カテゴリー:
かご 0

かごは空です

バット・フォー・ラッシズ|The Bride

The Bride

Bat For Lashes

提供音質
24-Bit/96 kHz ステレオ

無制限ストリーミング再生

このアルバムをアプリから高音質で聴く

無料体験をはじめる このアルバムを再生する

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

登録

このアルバムはQobuzアプリのサブスクリプションでお楽しみ下さい

デジタルダウンロード

このアルバムはお客様のニーズに合わせて様々なフォーマットで購入やダウンロードすることができます

Exploring femininity in all its personas is a major part of Bat for Lashes' music, and never more so than on The Bride. On Natasha Khan's fourth album, the titular character undergoes a more dramatic transformation than most brides do at their weddings: After her fiance is killed in a car accident en route to the wedding, she flees the church and goes on her honeymoon alone. It's a more single-minded concept than some of Bat for Lashes' other albums, and since Khan's music is as theatrical as it is vulnerable, it should be a perfect fit. However, The Bride's journey through romance, horror, grief, and healing is more subdued than might be expected. The album begins vividly: Bedecked in fluttering harps and some of Khan's loveliest vocals yet, "I Do" has all the showy nuptial romance of a petal-strewn aisle. It's so incredibly sweet that it feels like it's tempting fate, offering the perfect setup for the brewing terror on "In God's House," as well as the slow-building drama of "Joe's Dream" and the hallucinatory panic of "Honeymooning Alone," both of which give the death-obsessed pop of the '50s and '60s a highbrow update.
Depending on listeners' patience, however, The Bride's slower second half may be hypnotic or dreary. To trace the arc from mourning to recovery, Khan relies on ballads that range from bitter ("Never Forgive the Angels") to empowering ("I Will Love Again," which sounds more like the kind of fare Adele or Christina Aguilera would sing). And though she gives the bride a surprisingly happy ending with "In Your Bed" -- which finds the character wanting to stay in her lover's arms rather than go out on the town -- it feels like her story is missing several chapters. Similarly, The Bride often feels like a missed opportunity to revisit the drama Bat for Lashes delivered so ably on Two Suns. Khan rectifies this somewhat on more mystical songs like the witchy invocation of "Widow's Peak" and "Close Encounters," an eldritch lovers' meeting that recalls Wuthering Heights (both the book and the Kate Bush song). Still, it's hard not to want Bat for Lashes to go further down this path; while Khan used restraint eloquently on The Haunted Man, The Bride is beautifully crafted, but not always thrilling.

© Heather Phares /TiVo

詳細はこちら

The Bride

バット・フォー・ラッシズ

launch qobuz app Windows / MacOS用のQobuzはすでにダウンロード済みです 開く

download qobuz app Windows / MacOS用のQobuzはまだダウンロードされていません Qobuzアプリをダウンロードする

現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
I Do
00:02:17

Natasha Khan, Composer, Producer, Lead Vocals, Autoharp - Ben Christophers, Guitar, Bass, RecordingEngineer, Co- Producer - Bat For Lashes, MainArtist - Head, Mixer, RecordingEngineer - Pete Hanlon, Engineer, RecordingEngineer - Simone Felice, Co- Producer - David Baron, Mixer, Bass, Synthesizer, Co- Producer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

2
Joe's Dream
00:05:25

Natasha Khan, Composer, Producer, Electric Guitar, Tambourine, Lead Vocals, Drum Programmer, Rhodes Piano - Bat For Lashes, MainArtist - Jacknife Lee, Producer, Programmer, Synthesizer, Samples, RecordingEngineer - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, Additional Production, RecordingEngineer - David Baron, Mixer, Additional Production, Programmer, Synthesizer, Rhodes Piano - Alex Reeves, Timpani - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

3
In God's House
00:03:31

Natasha Khan, Composer, Producer, Keyboards, Mandolin, Piano, Lead Vocals, Drum Programmer, Synthesizer, Autoharp - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer, Co- Producer - David Baron, Mixer, Programmer, Synthesizer, RecordingEngineer, Co- Producer - Tony Cousins @ Metropolis, Masterer - Simon Felice, Drums

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

4
Honeymooning Alone
00:03:30

Natasha Khan, Composer, Producer, Drums, Harp, Lead Vocals - Sandy, Backing Vocals - Ben Christophers, Bass, Sound Effects (SFX) - Bat For Lashes, MainArtist - Head, Mixer, Co- Producer - Pete Hanlon, Engineer - Simone Felice, Co- Producer - David Baron, Mixer - Alex Reeves, Timpani - Lou Rogai, Guitar - Tony Cousins @ Metropolis, Masterer - Simon Felice, RecordingEngineer - Racheal Yamagata, Backing Vocals

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

5
Sunday Love
00:04:13

Natasha Khan, Composer, Producer, Lead Vocals, Synthesizer, Autoharp, Farfisa Organ - Dan Carey, Composer, Producer, Programmer, Synthesizer, RecordingEngineer - Bat For Lashes, MainArtist - Head, Mixer - Simone Felice, Additional Production - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

6
Never Forgive the Angels
00:04:24

Natasha Khan, Composer, Producer, Drums, Guitar, Lead Vocals - Ben Christophers, Piano, Backing Vocals, Bass - Bat For Lashes, MainArtist - Head, Mixer, RecordingEngineer, Co- Producer - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

7
Close Encounters
00:04:09

Natasha Khan, Composer, Producer, String Arranger, Lead Vocals, Synthesizer - Sandy, Backing Vocals - Bat For Lashes, MainArtist - Head, Mixer, RecordingEngineer - Rachael Yamagata, Backing Vocals - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer, Co- Producer - David Baron, Mixer, String Arranger, Programmer, Synthesizer, Co- Producer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

