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Shannon Shaw|Shannon In Nashville

Shannon In Nashville

Shannon Shaw

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When someone is great at doing something in a simple manner, is it a good idea to try to make them do it all fancy? Shannon Shaw has made a handful of good-to-excellent albums with Shannon & the Clams, with her soulful and swaggering voice matched by a rough-and-ready rock & roll band playing music that has one foot in your favorite oldies station and the other in a sweaty D.I.Y. venue. Having established her bona fides with her band, Shaw tries something significantly more ambitious on 2018's Shannon in Nashville, where she's paired with a grand-scale studio band assembled by producer Dan Auerbach (Black Keys), featuring legendary session players Gene Chrisman and Bobby Wood along with a crew of Auerbach's skillful cronies. Where Shannon & the Clams made a virtue of their stripped-down sound, Shannon in Nashville is an exercise in studio craft of the highest order, with arrangements clearly inspired by lush '60s pop and vintage countrypolitan sounds complete with strings, horns, and massed backing vocalists. The good news is that Shannon in Nashville reveals Shaw was more than up to the challenge; she never sounds intimidated by her surroundings, and if there's a bit more nuance here by virtue of her having a wider dynamic palette to play with, she still sounds passionate and isn't afraid to let the grain in her voice show when it suits the song. Shaw also steps up as a songwriter here; she co-wrote most of these tunes with Auerbach, and her unpretentious but artful character studies mesh very well with Auerbach's retro-styled melodies, and while much of Shannon in Nashville sounds like it could have poured out of a car radio in 1963, it never forces the faux nostalgia and has an up-to-date mindset lurking behind the backward-looking approach. It would probably be a mistake for Shannon Shaw to break up Shannon & the Clams in favor of a solo career, but Shannon in Nashville demonstrates she's capable of more than she's shown us in the past, and this is an experiment that succeeds with flying colors.

© Mark Deming /TiVo

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Shannon In Nashville

Shannon Shaw

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¥1,280/ 月から

1
Golden Frames
00:02:34

Bobby Wood, Chimes, Glockenspiel, Vibraphone, Wurlitzer - Gene Chrisman, Drums - Russ Pahl, Acoustic Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer, Mellotron - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

2
Bring Her the Mirror
00:02:49

Bobby Wood, Harpsichord, Organ, Piano - Pat McLaughlin, Writer - Gene Chrisman, Drums, Shaker - Russ Pahl, Acoustic Guitar, Electric Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

3
Broke My Own
00:02:59

Bobby Wood, Glockenspiel, Organ, Vibraphone, Writer - Gene Chrisman, Drums - Russ Pahl, Acoustic Guitar - Clint Maedgen, Saxophone - Dan Auerbach, Producer, Mixer, Electric Guitar, Percussion, Writer, Background Vocals - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Ronell Johnson, Cornet - Dave Roe, Upright Bass - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

4
Leather, Metal, Steel
00:02:39

Bobby Wood, Piano, Marimba, Congas, Wurlitzer - Pat McLaughlin, Writer - Gene Chrisman, Drums, Percussion - Russ Pahl, Acoustic Guitar, 12 String Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer, 12 String Guitar - Steve Herrman, Trumpet - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Matt Combs, Strings - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

5
Freddies 'n' Teddies
00:03:37

Richard Swift, Drums, Percussion, Piano, Writer, Background Vocals, Synthesizer - Dan Auerbach, Producer, Mixer, Electric Guitar, Percussion, Writer, Background Vocals, Bass, Mellotron - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

6
Love I Can't Explain
00:03:11

Bobby Wood, Chimes, Glockenspiel, Piano, Vibraphone, Wurlitzer - Gene Chrisman, Drums, Congas - Russ Pahl, Acoustic Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer, Mellotron - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - Dave Roe, Upright Bass - Matt Combs, Strings - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

7
Cryin' My Eyes Out
00:03:08

Bobby Wood, Glockenspiel, Organ, Percussion, Piano, Vibraphone - Gene Chrisman, Drums, Percussion - Richard Swift, Writer - Russ Pahl, Acoustic Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Dave Roe, Upright Bass - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

