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The Kingsbury Manx|The Fast Rise and Fall of the South

The Fast Rise and Fall of the South

Kingsbury Manx

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対応言語:英語

After two years of work, a tour van wreck, and a change of label, North Carolina indie soft rockers Kingsbury Manx released their third full-length album, The Fast Rise and Fall of the South, and it seems that the long road to get there was well worth the trouble. The Fast Rise and Fall is, no doubt, the finest selection of songs the boys have put out since their dark and atmospheric self-titled debut EP, and where 2003's Aztec Discipline moved the group more toward the bouncier side of indie pop, The Fast Rise and Fall finds the band returning to its initial trajectory of blending British folk-psychedelia with softly rocking Americana. It's a high and lonesome sound, punctuated with washes of tasteful lushness and passive-aggressive muscle, resembling what it would be like if you could do a mash-up between Pink Floyd's Obscured by Clouds and the Kinks' Village Green Preservation Society -- evoking the "straining to be epic" musicality of the former and the pastoral, "day in the life" lyricism of the latter. Where other American bands with a heavy classic Britpop bent (like the Lilys or Of Montreal) strive to sound as un-American as possible -- copping the guitar tones, song structures, and (sometimes) even the accent of their British influences -- the Kingsbury Manx remain firmly rooted in the soil of their native North Carolina, even while they stand in the English rain. Theirs is a distinctly American sound that brings the British influence to the songs quite naturally -- intuitively -- and is more of a love letter to their musical heroes than an effort to become them. For every moment on the album that recalls XTC, the Moody Blues, the Kinks, or Floyd, there's another (often within the same song) that borrows from Elliott Smith, Archer Prewitt, Yo La Tango, or Wilco. The word to remember here is "balance," and the Kingsbury Manx never fall too heavily on either side of the Atlantic -- at least not heavily enough to lose their own distinct sense of place, somewhere between Chapel Hill and the Village Green.

© J. Scott McClintock /TiVo

詳細はこちら

The Fast Rise and Fall of the South

The Kingsbury Manx

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無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
Harness and Wheel
00:02:55

The Kingsbury Manx, Composer - Kingsbury Manx, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

2
And What Fallout!
00:02:33

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

3
What a Shame
00:03:23

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

4
Zero G
00:04:30

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

5
1000 8
00:04:32

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

6
Snow Angel Dance
00:01:58

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

7
Greenland
00:02:57

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

8
900 Years
00:02:00

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

9
Ruins
00:03:03

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

10
Nova
00:04:53

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

11
Oh No
00:03:47

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

12
Animations
00:04:01

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

13
Ol' Mountainsides
00:05:53

The Kingsbury Manx, Composer, MainArtist - Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP, MusicPublisher

2005 Yep Roc Records 2005 Oro-Roja/Dr. Shambles Music/Flayleejay/Conover Beacon ASCAP

アルバム·レビュー

After two years of work, a tour van wreck, and a change of label, North Carolina indie soft rockers Kingsbury Manx released their third full-length album, The Fast Rise and Fall of the South, and it seems that the long road to get there was well worth the trouble. The Fast Rise and Fall is, no doubt, the finest selection of songs the boys have put out since their dark and atmospheric self-titled debut EP, and where 2003's Aztec Discipline moved the group more toward the bouncier side of indie pop, The Fast Rise and Fall finds the band returning to its initial trajectory of blending British folk-psychedelia with softly rocking Americana. It's a high and lonesome sound, punctuated with washes of tasteful lushness and passive-aggressive muscle, resembling what it would be like if you could do a mash-up between Pink Floyd's Obscured by Clouds and the Kinks' Village Green Preservation Society -- evoking the "straining to be epic" musicality of the former and the pastoral, "day in the life" lyricism of the latter. Where other American bands with a heavy classic Britpop bent (like the Lilys or Of Montreal) strive to sound as un-American as possible -- copping the guitar tones, song structures, and (sometimes) even the accent of their British influences -- the Kingsbury Manx remain firmly rooted in the soil of their native North Carolina, even while they stand in the English rain. Theirs is a distinctly American sound that brings the British influence to the songs quite naturally -- intuitively -- and is more of a love letter to their musical heroes than an effort to become them. For every moment on the album that recalls XTC, the Moody Blues, the Kinks, or Floyd, there's another (often within the same song) that borrows from Elliott Smith, Archer Prewitt, Yo La Tango, or Wilco. The word to remember here is "balance," and the Kingsbury Manx never fall too heavily on either side of the Atlantic -- at least not heavily enough to lose their own distinct sense of place, somewhere between Chapel Hill and the Village Green.

© J. Scott McClintock /TiVo

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