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シェリル・クロウ|The Globe Sessions

The Globe Sessions

Sheryl Crow

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Since her dense, varied, postmodernist eponymous second album illustrated that Sheryl Crow was no one-album wonder, she wasn't left with as much to prove the third time around. Having created an original variation on roots rock with Sheryl Crow, she was left with the dilemma of how to remain loyal to that sound without repeating herself on her third album, The Globe Sessions. To her credit, she never plays lazy, not when she's turning out Stonesy rockers ("There Goes the Neighborhood") or when she's covering Dylan (the remarkable "Mississippi," an outtake from Time Out of Mind). However, she has decided to abandon the layered, yard-sale production and pop culture fixations that made Sheryl Crow a defining album of the mid-'90s. The Globe Sessions, instead, is the work of a craftswoman, one who knows how to balance introspective songs with pop/rockers, one who knows how to exploit her signature sound while becoming slightly more eclectic. In that sense, the album is a lot like a latter-day album from her idols, the Stones -- it finds pleasures within the craft and the signature sounds themselves. That means that there are no surprises (apart from the synthesized handclaps, of course). The Celtic homage "Riverwide" may be new, but it's not unexpected, much like how the whiplash transition in "Am I Getting Through" isn't entirely out of the blue. That's not necessarily a bad thing, though, since The Globe Sessions has a strong set of songs. Since it lacks the varied sonics, humor, and flat-out weirdness of Sheryl Crow, it's never quite as compelling a listen as its predecessor, yet it is a strong record, again confirming Crow's position as one of the best roots rockers of the '90s.

© Stephen Thomas Erlewine /TiVo

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The Globe Sessions

シェリル・クロウ

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¥1,280/ 月から

1
マイ・フェイヴァリット・ミステイク
00:04:07

Jeff Trott, Guitar, AssociatedPerformer, ComposerLyricist - Wendy Melvoin, Guitar, AssociatedPerformer - Sheryl Crow, Producer, Bass Guitar, Percussion, Piano, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Trina Shoemaker, Recording Engineer, StudioPersonnel - Greg Williams, Drums, AssociatedPerformer - Tchad Blake, Mixer, StudioPersonnel - S. Husky Hoskulds, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Howard Willing, Asst. Recording Engineer, StudioPersonnel - Brant Scott, Asst. Recording Engineer, StudioPersonnel - Ryan Baesch, Asst. Recording Engineer, StudioPersonnel

℗ 1998 UMG Recordings, Inc.

2
ゼアー・ゴーズ・ザ・ネイバーフッド
00:05:02

Jeff Trott, Guitar, AssociatedPerformer, ComposerLyricist - Tim Smith, Bass Guitar, AssociatedPerformer - Kent Smith, Trumpet, AssociatedPerformer - Michael Davis, Trombone, AssociatedPerformer - Sheryl Crow, Producer, Keyboards, Percussion, MainArtist, AssociatedPerformer, ComposerLyricist - Val McCallum, Guitar, AssociatedPerformer - ANDY WALLACE, Mixer, StudioPersonnel - Trina Shoemaker, Recording Engineer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Gregg Williams, Drums, Percussion, AssociatedPerformer - Bobby Keys, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, AssociatedPerformer - Dan McCarroll, Drums, AssociatedPerformer - Brant Scott, Asst. Recording Engineer, StudioPersonnel - Ryan Baesch, Asst. Recording Engineer, StudioPersonnel - Husky Hoskolds, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel

℗ 1998 UMG Recordings, Inc.

3
リヴァーワイド
00:04:07

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel - Lisa Germano, Participant

℗ 1998 UMG Recordings, Inc.

4
イット・ドント・ハート (Album Version)
00:04:49

Jeff Trott, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel - Lisa Germano, Participant

℗ 1998 UMG Recordings, Inc.

5
メイビー・ザッツ・サムシング
00:04:17

Jeff Trott, ComposerLyricist - Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel

℗ 1998 UMG Recordings, Inc.

6
ゲッティング・スルー (Pt.1 & 2)
00:05:29

Sheryl Crow, Producer, MainArtist, ComposerLyricist - MITCHELL FROOM, Participant - Tchad Blake, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel

℗ 1998 UMG Recordings, Inc.

