無制限ストリーミング再生
このアルバムをアプリから高音質で聴く
無料体験をはじめる このアルバムを再生するこのアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
登録このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい
デジタルダウンロード
このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます
Natalie Prass is no stranger to soul music -- at times, her eponymous 2015 debut functioned as a de facto tribute to Dusty Springfield -- but The Future and the Past finds the singer/songwriter embracing a kind of soul that's not exactly embraced by the po-faced revivalists: the sleek, synthesized sound of the early '80s. Call this Prass looking into the future as much as the past, a move she telegraphs in the very title of this exceptional second album. Prass established her troubadour bona fides on her debut, yet that fine record occasionally seemed enthralled to the hazy vistas of Laurel Canyon, a sensibility that cannot be heard on The Future and the Past. Savvy and stylish, the album updates a number of classic sounds -- songs deliberately styled in a '60s tradition are draped in '80s fashion and vice versa -- which creates an appealing bit of cognitive dissonance: certain sounds and arrangements seem naggingly familiar, but Prass and co-producer Matthew E. White piece them together in a fashion that seems simultaneously fresh and familiar. As pure sound, this is a rich, enveloping experience, but the record endures not only because the songs are so strong, but because Prass is so confident here that she seems to swagger. Her voice remains light and airy, but there's a gritty, soulful bent to her phrasing, and she takes chances with her songwriting. Sometimes, her lyrics may be a little too on the nose -- a fault that plagues the otherwise appealing "Sisters" -- but her musical skills are so fluid and sharp, she makes heavy-handed moments seem light. The result is an impressive step forward, an album that finds Natalie Prass straddling the border between the future and the past, just as she promised.
© Stephen Thomas Erlewine /TiVo
現在、試聴中です。
無制限ストリーミングプランで１億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Matthew E. White, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Natalie Prass, Composer, MainArtist - Kyle Ryan, Composer
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Natalie Prass, Composer, MainArtist - Trey Pollard, Composer
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Mikky Ekko, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Matthew E. White, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Amy Wadge, Composer - Natalie Prass, Composer, MainArtist - Adj Buffone, Composer
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Matthew E. White, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Dillon O'Brian, Composer - Steve Lindsey, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Matthew E. White, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Natalie Prass, Composer, MainArtist - Kyle Ryan, Composer - Peter Barbee, Composer
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Fiona Bevan, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Matthew E. White, Composer - Natalie Prass, Composer, MainArtist
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
アルバム·レビュー
Natalie Prass is no stranger to soul music -- at times, her eponymous 2015 debut functioned as a de facto tribute to Dusty Springfield -- but The Future and the Past finds the singer/songwriter embracing a kind of soul that's not exactly embraced by the po-faced revivalists: the sleek, synthesized sound of the early '80s. Call this Prass looking into the future as much as the past, a move she telegraphs in the very title of this exceptional second album. Prass established her troubadour bona fides on her debut, yet that fine record occasionally seemed enthralled to the hazy vistas of Laurel Canyon, a sensibility that cannot be heard on The Future and the Past. Savvy and stylish, the album updates a number of classic sounds -- songs deliberately styled in a '60s tradition are draped in '80s fashion and vice versa -- which creates an appealing bit of cognitive dissonance: certain sounds and arrangements seem naggingly familiar, but Prass and co-producer Matthew E. White piece them together in a fashion that seems simultaneously fresh and familiar. As pure sound, this is a rich, enveloping experience, but the record endures not only because the songs are so strong, but because Prass is so confident here that she seems to swagger. Her voice remains light and airy, but there's a gritty, soulful bent to her phrasing, and she takes chances with her songwriting. Sometimes, her lyrics may be a little too on the nose -- a fault that plagues the otherwise appealing "Sisters" -- but her musical skills are so fluid and sharp, she makes heavy-handed moments seem light. The result is an impressive step forward, an album that finds Natalie Prass straddling the border between the future and the past, just as she promised.
© Stephen Thomas Erlewine /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 12曲
- 合計収録時間 : 00:45:25
- メインアーティスト : ナタリー・プラス
- 作曲家 : Various Composers
- レーベル : ATO Records
- ジャンル： ソウル / ファンク/ R&B
2018 ATO Records, under exclusive license to [PIAS] 2018 ATO Records, under exclusive license to [PIAS]
Qobuzで購入する理由...
-
音楽をダウンロードする
ハイレゾを含むアルバムや楽曲を1曲ずつ購入できます。
-
DRMフリー
ダウンロードしたファイルは使用回数の制限なく、あなたのものです。 何度でもダウンロードすることができます。
-
自分に最適なフォーマットを選ぶ
購入した楽曲は、ニーズに応じて様々なフォーマット（FLAC, ALAC, WAV, AIFF...）でダウンロードすることができます。
-
購入した音楽をアプリで聴く
スマートフォン、タブレット、パソコンでも、各デバイス向けのQobuzアプリをダウンロードすれば、購入した音楽をどこでも聴くことができます。
プレイリスト