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Tru|The Truth

The Truth

Tru

    EXPLICIT
  • 発売日 : 2004/11/23 レーベル: eOne Music
  • メインアーティスト : TRU
  • ジャンル: ラップ
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16-Bit/44.1 kHz ステレオ

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Since DJ Screw's death in 2000, the leader of the south Texas-based "chopped and screwed" style is Michael "5000" Watts, a Houston-based remixer who has taken DJ Screw's idiosyncratic style and ran with it. A chopped and screwed version, in its simplest incarnation, is simply the original track slowed down to somewhere between 50 and 75 beats per minute, with occasional drop-outs and other bits of dub-style sonic trickery added. The results are legendarily supposed to mimic the effects of a cough syrup high, but just as often, it simply sounds like you're listening to the album on a Walkman with the batteries dying. The Truth (Chopped and Screwed) is simply Watts' version of Tru's underwhelming 2004 comeback album, The Truth, and while the original album's fundamental flaws -- most notably a lack of really inspired rhymes -- are largely obscured by the novelty of the new settings, Watts sounds like he's pretty much just going through the motions here. At its best, this style can produce a genuinely hallucinogenic musical experience, on a par with Lee "Scratch" Perry's most out-there work, but on The Truth (Chopped and Screwed), Watts' customization of the original tracks suggests that the remixer is starting to run out of ideas.
© Stewart Mason /TiVo

詳細はこちら

The Truth

Tru

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1
Where U From Explicit
00:04:36

Tru, MainArtist

2005 Koch Records 2005 Koch Records

2
Photo Book Explicit
00:04:35

Tru, MainArtist

2005 Koch Records 2005 Koch Records

3
Go Off Explicit
00:04:06

Tru, MainArtist

2005 Koch Records 2005 Koch Records

4
Stressin' Explicit
00:03:20

Tru, MainArtist

2005 Koch Records 2005 Koch Records

5
Street Army Explicit
00:05:17

Tru, MainArtist

2005 Koch Records 2005 Koch Records

6
Drama Explicit
00:03:12

Tru, MainArtist

2005 Koch Records 2005 Koch Records

7
Welcome To New Orleans Explicit
00:04:08

Tru, MainArtist

2005 Koch Records 2005 Koch Records

8
You Ain't Sayin Nothin' Explicit
00:04:06

Tru, MainArtist

2005 Koch Records 2005 Koch Records

9
Shake It Explicit
00:03:18

Tru, MainArtist

2005 Koch Records 2005 Koch Records

10
Sea Saw For Me Explicit
00:02:48

Tru, MainArtist

2005 Koch Records 2005 Koch Records

11
Hood & Street Explicit
00:04:40

Tru, MainArtist

2005 Koch Records 2005 Koch Records

12
Headhunter Explicit
00:03:03

Tru, MainArtist

2005 Koch Records 2005 Koch Records

13
Squeeze Explicit
00:03:32

Tru, MainArtist

2005 Koch Records 2005 Koch Records

14
Buckle Up Explicit
00:04:00

Tru, MainArtist

2005 Koch Records 2005 Koch Records

15
Ride Explicit
00:02:56

Tru, MainArtist

2005 Koch Records 2005 Koch Records

16
Point 'em Out Explicit
00:04:24

Tru, MainArtist

2005 Koch Records 2005 Koch Records

17
Here We Come Explicit
00:03:28

Tru, MainArtist

2005 Koch Records 2005 Koch Records

アルバム·レビュー

Since DJ Screw's death in 2000, the leader of the south Texas-based "chopped and screwed" style is Michael "5000" Watts, a Houston-based remixer who has taken DJ Screw's idiosyncratic style and ran with it. A chopped and screwed version, in its simplest incarnation, is simply the original track slowed down to somewhere between 50 and 75 beats per minute, with occasional drop-outs and other bits of dub-style sonic trickery added. The results are legendarily supposed to mimic the effects of a cough syrup high, but just as often, it simply sounds like you're listening to the album on a Walkman with the batteries dying. The Truth (Chopped and Screwed) is simply Watts' version of Tru's underwhelming 2004 comeback album, The Truth, and while the original album's fundamental flaws -- most notably a lack of really inspired rhymes -- are largely obscured by the novelty of the new settings, Watts sounds like he's pretty much just going through the motions here. At its best, this style can produce a genuinely hallucinogenic musical experience, on a par with Lee "Scratch" Perry's most out-there work, but on The Truth (Chopped and Screwed), Watts' customization of the original tracks suggests that the remixer is starting to run out of ideas.
© Stewart Mason /TiVo

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