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ダスティ・スプリングフィールド|The Very Best Of Dusty Springfield

The Very Best Of Dusty Springfield

Dusty Springfield

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Mercury records, which controls the Phillips records catalog, has compiled this Dusty Springfield set by referring to Springfield's U.K. and U.S. chart successes from 1964 to 1967, then licensing her two biggest hits for Atlantic records, "Son of a Preacher Man" and "A Brand New Me." The result, in terms of song selection, is an excellent 20-song, 57-minute disc that includes most of her best-known material. (The major omission is "The Windmills of Your Mind," a U.S. Top 40 hit, which was on Atlantic.) The more questionable elements on the album are the sequencing and the choice of mono and stereo takes. These problems are interrelated: if the compilation producer had opted for a chronological sequencing, the drastic aural differences between the early mono tracks and the later gimmicky, extreme (and, in at least one case, apparently fake) stereo tracks would not have been such a constant distraction to the listener. (So many tracks, even from as late as 1967, are in mono, that you wonder why they didn't just make the whole album mono.) And Springfield's stylistic evolution would have been more coherent, too. Why, for example, put the 1968 "Son of a Preacher Man" its full stereo, American R&B-style glory, as the fifth track, then follow it with the 1964 "I Just Don't Know What to Do With Myself," in boxy mono with orchestral accompaniment? Of course, you can re-sequence the album on your CD player, but you shouldn't have to.

© William Ruhlmann /TiVo

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The Very Best Of Dusty Springfield

ダスティ・スプリングフィールド

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1
二人だけのデート (Mono)
00:02:37

Ivor Raymonde, ComposerLyricist - Mike Hawker, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1963 Mercury Records Limited

2
ウィッシン・アンド・ホーピン (Stereo Version)
00:02:55

Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Dusty Springfield, Vocals, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1964 Mercury Records Limited

3
この胸のときめきを
00:02:49

Simon Napier-Bell, Translator - Vicki Wickham, Translator - Vito Pallavicini, Author - Pino Donaggio, Composer - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1966 Mercury Records Limited

4
ステイ・アホワイル (Mono Version)
00:01:58

Ivor Raymonde, ComposerLyricist - Mike Hawker, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1964 Mercury Records Limited

5
Son Of A Preacher Man
00:02:27
6
恋のとまどい (Mono)
00:03:02

Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1964 Mercury Records Limited

7
ホワッツ・イット・ゴナ・ビー
00:02:13

Mort Shuman, ComposerLyricist - JERRY RAGOVOY, Producer, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer

℗ 1967 Mercury Records Limited

8
オール・クライド・アウト
00:03:03

Dusty Springfield, MainArtist - Philip Springer, Composer - Buddy Kaye, Author - John Franz, Producer

℗ 1964 Mercury Records Limited

9
In The Middle Of Nowhere
00:02:49

Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - Buddy Kaye, ComposerLyricist - John Franz, Producer - Bea Verdi, ComposerLyricist

℗ 1965 Mercury Records Limited

10
この恋をひとすじに
00:03:22

Ben Weisman, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer - Clive Gerald Westlake, ComposerLyricist

℗ 1966 Mercury Records Limited

11
恋の面影
00:03:35

Burt Bacharach, Composer - Hal David, Author - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1967 Mercury Records Limited

12
リトル・バイ・リトル
00:02:19

Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - Buddy Kaye, ComposerLyricist - John Franz, Producer - Bea Verdi, ComposerLyricist

℗ 1966 Mercury Records Limited

13
この目をとじて
00:03:10

Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer - Clive Gerald Westlake, ComposerLyricist

℗ 1968 Mercury Records Limited

14
サム・オブ・ユア・ラヴィン
00:03:00

Carole King, ComposerLyricist - Gerry Goffin, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1965 Mercury Records Limited

15
恋を求めて
00:02:34

Victor Millrose, ComposerLyricist - Mark Barkan, ComposerLyricist - Dusty Springfield, MainArtist - John Franz, Producer

℗ 1967 Mercury Records Limited

16
ルージング・ユー (Mono Version)
00:03:01

Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - Tom Springfield, ComposerLyricist - John Franz, Producer - Clive Gerald Westlake, ComposerLyricist

℗ 1964 Mercury Records Limited

17
Guess Who?
00:02:33

Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - Gary Klein, ComposerLyricist - Arthur 'Artie' Lawrence Kornfeld, ComposerLyricist - Shelby S. Singleton, Producer

℗ 1965 Mercury Records Limited

18
A Brand New Me
00:02:26
19
ギヴ・ミー・タイム
00:03:07

Peter Callander, ComposerLyricist - Pietro Melfa, ComposerLyricist - Alberto Morina, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer - Amadeo Tommasi, ComposerLyricist

℗ 1967 Mercury Records Limited

20
Goin' Back
00:03:29

Carole King, ComposerLyricist - Gerry Goffin, ComposerLyricist - Dusty Springfield, Vocalist, MainArtist, AssociatedPerformer - John Franz, Producer

℗ 1966 Mercury Records Limited

アルバム·レビュー

Mercury records, which controls the Phillips records catalog, has compiled this Dusty Springfield set by referring to Springfield's U.K. and U.S. chart successes from 1964 to 1967, then licensing her two biggest hits for Atlantic records, "Son of a Preacher Man" and "A Brand New Me." The result, in terms of song selection, is an excellent 20-song, 57-minute disc that includes most of her best-known material. (The major omission is "The Windmills of Your Mind," a U.S. Top 40 hit, which was on Atlantic.) The more questionable elements on the album are the sequencing and the choice of mono and stereo takes. These problems are interrelated: if the compilation producer had opted for a chronological sequencing, the drastic aural differences between the early mono tracks and the later gimmicky, extreme (and, in at least one case, apparently fake) stereo tracks would not have been such a constant distraction to the listener. (So many tracks, even from as late as 1967, are in mono, that you wonder why they didn't just make the whole album mono.) And Springfield's stylistic evolution would have been more coherent, too. Why, for example, put the 1968 "Son of a Preacher Man" its full stereo, American R&B-style glory, as the fifth track, then follow it with the 1964 "I Just Don't Know What to Do With Myself," in boxy mono with orchestral accompaniment? Of course, you can re-sequence the album on your CD player, but you shouldn't have to.

© William Ruhlmann /TiVo

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