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Maxim Fedotov|Scottish Fantasy, Op. 46 / Serenade, Op. 75

Scottish Fantasy, Op. 46 / Serenade, Op. 75

Max Bruch

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These are perfectly adequate performances and no one who hears them will think he/she has wasted his/her time. Maxim Fedotov has a strong technique and a powerful arm, but his interpretations are a little lacking in finesse and a little full of sentimentality. For some listeners, Fedotov's slow movements, with their too wide vibrato and too intense tone, may be a bit too much. Unfortunately, Max Bruch's Scottish Fantasy and Serenade for violin and orchestra are made up mostly of slow movements and Fedotov may lean into them a tad too hard for some tastes. Dmitry Yablonsky is an accommodating accompanist and the Russian Philharmonic is an obliging instrument and the players are all willing to go along with whatever Fedotov has in mind. But while the resulting performances are passionate, they are not altogether convincing. Fedotov seems more intent on demonstrating his soulful interpretation than in playing Bruch's soulful music. Naxos' Russian State TV & Radio Company's Moscow studio sound is detailed and deep, but rough around the edges.
© TiVo

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Scottish Fantasy, Op. 46 / Serenade, Op. 75

Maxim Fedotov

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Scottish Fantasy, Op. 46 (Max Bruch)

1
Ia. Introduction. Grave
00:04:05

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

2
Ib. Adagio cantabile
00:04:53

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

3
II. Scherzo. Allegro
00:06:33

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

4
III. Andante sostenuto
00:07:16

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

5
IV. Finale. Allegro guerriero
00:10:01

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

Serenade in A minor, Op. 75 (Max Bruch)

6
I. Andante con moto
00:09:55

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

7
II. Allegro moderato, alla marcia
00:09:40

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

8
III. Notturno. Andante sostenuto
00:10:31

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

9
IV. Allegro energico e vivace
00:09:39

Max Bruch, Composer - Dmitry Yablonsky, Conductor - Russian Philharmonic Orchestra, Orchestra - Maxim Fedotov, Artist, MainArtist

(C) 2004 Naxos (P) 2004 Naxos

アルバム·レビュー

These are perfectly adequate performances and no one who hears them will think he/she has wasted his/her time. Maxim Fedotov has a strong technique and a powerful arm, but his interpretations are a little lacking in finesse and a little full of sentimentality. For some listeners, Fedotov's slow movements, with their too wide vibrato and too intense tone, may be a bit too much. Unfortunately, Max Bruch's Scottish Fantasy and Serenade for violin and orchestra are made up mostly of slow movements and Fedotov may lean into them a tad too hard for some tastes. Dmitry Yablonsky is an accommodating accompanist and the Russian Philharmonic is an obliging instrument and the players are all willing to go along with whatever Fedotov has in mind. But while the resulting performances are passionate, they are not altogether convincing. Fedotov seems more intent on demonstrating his soulful interpretation than in playing Bruch's soulful music. Naxos' Russian State TV & Radio Company's Moscow studio sound is detailed and deep, but rough around the edges.
© TiVo

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