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対応言語:英語
“Welcome to my self-made sweat box. This is where I take it all off. I've got to sweat it out, I'll cook those monsters out -- I'm not coming out of here until my soul appears” is a line that appears in the title track of The Calcination of Scoutt Niblett, and if there is a theme for this album, this is it. The word “calcination” refers to burning metals into calx -- the ashy substance that remains. It’s appropriate here. Since 2001, Niblett has used minimal trappings to get her songs across, usually just a guitar and some well-placed drums. She concentrates on rock essences that transfer emotion without contrivance or sonic affectation -- there is no excess here, nothing extra at all. Produced (again) by Steve Albini, Niblett has stripped everything to the barest: a distorted electric guitar underscores nakedly searing lyrics that sometimes get accented by primitive drums -- or not. Accompanied only by her guitar in “Bargin“ (sic), she allows her contralto to move up half an octave and sings as if she’s looking into her own dirty, cracked mirror: "And some may say, you're not a little girl anymore, but becoming a child is what I'm waiting for.” Rather than exploding, the track moves to the sing-song quality of a lullaby. These songs may not be catchy, but they are gripping. In every one of them there is a lyric that grabs the listener by the throat. There is no forced rage here; when it does come out, it’s natural and arresting. The feedback that introduces “Cherry Cheek Bomb” breaks the tension built up in the first four cuts, and allows the guitar to express what lyrics cannot, before beginning another plank-walking confessional that exits with a wailing guitar outro. The closer, “Meet and Greet,” describes her relationship to the music business with primitive flamenco guitar sketches on guitar, with feedback and shambolic drumming. It’s a raw self-examination as much as an indictment. Calcination is a harrowing, emotionally draining 51 minutes; it can’t be judged on anything but its essences lyrically and musically, making it an abundantly successful endeavor.
© Thom Jurek /TiVo
現在、試聴中です。
無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。
無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。
¥1,280/ 月から
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2010 Drag City Inc.
Scout Niblett, Composer, MainArtist - Drag City Inc., MusicPublisher
2010 Drag City Inc. 2012 Drag City Inc.
アルバム·レビュー
“Welcome to my self-made sweat box. This is where I take it all off. I've got to sweat it out, I'll cook those monsters out -- I'm not coming out of here until my soul appears” is a line that appears in the title track of The Calcination of Scoutt Niblett, and if there is a theme for this album, this is it. The word “calcination” refers to burning metals into calx -- the ashy substance that remains. It’s appropriate here. Since 2001, Niblett has used minimal trappings to get her songs across, usually just a guitar and some well-placed drums. She concentrates on rock essences that transfer emotion without contrivance or sonic affectation -- there is no excess here, nothing extra at all. Produced (again) by Steve Albini, Niblett has stripped everything to the barest: a distorted electric guitar underscores nakedly searing lyrics that sometimes get accented by primitive drums -- or not. Accompanied only by her guitar in “Bargin“ (sic), she allows her contralto to move up half an octave and sings as if she’s looking into her own dirty, cracked mirror: "And some may say, you're not a little girl anymore, but becoming a child is what I'm waiting for.” Rather than exploding, the track moves to the sing-song quality of a lullaby. These songs may not be catchy, but they are gripping. In every one of them there is a lyric that grabs the listener by the throat. There is no forced rage here; when it does come out, it’s natural and arresting. The feedback that introduces “Cherry Cheek Bomb” breaks the tension built up in the first four cuts, and allows the guitar to express what lyrics cannot, before beginning another plank-walking confessional that exits with a wailing guitar outro. The closer, “Meet and Greet,” describes her relationship to the music business with primitive flamenco guitar sketches on guitar, with feedback and shambolic drumming. It’s a raw self-examination as much as an indictment. Calcination is a harrowing, emotionally draining 51 minutes; it can’t be judged on anything but its essences lyrically and musically, making it an abundantly successful endeavor.
© Thom Jurek /TiVo
アルバムについて
- 組み枚数 : 1ディスク - 収録数 : 11曲
- 合計収録時間 : 00:51:17
- メインアーティスト : Scout Niblett
- 作曲家 : Scout Niblett
- レーベル : Drag City Records
- ジャンル: ポップス / ロック ブルース/カントリー/フォーク フォーク
2010 Drag City Inc. 2010 Drag City Inc.
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