8
Goodbye Summer
00:02:43

Jim Hoke, Saxophone - Richard Swift, Drums, Glockenspiel, Harpsichord, Percussion, Piano, Vibraphone, Writer, Background Vocals, Bass, Mellotron - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Electric Guitar, Writer - Steve Herrman, Trumpet - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

9
Cold Pillows
00:03:39

Bobby Wood, Glockenspiel, Organ, Piano, Vibraphone, Wurlitzer - Pat McLaughlin, Background Vocals - Gene Chrisman, Drums, Percussion - Mark Howard, Background Vocals - Russ Pahl, Acoustic Guitar, 12 String Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer, Background Vocals - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

10
Lord of Alaska
00:03:08

Bobby Wood, Percussion - Pat McLaughlin, Writer - Gene Chrisman, Drums - Russ Pahl, Electric Guitar - Clint Maedgen, Saxophone - Dan Auerbach, Producer, Mixer, Electric Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Ronell Johnson, Cornet, Trombone - Dave Roe, Upright Bass - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

11
I Might Consider
00:03:02

Bobby Wood, Chimes, Glockenspiel, Organ, Piano, Vibraphone, Writer, Wurlitzer - Gene Chrisman, Drums, Percussion - Russ Pahl, Electric Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer, Mellotron - Shannon Shaw, Lead Vocals, Writer, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Dave Roe, Upright Bass - Matt Combs, Strings - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

12
Make Believe
00:02:29

Bobby Wood, Glockenspiel, Piano, Vibraphone - Gene Chrisman, Drums - Russ Pahl, Electric Guitar, 12 String Guitar - Dan Auerbach, Producer, Mixer, Electric Guitar, Writer - Shannon Shaw, Lead Vocals, Writer, Background Vocals, MainArtist - Leisa Hans, Background Vocals - Heather Rigdon, Background Vocals - Dave Roe, Upright Bass - Matt Combs, Strings - Ashley Wilcoxson, Background Vocals - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

13
Coal on the Fire
00:02:53

Bobby Wood, Chimes, Glockenspiel, Harpsichord, Organ, Piano, Vibraphone, Wurlitzer - Gene Chrisman, Drums - Russ Pahl, Acoustic Guitar, Electric Guitar - Dan Auerbach, Producer, Mixer, Acoustic Guitar, Writer, Sitar - Shannon Shaw, Lead Vocals, Writer, MainArtist - Dave Roe, Upright Bass - M. Allen Parker, Mixer, Engineer

© 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States. ℗ 2018 Easy Eye Sound, under license to Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside the United States.

アルバム·レビュー

When someone is great at doing something in a simple manner, is it a good idea to try to make them do it all fancy? Shannon Shaw has made a handful of good-to-excellent albums with Shannon & the Clams, with her soulful and swaggering voice matched by a rough-and-ready rock & roll band playing music that has one foot in your favorite oldies station and the other in a sweaty D.I.Y. venue. Having established her bona fides with her band, Shaw tries something significantly more ambitious on 2018's Shannon in Nashville, where she's paired with a grand-scale studio band assembled by producer Dan Auerbach (Black Keys), featuring legendary session players Gene Chrisman and Bobby Wood along with a crew of Auerbach's skillful cronies. Where Shannon & the Clams made a virtue of their stripped-down sound, Shannon in Nashville is an exercise in studio craft of the highest order, with arrangements clearly inspired by lush '60s pop and vintage countrypolitan sounds complete with strings, horns, and massed backing vocalists. The good news is that Shannon in Nashville reveals Shaw was more than up to the challenge; she never sounds intimidated by her surroundings, and if there's a bit more nuance here by virtue of her having a wider dynamic palette to play with, she still sounds passionate and isn't afraid to let the grain in her voice show when it suits the song. Shaw also steps up as a songwriter here; she co-wrote most of these tunes with Auerbach, and her unpretentious but artful character studies mesh very well with Auerbach's retro-styled melodies, and while much of Shannon in Nashville sounds like it could have poured out of a car radio in 1963, it never forces the faux nostalgia and has an up-to-date mindset lurking behind the backward-looking approach. It would probably be a mistake for Shannon Shaw to break up Shannon & the Clams in favor of a solo career, but Shannon in Nashville demonstrates she's capable of more than she's shown us in the past, and this is an experiment that succeeds with flying colors.

© Mark Deming /TiVo

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