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Stan Getz|Stan Getz & Bill Evans

Stan Getz & Bill Evans

Stan Getz, Bill Evans

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The only studio meeting between Stan Getz and Bill Evans took place over two days in 1964, with the aggressive drummer Elvin Jones and either Richard Davis or Ron Carter on bass. It is peculiar that Verve shelved the results for over a decade before issuing any of the music, though it may have been felt that Getz and Evans hadn't had enough time to achieve the desired chemistry, though there are memorable moments. The punchy take of "My Heart Stood Still," the elegant interpretation of "Grandfather's Waltz," and the lush setting of the show tune "Melinda" all came from the first day's session, with Davis on bass. (Evidently he was unavailable the following day, so Carter replaced him.) Evans' driving, challenging "Funkallero" is the obvious highlight from day two, though the gorgeous "But Beautiful" and the breezy setting of "Night and Day" are also enjoyable. Only the brief version of "Carpetbagger's Theme," which seems badly out of place and suggestive of the label's interference with the session, is a bit of a disappointment. Obviously neither Getz nor Evans liked the tune, as they go through the motions in a very brief performance. [Some reissues add three unissued alternate takes, though additional material from the sessions was included in the box set The Complete Bill Evans on Verve.]
© Ken Dryden /TiVo

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Stan Getz & Bill Evans

Stan Getz

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1
ナイト・アンド・デイ
スタン・ゲッツ
00:06:45

Bill Evans, MainArtist - Cole Porter, ComposerLyricist - Stan Getz, MainArtist - Creed Taylor, Producer

℗ 1973 Verve Label Group, a Division of UMG Recordings, Inc.

2
バット・ビューティフル
スタン・ゲッツ
00:04:40

Bill Evans, Piano, MainArtist, AssociatedPerformer - Ron Carter, AssociatedPerformer, Bass (Vocal) - Johnny Burke, ComposerLyricist - Jimmy Van Heusen, ComposerLyricist - Stan Getz, Tenor Saxophone, MainArtist, AssociatedPerformer - Elvin Jones, Drums, AssociatedPerformer - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

3
ファンカレロ
スタン・ゲッツ
00:06:40

Bill Evans, MainArtist, ComposerLyricist - Stan Getz, MainArtist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

4
マイ・ハート・ストゥッド・スティル
スタン・ゲッツ
00:08:36

Bill Evans, MainArtist - Richard Rodgers, Composer - Lorenz Hart, Author - Stan Getz, MainArtist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

5
メリンダ
スタン・ゲッツ
00:05:03

Bill Evans, MainArtist - Alan Jay Lerner, ComposerLyricist - Stan Getz, MainArtist - Burton Lane, ComposerLyricist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

6
グランドファーザーズ・ワルツ
スタン・ゲッツ
00:06:27

Bill Evans, MainArtist - Gene Lees, ComposerLyricist - Stan Getz, MainArtist - Lasse Färnlöf, ComposerLyricist - Creed Taylor, Producer

℗ 1964 UMG Recordings, Inc.

7
「大いなる野望」のテーマ
スタン・ゲッツ
00:01:46

Bill Evans, MainArtist - Leonard Bernstein, ComposerLyricist - Stan Getz, MainArtist - Creed Taylor, Producer

℗ 1988 UMG Recordings, Inc.

8
WNEWのテーマ・ソング
スタン・ゲッツ
00:02:49

Bill Evans, MainArtist - Stan Getz, MainArtist - Larry Green, ComposerLyricist

℗ 1988 UMG Recordings, Inc.

9
マイ・ハート・ストゥッド・スティル (Alternate Take)
スタン・ゲッツ
00:06:45

Bill Evans, MainArtist - Richard Rodgers, Composer - Lorenz Hart, Author - Stan Getz, MainArtist - Creed Taylor, Producer

℗ 1988 UMG Recordings, Inc.

10
グランドファザーズ・ワルツ (Alternate Take)
スタン・ゲッツ
00:05:32

Bill Evans, MainArtist - Gene Lees, ComposerLyricist - Stan Getz, MainArtist - Lasse Färnlöf, ComposerLyricist - Creed Taylor, Producer

℗ 1988 UMG Recordings, Inc.

11
ナイト・アンド・デイ (Alternate Take)
スタン・ゲッツ
00:06:34

Bill Evans, MainArtist - Cole Porter, ComposerLyricist - Stan Getz, MainArtist - Creed Taylor, Producer

℗ 1988 UMG Recordings, Inc.

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The only studio meeting between Stan Getz and Bill Evans took place over two days in 1964, with the aggressive drummer Elvin Jones and either Richard Davis or Ron Carter on bass. It is peculiar that Verve shelved the results for over a decade before issuing any of the music, though it may have been felt that Getz and Evans hadn't had enough time to achieve the desired chemistry, though there are memorable moments. The punchy take of "My Heart Stood Still," the elegant interpretation of "Grandfather's Waltz," and the lush setting of the show tune "Melinda" all came from the first day's session, with Davis on bass. (Evidently he was unavailable the following day, so Carter replaced him.) Evans' driving, challenging "Funkallero" is the obvious highlight from day two, though the gorgeous "But Beautiful" and the breezy setting of "Night and Day" are also enjoyable. Only the brief version of "Carpetbagger's Theme," which seems badly out of place and suggestive of the label's interference with the session, is a bit of a disappointment. Obviously neither Getz nor Evans liked the tune, as they go through the motions in a very brief performance. [Some reissues add three unissued alternate takes, though additional material from the sessions was included in the box set The Complete Bill Evans on Verve.]
© Ken Dryden /TiVo

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