer - Donny Osmond, MainArtist - Jamishied Sharifi, Arranger, Work Arranger

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

9
No Matter What (Album Version)
00:04:38

Phil Ramone, Producer - ROB MOUNSEY, Engineer, StudioPersonnel - Eric Rehl, Arranger, Work Arranger - Andrew Lloyd Webber, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - Jim Steinman, ComposerLyricist - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

10
Immortality (Album Version)
00:04:32

Phil Ramone, Producer - ROB MOUNSEY, Conductor, Arranger, Engineer, Work Arranger, StudioPersonnel - Barry Gibb, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - Robin Gibb, ComposerLyricist - Maurice Gibb, ComposerLyricist - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

11
I Know The Truth (Album Version)
00:03:58

Phil Ramone, Producer - ROB MOUNSEY, Engineer, StudioPersonnel - Elton John, Composer - ELLIOT SCHEINER, Mixer, StudioPersonnel - Tim Rice, Author - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Robbie Kondor, Conductor, Arranger, Work Arranger - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

12
You've Got A Friend In Me (Album Version)
ダニー・オズモンド
00:02:26

Phil Ramone, Producer - Rosie O'Donnell, MainArtist - ROB MOUNSEY, Engineer, StudioPersonnel - Randy Newman, ComposerLyricist - ELLIOT SCHEINER, Mixer, StudioPersonnel - ROB MATHES, Conductor, Arranger, Work Arranger - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Donny Osmond, MainArtist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

13
Give My Regards To Broadway (Album Version)
00:05:07

Phil Ramone, Producer - Doug Katsaros, Conductor, Arranger, Work Arranger - ROB MOUNSEY, Engineer, StudioPersonnel - ELLIOT SCHEINER, Mixer, StudioPersonnel - Eric Schilling, Engineer, StudioPersonnel - Jason Stasium, Engineer, StudioPersonnel - Donny Osmond, MainArtist - George M. Cohan, ComposerLyricist

℗ 2000 Universal Classics Group, a Division of UMG Recordings Inc.

アルバム·レビュー

Donny Osmond has a tendency to take decades off from his recording career. He let most of the 1980s go by, presumably to clear the air after his teen idol days of the 1970s, before re-launching himself as a dance-pop singer with his self-titled Capitol album in 1989, then took off most of the '90s after the relative disappointment of its follow-up, Eyes Don't Lie. In the meantime, he gained a measure of legitimacy as a musical theater performer with a long-running portrayal of the title character in Andrew Lloyd Webber and Tim Rice's Joseph and the Amazing Technicolor Dreamcoat. By the end of the decade, with the cancellation of the syndicated talk show he shared with his sister Marie, Osmond was again available to take another chance in the record stores. And so, here is This Is the Moment, the concept of which is to take show tunes of various vintages and given them contemporary pop arrangements. Of course, that's what pop artists used to do all the time with show music, until it fell out of favor at the end of the 1960s. Osmond and veteran producer Phil Ramone may not be trying to resurrect that tradition so much as they are trying to craft a new, more respectable image for Osmond as an adult contemporary performer. Hence, in one of the more radical restatements of a song, arranger/conductor Rob Mounsey provides a setting for the 50-year-old "Luck Be a Lady" from Guys & Dolls that sounds like nothing so much as a track from a 1970s Steely Dan album, complete with funky rhythms and a punchy horn chart. That sort of thing can backfire, of course (it makes you think about what Osmond was singing when "Rikki Don't Lose That Number" was a hit), but for the most part, Osmond and Ramone select show songs from recent years that already have a pop element to them, such as "Seasons of Love" from Rent and "This Is the Moment" from Jekyll & Hyde, so they are halfway to their goal already. Osmond clearly has learned a lot about singing from his stage work, but he still employs a pop singer's sense of feel over a stage singer's desire to convey meaning. Oddly, the staginess of his approach derives more from his pop background than his theater work; he never for a second sounds like he's really feeling anything. This artificiality is accentuated by the timbre of his light, flexible tenor. Decca Broadway seems to have chosen "Seasons of Love" as the album's emphasis track and is probably holding the duet with Vanessa Williams on Sweeney Todd's "Not While I'm Around" in reserve, but those aren't really the likeliest candidates to break this album. Osmond just doesn't nail the former, and the latter was a bad casting idea -- Osmond and Williams' voices are too similar. Rather, the real chances for hits are Whistle Down the Wind's "No Matter What" (which scored for Boyzone in the U.K., though they flopped with it in the U.S.) and Saturday Night Fever's "Immortality." These are highly melodic, lightly rhythmic ballads perfectly suited to Osmond's voice and approach. This Is the Moment is both the best Donny Osmond album ever made and conclusive evidence that the former teen idol, who was 43 when it was released, is never going to be more than a pleasant, modestly talented singer.

© William Ruhlmann /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストダニー・オズモンドによる

Alone Together

ダニー・オズモンド

Alone Together ダニー・オズモンド

Start Again

ダニー・オズモンド

Start Again ダニー・オズモンド

A Time For Us

ダニー・オズモンド

A Time For Us ダニー・オズモンド

Portrait Of Donny

ダニー・オズモンド

Portrait Of Donny ダニー・オズモンド

The Definitive Collection

ダニー・オズモンド

The Definitive Collection ダニー・オズモンド

プレイリスト

こちらもおすすめ...

J.S.バッハ:ゴルトベルク変奏曲

ヴィキングル・オラフソン

J.S.バッハ:ゴルトベルク変奏曲 ヴィキングル・オラフソン

Carl Philipp Emanuel Bach

キース・ジャレット

Carl Philipp Emanuel Bach キース・ジャレット

ユジャ・ワン / ラフマニノフ:ピアノ協奏曲全集&パガニーニ狂詩曲

ユジャ・ワン

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

久石 譲

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

ベアトリーチェ・ラナ