7
エニシング・バット・ダウン
00:04:17

Jeff Trott, Electric Guitar, AssociatedPerformer - Benmont Tench, Piano, AssociatedPerformer - Sheryl Crow, Producer, Acoustic Guitar, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Greg Leisz, Pedal Steel, AssociatedPerformer - ANDY WALLACE, Mixer, StudioPersonnel - Trina Shoemaker, Recording Engineer, StudioPersonnel - Dan Rothchild, Bass Guitar, AssociatedPerformer - S. Husky Hoskulds, Asst. Recording Engineer, StudioPersonnel - Dan McCarroll, Drums, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

8
ディフィカルト・カインド
00:06:19

Sheryl Crow, Producer, MainArtist, ComposerLyricist - ANDY WALLACE, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel - Lisa Germano, Participant

℗ 1998 UMG Recordings, Inc.

9
ミシシッピィ
00:04:41

Bob Dylan, ComposerLyricist - Sheryl Crow, Producer, MainArtist - ANDY WALLACE, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel - Lisa Germano, Participant

℗ 1998 UMG Recordings, Inc.

10
メンバーズ・オンリー
00:04:57

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Mixer, StudioPersonnel - Steve Sisco, Assistant Mixer, StudioPersonnel - Howard Willing, Assistant Mixer, StudioPersonnel

℗ 1998 UMG Recordings, Inc.

11
Crash And Burn/Subway Ride (Album Version)
00:11:16

Sheryl Crow, Producer, MainArtist - Tchad Blake, Mixer, StudioPersonnel

℗ 1998 A&M Records

12
リサシテイション (International Bonus Track)
00:03:59

Sheryl Crow, Producer, MainArtist, ComposerLyricist - Tchad Blake, Producer - Jeffrey Trott, ComposerLyricist

℗ 1998 UMG Recordings, Inc.

13
Sweet Child O'Mine
00:03:51

Rick Rubin, Producer, Mixer, StudioPersonnel - Saul Hudson, ComposerLyricist - Sheryl Crow, Producer, MainArtist - Richard Dodd, Mixer, StudioPersonnel - Duff McKagan, ComposerLyricist - David Schiffman, Mixer, StudioPersonnel - W. Axl Rose, ComposerLyricist - Jeffrey Isbell, ComposerLyricist - Steven Adler, ComposerLyricist

℗ 1999 Sony Music Entertainment, Inc.

アルバム·レビュー

Since her dense, varied, postmodernist eponymous second album illustrated that Sheryl Crow was no one-album wonder, she wasn't left with as much to prove the third time around. Having created an original variation on roots rock with Sheryl Crow, she was left with the dilemma of how to remain loyal to that sound without repeating herself on her third album, The Globe Sessions. To her credit, she never plays lazy, not when she's turning out Stonesy rockers ("There Goes the Neighborhood") or when she's covering Dylan (the remarkable "Mississippi," an outtake from Time Out of Mind). However, she has decided to abandon the layered, yard-sale production and pop culture fixations that made Sheryl Crow a defining album of the mid-'90s. The Globe Sessions, instead, is the work of a craftswoman, one who knows how to balance introspective songs with pop/rockers, one who knows how to exploit her signature sound while becoming slightly more eclectic. In that sense, the album is a lot like a latter-day album from her idols, the Stones -- it finds pleasures within the craft and the signature sounds themselves. That means that there are no surprises (apart from the synthesized handclaps, of course). The Celtic homage "Riverwide" may be new, but it's not unexpected, much like how the whiplash transition in "Am I Getting Through" isn't entirely out of the blue. That's not necessarily a bad thing, though, since The Globe Sessions has a strong set of songs. Since it lacks the varied sonics, humor, and flat-out weirdness of Sheryl Crow, it's never quite as compelling a listen as its predecessor, yet it is a strong record, again confirming Crow's position as one of the best roots rockers of the '90s.

© Stephen Thomas Erlewine /TiVo

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© 1999 A&M Records ℗ 1999 A&M Records

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