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ザ・ジャム|Setting Sons

Setting Sons

The Jam

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The Jam's Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they've grown apart. Only about half of the songs ended up following the concept due to a rushed recording schedule, but where they do, Paul Weller vividly depicts British life, male relationships, and coming to terms with entry into adulthood. Weller's observations of society are more pointed and pessimistic than ever, but at the same time, he's employed stronger melodies with a slicker production and comparatively fuller arrangements, even using heavy orchestration for a reworked version of Bruce Foxton's "Smithers-Jones." Setting Sons often reaches brilliance and stands among the Jam's best albums, but the inclusion of a number of throwaways and knockoffs (especially the out-of-place cover of "Heat Wave" which closes the album) mars an otherwise perfect album.

© Chris Woodstra /TiVo

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Setting Sons

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¥1,280/ 月から

1
Girl On The Phone
00:02:55

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

2
Thick As Thieves
00:03:38

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, MainArtist - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

3
Private Hell
00:03:49

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

4
Little Boy Soldiers
00:03:31

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

5
Wasteland
00:02:50

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

6
Burning Sky
00:03:30

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

7
Smithers-Jones (Album Version)
00:02:59

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer - Bruce Foxton, Bass Guitar, AssociatedPerformer, ComposerLyricist - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

8
Saturday's Kids
00:02:51

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

9
The Eton Rifles (Album Version)
00:03:57

Alan Douglas, Mixer, StudioPersonnel - Paul Weller, Vocalist, AssociatedPerformer, ComposerLyricist - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Producer, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

10
Heatwave
00:02:24

Lamont Dozier, ComposerLyricist - Alan Douglas, Mixer, StudioPersonnel - Eddie Holland, ComposerLyricist - Brian Holland, ComposerLyricist - Paul Weller, Vocalist, AssociatedPerformer - Bruce Foxton, Bass Guitar, AssociatedPerformer - The Jam, Recording Arranger, MainArtist, AssociatedPerformer - Rick Buckler, Drums, AssociatedPerformer - Vic Coppersmith-Heaven, Producer, Mixer, Recording Arranger, AssociatedPerformer, StudioPersonnel - Hugh Pagent, Mixer, StudioPersonnel

℗ 1979 Polydor Ltd. (UK)

アルバム·レビュー

The Jam's Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they've grown apart. Only about half of the songs ended up following the concept due to a rushed recording schedule, but where they do, Paul Weller vividly depicts British life, male relationships, and coming to terms with entry into adulthood. Weller's observations of society are more pointed and pessimistic than ever, but at the same time, he's employed stronger melodies with a slicker production and comparatively fuller arrangements, even using heavy orchestration for a reworked version of Bruce Foxton's "Smithers-Jones." Setting Sons often reaches brilliance and stands among the Jam's best albums, but the inclusion of a number of throwaways and knockoffs (especially the out-of-place cover of "Heat Wave" which closes the album) mars an otherwise perfect album.

© Chris Woodstra /TiVo

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