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Anna Korondi|Schöpfungsmessen von Luigi Gatti und Joseph Haydn

Schöpfungsmessen von Luigi Gatti und Joseph Haydn

Klaus Mertens, Roderich Kreile, Dresdner Kreuzchor, Dresdner Philharmonie, Anna Korondi, Yves Saelens, Annette Markert

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You have to look at the German-language tracklist to see what you're getting here: not two separate "Creation Masses," but the late Haydn Mass in B flat major, H. 22/13 ("Schöpfungsmesse"), composed in 1801, along with a mass by Salzburg-based composer Luigi Gatti. This is not an original work but an adaptation of Haydn's oratorio The Creation, with texts from the mass fitted to musically and liturgically appropriate melodies. This work, rediscovered only recently, was apparently one of a number of sacred adaptations of secular works that appeared around this time; annotator Dorothea Schröder speculates that they could have been attempts to raise the appeal of church music by including some of the famous melodies of the day. The project is intriguing, even if a bit odd; Haydn's melodies are as gorgeous as ever, but Gatti has to do some imaginative text-setting to get the words of the mass to fit. Listen to the center of the Credo, where Jesus is incarnated and crucified; the Crucifixus text intriguingly flows out of the Incarnatus, with the break not coming until the words "passus et sepultus est." It's hard to know whether Gatti was simply making a virtue of necessity here, but the entire piece offers an interesting window into how the early nineteenth century heard the words of the Catholic mass. The Haydn mass itself is a much more common item, but this is one of the happiest outcomes of the ongoing series of choral works featuring the Dresdner Kreuzchor, joined here by the Dresden Philharmonic and a quartet of soloists. The choir is superbly smooth, keeping even the sopranos' perilous leaps to high B flat in the Haydn under control. The soloists give thick, dramatic readings of Haydn's texturally simple but harmonically daring settings, and the entire reading is Beethovenian or even Schubertian, with warmth combined with long lines and exquisitely accurate singing. Enjoyable for anyone and beautifully recorded, this is a strong pick, especially for the Haydn enthusiast.

© TiVo

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Schöpfungsmessen von Luigi Gatti und Joseph Haydn

Anna Korondi

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Mass in A Major (Luigi Gatti)

1
I. Kyrie
Anna Korondi
00:03:31

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in A Major / Gloria (Luigi Gatti)

2
IIa. Gloria
Anna Korondi
00:02:26

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

3
IIb. Qui tollis
Anna Korondi
00:01:48

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

4
IIc. Quoniam
ドレスデン・フィルハーモニー管弦楽団
00:02:05

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer

℗ 2009 Carus

Mass in A Major / Credo (Luigi Gatti)

5
IIIa. Credo in unum Deo
Anna Korondi
00:02:55

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

6
IIIb. Et incarnatus est
Anna Korondi
00:01:55

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

7
IIIc. Et resurrexit
ドレスデン・フィルハーモニー管弦楽団
00:02:13

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer

℗ 2009 Carus

Mass in A Major (Luigi Gatti)

8
IV. Sanctus
Anna Korondi
00:01:31

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

9
V. Benedictus
Anna Korondi
00:04:32

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in A Major / Agnus Dei (Luigi Gatti)

10
VIa. Agnus Dei
Anna Korondi
00:03:40

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

11
VIb. Dona nobis pacem
Anna Korondi
00:02:24

Traditional, Author - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Luigi Gatti, Composer - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Kyrie (ヨーゼフ・ハイドン)

12
Ia. Kyrie I
アンネッテ・マルケルト
00:01:38

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

13
IIb. Kyrie II
ドレスデン・フィルハーモニー管弦楽団
00:01:25

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

14
Ic. Christe eleison
Anna Korondi
00:01:00

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

15
Id. Kyrie III
ドレスデン・フィルハーモニー管弦楽団
00:01:50

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Gloria (ヨーゼフ・ハイドン)