8
Widow's Peak
00:03:46

Kevin Salem, Guitar - Natasha Khan, Composer, Producer, Vibraphone, Lead Vocals, Celeste Piano - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Dawn Landes, Guitar, Backing Vocals - Simone Felice, Composer, RecordingEngineer, Co- Producer - David Baron, Mixer, Sound Effects (SFX) - Alex Reeves, Drums, Percussion, Timpani - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

9
Land's End
00:03:09

Natasha Khan, Composer, Producer, Guitar, Lead Vocals - Davide Rossi, String Arranger, Strings - Ben Christophers, RecordingEngineer, Co- Producer - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

10
If I Knew
00:04:16

Natasha Khan, Composer, Producer, Guitar, Piano, Lead Vocals, Synth Bass - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, Co- Producer - David Baron, Mixer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

11
I Will Love Again
00:05:12

Natasha Khan, Composer, Producer, Lead Vocals, Drum Machine Drums - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, Composer, RecordingEngineer, Co- Producer - David Baron, Mixer, Co- Producer - Lou Rogai, Composer, Guitar, Backing Vocals, Bass - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

12
In Your Bed
00:03:33

Natasha Khan, Composer, Producer, Lead Vocals, Synthesizer, Claps - Matt Hales, Additional Production, Drum Programmer, Synthesizer, RecordingEngineer, Co- Producer - Davide Rossi, String Arranger, Strings, Co- Producer - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Simone Felice, RecordingEngineer, Co- Producer - Lou Rogai, Guitar, Bass - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

13
Clouds
00:05:25

Natasha Khan, Composer, Producer, String Arranger, Guitar, Lead Vocals, Mini Moog - Ben Christophers, Guitar, Additional Production, RecordingEngineer - Bat For Lashes, MainArtist - Head, Mixer - Pete Hanlon, Engineer - Dawn Landes, Backing Vocals - Simone Felice, Additional Production, RecordingEngineer - David Baron, Mixer, Additional Production, Synthesizer - Tony Cousins @ Metropolis, Masterer

© 2016 The Echo Label Limited, a BMG Company trading as Echo ℗ 2016 The Echo Label Limited, a BMG Company trading as Echo

アルバム·レビュー

Exploring femininity in all its personas is a major part of Bat for Lashes' music, and never more so than on The Bride. On Natasha Khan's fourth album, the titular character undergoes a more dramatic transformation than most brides do at their weddings: After her fiance is killed in a car accident en route to the wedding, she flees the church and goes on her honeymoon alone. It's a more single-minded concept than some of Bat for Lashes' other albums, and since Khan's music is as theatrical as it is vulnerable, it should be a perfect fit. However, The Bride's journey through romance, horror, grief, and healing is more subdued than might be expected. The album begins vividly: Bedecked in fluttering harps and some of Khan's loveliest vocals yet, "I Do" has all the showy nuptial romance of a petal-strewn aisle. It's so incredibly sweet that it feels like it's tempting fate, offering the perfect setup for the brewing terror on "In God's House," as well as the slow-building drama of "Joe's Dream" and the hallucinatory panic of "Honeymooning Alone," both of which give the death-obsessed pop of the '50s and '60s a highbrow update.
Depending on listeners' patience, however, The Bride's slower second half may be hypnotic or dreary. To trace the arc from mourning to recovery, Khan relies on ballads that range from bitter ("Never Forgive the Angels") to empowering ("I Will Love Again," which sounds more like the kind of fare Adele or Christina Aguilera would sing). And though she gives the bride a surprisingly happy ending with "In Your Bed" -- which finds the character wanting to stay in her lover's arms rather than go out on the town -- it feels like her story is missing several chapters. Similarly, The Bride often feels like a missed opportunity to revisit the drama Bat for Lashes delivered so ably on Two Suns. Khan rectifies this somewhat on more mystical songs like the witchy invocation of "Widow's Peak" and "Close Encounters," an eldritch lovers' meeting that recalls Wuthering Heights (both the book and the Kate Bush song). Still, it's hard not to want Bat for Lashes to go further down this path; while Khan used restraint eloquently on The Haunted Man, The Bride is beautifully crafted, but not always thrilling.

© Heather Phares /TiVo

アルバムについて

Qobuz logo Qobuzで購入する理由...

特別価格で販売中...

Crush

ボン・ジョヴィ

Crush ボン・ジョヴィ

加爾基 精液 栗ノ花

椎名林檎

無罪モラトリアム

椎名林檎

Bon Jovi Greatest Hits - The Ultimate Collection

ボン・ジョヴィ

Qobuzの詳細
アーティストバット・フォー・ラッシズによる

Letter To My Daughter

バット・フォー・ラッシズ

Letter To My Daughter バット・フォー・ラッシズ

The Dream of Delphi

バット・フォー・ラッシズ

The Dream of Delphi バット・フォー・ラッシズ

Fur and Gold

バット・フォー・ラッシズ

Fur and Gold バット・フォー・ラッシズ

Home

バット・フォー・ラッシズ

Home バット・フォー・ラッシズ

Lost Girls

バット・フォー・ラッシズ

Lost Girls バット・フォー・ラッシズ
こちらもおすすめ...

Evolve

イマジン・ドラゴンズ

Evolve イマジン・ドラゴンズ

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

セイント・ヴィンセント

All Born Screaming セイント・ヴィンセント

In Times New Roman...

クイーンズ・オブ・ザ・ストーン・エイジ

In Times New Roman... クイーンズ・オブ・ザ・ストーン・エイジ

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

ビリー・アイリッシュ

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? ビリー・アイリッシュ