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キャロル・スローン|The Songs Ella & Louis Sang

The Songs Ella & Louis Sang

Carol Sloane, Clark Terry

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対応言語:英語

This release both is and, in a sense, isn't a tribute to the mighty and lovable Ella Fitzgerald and Louis Armstrong. As far as the repertoire goes, of course, these songs were associated with Ella and Louis in their separate and joint projects. But Carol Sloane and Clark Terry are definitely not imitators of anybody; it is their inimitable styles, mannerisms, lyrical bents, and distinctive senses of humor that make this disc happen. Terry's slippery trumpet slides and bounces over the notes in a completely different manner than Armstrong, and he displays just as much personality in doing so. You also hear much more of Terry's actual singing than usual (as opposed to his mumbles act on "Stompin' at the Savoy"), breezy and full of jive. Carol Sloane is closer to Shirley Horn in soft-focused tone than she is to Ella, and she makes a fine dusky-voiced foil for Terry's talking horn obligatos. With only the backing of a piano trio, this is as relaxed and ingratiating a set in its own way as the first Ella/Louis albums on Verve were, evoking the atmosphere, if not the actual sound, of a 1950s Norman Granz production.

© Richard S. Ginell /TiVo

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The Songs Ella & Louis Sang

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1
I Won't Dance
00:04:58

Jerome Kern, ComposerLyricist - Dorothy Fields, ComposerLyricist - Oscar Hammerstein II , ComposerLyricist - Otto Harbach, ComposerLyricist - Jimmy McHugh, ComposerLyricist - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

2
Tenderly
00:04:20

Jack Lawrence, ComposerLyricist - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - WALTER GROSS, ComposerLyricist - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

3
Don't Be That Way
00:06:16

Mitchell Parish, ComposerLyricist - Benny Goodman, ComposerLyricist - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Edgar M Sampson, ComposerLyricist - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

4
Can't We Be Friends
00:04:31

Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Kay Swift, ComposerLyricist - Paul James, ComposerLyricist - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

5
Gee Baby, Ain't I Good To You
00:04:28

Andy Razaf, Author - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Don Redman, ComposerLyricist - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

6
Autumn In New York
00:05:33

Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Vladimir Dukelsky, ComposerLyricist - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

7
Let's Do It
00:05:05

Cole Porter, ComposerLyricist - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

8
The Stars Fell On Alabama
00:04:55

Mitchell Parish, ComposerLyricist - Frank Perkins, ComposerLyricist - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

9
Moonlight In Vermont
00:04:11

Karl Suessdorf, Composer - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - John M. Blackburn, Author - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

10
Blueberry Hill
00:05:35

Vincent Rose, ComposerLyricist - Larry Stock, ComposerLyricist - Al Lewis, ComposerLyricist - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

11
Stompin' At The Savoy
00:05:41

Andy Razaf, ComposerLyricist - Benny Goodman, Composer - Edgar Sampson, Composer - Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Chick Webb, Composer - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

12
When It's Sleepy Time Down South
00:03:24

Bill Charlap, Piano, AssociatedPerformer - Clark Terry, Flugelhorn, Trumpet, Vocals, MainArtist, AssociatedPerformer - Leon Rene, ComposerLyricist - Otis Rene, ComposerLyricist - Clarence Muse, ComposerLyricist - Carol Sloane, Vocals, MainArtist, AssociatedPerformer - Dennis Mackrel, Drums, AssociatedPerformer - Marcus McLaurine, Upright Bass, AssociatedPerformer - Alan Varner, Mixer, Recording Engineer, StudioPersonnel - Allen Farnham, Producer, Recording Producer

℗ 1997 Concord Jazz

アルバム·レビュー

This release both is and, in a sense, isn't a tribute to the mighty and lovable Ella Fitzgerald and Louis Armstrong. As far as the repertoire goes, of course, these songs were associated with Ella and Louis in their separate and joint projects. But Carol Sloane and Clark Terry are definitely not imitators of anybody; it is their inimitable styles, mannerisms, lyrical bents, and distinctive senses of humor that make this disc happen. Terry's slippery trumpet slides and bounces over the notes in a completely different manner than Armstrong, and he displays just as much personality in doing so. You also hear much more of Terry's actual singing than usual (as opposed to his mumbles act on "Stompin' at the Savoy"), breezy and full of jive. Carol Sloane is closer to Shirley Horn in soft-focused tone than she is to Ella, and she makes a fine dusky-voiced foil for Terry's talking horn obligatos. With only the backing of a piano trio, this is as relaxed and ingratiating a set in its own way as the first Ella/Louis albums on Verve were, evoking the atmosphere, if not the actual sound, of a 1950s Norman Granz production.

© Richard S. Ginell /TiVo

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