16
IIa. Gloria in excelsis Deo
クラウス・メルテンス
00:03:28

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Glora (ヨーゼフ・ハイドン)

17
IIb. Miserere nobis
Anna Korondi
00:03:26

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Gloria (ヨーゼフ・ハイドン)

18
IIc. Quoniam
ドレスデン・フィルハーモニー管弦楽団
00:00:38

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

19
IId. In gloria Dei Patris
Anna Korondi
00:03:03

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Credo (ヨーゼフ・ハイドン)

20
IIIa. Credo in unum Deum
ドレスデン・フィルハーモニー管弦楽団
00:02:05

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

21
IIIb. Et incarnatus est
Yves Saelens
00:02:29

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

22
IIIc. Et resurrexit
Anna Korondi
00:02:47

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

23
IIId. Et vitam venturi saeculi
ドレスデン・フィルハーモニー管弦楽団
00:01:37

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Sanctus (ヨーゼフ・ハイドン)

24
IVa. Sanctus
ドレスデン・フィルハーモニー管弦楽団
00:01:50

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

25
IVb. Pleni sunt coeli
Anna Korondi
00:01:11

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" (ヨーゼフ・ハイドン)

26
V. Benedictus
Anna Korondi
00:05:33

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

Mass in B-Flat Major, Hob. XXII: 13 "Schöpfungsmesse" / Agnus Dei (ヨーゼフ・ハイドン)

27
VIa. Agnus Dei
Anna Korondi
00:02:46

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Klaus Mertens, MainArtist, AssociatedPerformer, Bass (Vocal) - Yves Saelens, Tenor, MainArtist, AssociatedPerformer - Annette Markert, Alto, MainArtist, AssociatedPerformer - Roderich Kreile, Conductor, MainArtist - Anna Korondi, Soprano, MainArtist, AssociatedPerformer

℗ 2009 Carus

28
VIb. Dona nobis pacem
ドレスデン聖十字架合唱団
00:03:45

Anonymous, Author - Joseph Haydn, Composer - Dresdner Philharmonie, Orchestra, MainArtist - Dresdner Kreuzchor, Choir, MainArtist - Roderich Kreile, Conductor, MainArtist

℗ 2009 Carus

アルバム·レビュー

You have to look at the German-language tracklist to see what you're getting here: not two separate "Creation Masses," but the late Haydn Mass in B flat major, H. 22/13 ("Schöpfungsmesse"), composed in 1801, along with a mass by Salzburg-based composer Luigi Gatti. This is not an original work but an adaptation of Haydn's oratorio The Creation, with texts from the mass fitted to musically and liturgically appropriate melodies. This work, rediscovered only recently, was apparently one of a number of sacred adaptations of secular works that appeared around this time; annotator Dorothea Schröder speculates that they could have been attempts to raise the appeal of church music by including some of the famous melodies of the day. The project is intriguing, even if a bit odd; Haydn's melodies are as gorgeous as ever, but Gatti has to do some imaginative text-setting to get the words of the mass to fit. Listen to the center of the Credo, where Jesus is incarnated and crucified; the Crucifixus text intriguingly flows out of the Incarnatus, with the break not coming until the words "passus et sepultus est." It's hard to know whether Gatti was simply making a virtue of necessity here, but the entire piece offers an interesting window into how the early nineteenth century heard the words of the Catholic mass. The Haydn mass itself is a much more common item, but this is one of the happiest outcomes of the ongoing series of choral works featuring the Dresdner Kreuzchor, joined here by the Dresden Philharmonic and a quartet of soloists. The choir is superbly smooth, keeping even the sopranos' perilous leaps to high B flat in the Haydn under control. The soloists give thick, dramatic readings of Haydn's texturally simple but harmonically daring settings, and the entire reading is Beethovenian or even Schubertian, with warmth combined with long lines and exquisitely accurate singing. Enjoyable for anyone and beautifully recorded, this is a strong pick, especially for the Haydn enthusiast.

© TiVo

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