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クラトゥー|Sir Army Suit

Sir Army Suit

Klaatu

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対応言語:英語

Sir Army Suit was Klaatu's attempt to make an album of straight pop songs and recover from the sophomore slump of Hope. There are some nifty pop numbers here, but the record received virtually no airplay, critics gave it a lukewarm response, and the group plunged further into obscurity. Once the Beatles rumor died, it appeared nobody wanted to accept Klaatu as Klaatu. In truth, the threesome still had difficulty establishing a sound and identity of their own, which wasn't helped by their continued anonymity (again, no photos or credits). The songs themselves hopped from '60s pop to heavy metal. On the most successful songs (the '60s pop), the titles are a giveaway: "A Routine Day," "Dear Christine," and "Tokeymore Field" can be heard as either glittering retro-pop at best, or at worst an unabashed plagiarism of the British Invasion. Top honor, though, must go to "Juicy Lucy," an exuberant splash of horn-inflected disco that at least brought them close to their own musical time and place.

© Peter Kurtz /TiVo

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Sir Army Suit

クラトゥー

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
A Routine Day
00:03:11

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Composer, Producer - Klaatu, MainArtist - Dee Long, Producer

℗ 1978 Capitol Records, LLC

2
Juicy Luicy
00:03:39

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Composer, Producer - Klaatu, MainArtist - Dee Long, Producer

℗ 1978 Capitol Records, LLC

3
Everybody Took A Holiday
00:03:00

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Producer - Klaatu, MainArtist - Dee Long, Composer, Producer

℗ 1978 Capitol Records, LLC

4
Older
00:03:17

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Producer - Klaatu, MainArtist - Dee Long, Composer, Producer

℗ 1978 Capitol Records, LLC

5
Dear Christine
00:03:53

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Composer, Producer - Klaatu, MainArtist - Dee Long, Producer

℗ 1978 Capitol Records, LLC

6
Mister Manson
00:04:16

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Producer - Klaatu, MainArtist - Dee Long, Composer, Producer

℗ 1978 Capitol Records, LLC

7
Tokeymor Field
00:03:29

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Composer, Producer - Klaatu, MainArtist - Dee Long, Producer

℗ 1978 Capitol Records, LLC

8
Perpetual Motion Machine
00:03:17

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Producer - Klaatu, MainArtist - Dee Long, Composer, Producer

℗ 1978 Capitol Records, LLC

9
Cherie
00:03:07

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Producer - Klaatu, MainArtist - Dee Long, Composer, Producer

℗ 1978 Capitol Records, LLC

10
Silly Boys
00:04:59

Terry Brown, Producer - Eric Robertson, Recording Arranger, AssociatedPerformer - John Woloschuk, Producer, ComposerLyricist - Klaatu, MainArtist - Dee Long, Composer, Producer

℗ 1978 Capitol Records, LLC

アルバム·レビュー

Sir Army Suit was Klaatu's attempt to make an album of straight pop songs and recover from the sophomore slump of Hope. There are some nifty pop numbers here, but the record received virtually no airplay, critics gave it a lukewarm response, and the group plunged further into obscurity. Once the Beatles rumor died, it appeared nobody wanted to accept Klaatu as Klaatu. In truth, the threesome still had difficulty establishing a sound and identity of their own, which wasn't helped by their continued anonymity (again, no photos or credits). The songs themselves hopped from '60s pop to heavy metal. On the most successful songs (the '60s pop), the titles are a giveaway: "A Routine Day," "Dear Christine," and "Tokeymore Field" can be heard as either glittering retro-pop at best, or at worst an unabashed plagiarism of the British Invasion. Top honor, though, must go to "Juicy Lucy," an exuberant splash of horn-inflected disco that at least brought them close to their own musical time and place.

© Peter Kurtz /TiVo

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