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ヨーロッパ室内管弦楽団|Schumann: The Symphonies

Schumann: The Symphonies

Chamber Orchestra of Europe, Yannick Nézet-Séguin

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As Yannick Nézet-Séguin continues to explore the Romantic symphonic repertoire, it becomes increasingly apparent that he has a strong affinity for German composers, something not readily guessed of this Canadian maestro. There might be an underlying connection between his recordings of the symphonies of Anton Bruckner, for which he has received considerable attention and acclaim, and this 2014 Deutsche Grammophon album of the four symphonies of Robert Schumann, which shows Nézet-Séguin as a strong advocate for this somewhat discounted symphonist. Like Bruckner, Schumann was not a brilliant composer for the orchestra, which has put both composers at a disadvantage with audiences, and Nézet-Séguin has to do some careful balancing of the sections and dynamics to produce a transparent sound, which is not easy to do, in light of Schumann's frequent doubling of strings and woodwinds. The Chamber Orchestra of Europe responds well to Nézet-Séguin's direction, so Schumann's music is substantially lighter sounding, thanks to the lean sound of the ensemble, as well as to the noticeable care the conductor takes in drawing out distinctive timbres, and not letting the music become too homogenous in color. Of course, the expression is affected by this fresh airing of these symphonies, and as might be expected, the music is lighter, cleaner, quicker, and more exciting, due in part to the streamlining of Schumann's textures. These live recordings were made in Paris in 2012, and while they are a little shallow sounding, details are perfectly clear with the proper volume setting.

© TiVo

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Schumann: The Symphonies

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交響曲 第1番 変ロ長調 作品38 《春》 (Robert Schumann)

1
第1楽章: Andante un poco maestoso - Allegro molto vivace
00:10:45

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

2
第2楽章: Larghetto - attacca:
00:05:47

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

3
第3楽章: Scherzo. Molto vivace - Trio Ⅰ/Ⅱ
00:05:10

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

4
第4楽章: Allegro animato e grazioso
00:07:40

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

交響曲 第4番 ニ短調 作品120 (Robert Schumann)

5
第1楽章: Ziemlich langsam - Lebhaft - attacca:
00:10:20

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

6
第2楽章: Romanze. Ziemlich langsam - attacca:
00:04:02

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

7
第3楽章: Scherzo. Lebhaft -Trio - attacca:
00:05:21

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

8
第4楽章: Langsam - Lebhaft -Schneller - Presto
00:08:45

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

交響曲 第2番 ハ長調 作品61 (Robert Schumann)

9
第1楽章: Sostenuto assai - Allegro, ma non troppo
00:11:06

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

10
第2楽章: Scherzo. Allegro vivace
00:06:46

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

11
第3楽章: Adagio espressivo
00:09:33

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

12
第4楽章: Allegro molto vivace
00:07:27

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

交響曲 第3番 変ホ長調 作品97 《ライン》 (Robert Schumann)

13
第1楽章: Lebhaft
00:09:11

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

14
第2楽章: Scherzo. Sehr masig
00:05:59

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

15
第3楽章: Nicht schnell
00:05:09

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

16
第4楽章: Feierlich
00:05:23

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

17
第5楽章: Lebhaft
00:05:33

Robert Schumann, Composer - Daniel Zalay, Producer - Chamber Orchestra of Europe, Orchestra, MainArtist - Yannick Nézet-Séguin, Conductor, MainArtist - Dimitri Scapolan, Editor, Asst. Recording Engineer, StudioPersonnel - Christian Lahondès, Recording Engineer, StudioPersonnel - Jessica Foucher, Asst. Recording Engineer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

アルバム·レビュー

As Yannick Nézet-Séguin continues to explore the Romantic symphonic repertoire, it becomes increasingly apparent that he has a strong affinity for German composers, something not readily guessed of this Canadian maestro. There might be an underlying connection between his recordings of the symphonies of Anton Bruckner, for which he has received considerable attention and acclaim, and this 2014 Deutsche Grammophon album of the four symphonies of Robert Schumann, which shows Nézet-Séguin as a strong advocate for this somewhat discounted symphonist. Like Bruckner, Schumann was not a brilliant composer for the orchestra, which has put both composers at a disadvantage with audiences, and Nézet-Séguin has to do some careful balancing of the sections and dynamics to produce a transparent sound, which is not easy to do, in light of Schumann's frequent doubling of strings and woodwinds. The Chamber Orchestra of Europe responds well to Nézet-Séguin's direction, so Schumann's music is substantially lighter sounding, thanks to the lean sound of the ensemble, as well as to the noticeable care the conductor takes in drawing out distinctive timbres, and not letting the music become too homogenous in color. Of course, the expression is affected by this fresh airing of these symphonies, and as might be expected, the music is lighter, cleaner, quicker, and more exciting, due in part to the streamlining of Schumann's textures. These live recordings were made in Paris in 2012, and while they are a little shallow sounding, details are perfectly clear with the proper volume setting.

© TiVo

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