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フランクフルト放送交響楽団|Schmidt : Complete Symphonies

Schmidt : Complete Symphonies

Frankfurt Radio Symphony, Paavo Jarvi

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The music of composer Franz Schmidt fell out of the repertory after it emerged that he had been hailed by the Nazis, although he apparently never asked for the honor and was less than comfortable with it. His essentially conservative style put him out of commission for several more decades during the period of modernist repression, but there have been modest signs of a revival, including a complete cycle from conductor Neeme Järvi, leading the Chicago and Detroit Symphony Orchestras (not yet heard by this writer). Now his son Paavo weighs in with this set, leading the Frankfurt Radio Symphony Orchestra. The music will be new to most listeners, and it's attractive stuff. Its most striking feature is a radiant, optimistic tone, defined right from the first movement of the Symphony No. 1 in E major. Järvi grabs the listener's attention here and doesn't release across substantial movements that are mostly between ten and 20 minutes long. A place to start sampling would be the entr'acte, an Intermezzo from the opera Notre Dame, which exemplifies the almost mystical tone Schmidt's music retained, even amid great personal tragedy. That tragedy is explicitly addressed in Schmidt's Symphony No. 4 in C major, designed "a requiem for my daughter" by the composer; the daughter died in childbirth in 1932. That work is perhaps the most Straussian of Schmidt's symphonies with its transfigured trumpet theme at the beginning and end, but Schmidt's style, although certainly conservative by the 1930s, was not derivative of anybody. It is not so much a matter of tonality, where he is, like Mahler, sometimes pushing the edges and, at other times, innocently diatonic. Instead, it is the historical scope of his music, encompassing styles as far back as Schubert (hear the echoes of the "Great" Symphony No. 9 in C major, D. 944) in the Symphony No. 3 in A major, while living very much in the world of Strauss and Bruckner overall. Järvi and the Frankfurt Radio Symphony catch the energy in the music and display no weaknesses over a very large orchestra in these live recordings. It seems possible that this release will expand the big symphonic repertory a bit. Try the music out and speculate on this possibility.

© TiVo

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Schmidt : Complete Symphonies

フランクフルト放送交響楽団

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交響曲 第1番 ホ長調 (フランツ・シュミット)

1
第1楽章: Sehr langsam - Sehr lebhaft
フランクフルト放送交響楽団
00:12:41

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist

℗ 2020 Deutsche Grammophon GmbH, Berlin

2
第2楽章: Langsam
フランクフルト放送交響楽団
00:11:22

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist

℗ 2020 Deutsche Grammophon GmbH, Berlin

3
第3楽章: Schnell und leicht
フランクフルト放送交響楽団
00:10:46

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist

℗ 2020 Deutsche Grammophon GmbH, Berlin

4
第4楽章: Lebhaft, doch nicht zu schnell
フランクフルト放送交響楽団
00:10:28

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist

℗ 2020 Deutsche Grammophon GmbH, Berlin

交響曲 第2番 変ホ長調 (フランツ・シュミット)

5
第1楽章: Lebhaft
フランクフルト放送交響楽団
00:14:33

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

6
第2楽章: Allegretto con variazion第1楽章: Einfach und zart
フランクフルト放送交響楽団
00:17:40

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

7
第3楽章: Finale. Langsam
フランクフルト放送交響楽団
00:13:22

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

歌劇《ノートル・ダム》 (フランツ・シュミット)

8
間奏曲
フランクフルト放送交響楽団
00:04:40

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Leopold Wilk, Author - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist - Lisa Harnest, Balance Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

交響曲 第3番 イ長調 (フランツ・シュミット)

9
第1楽章: Allegro molto moderato
フランクフルト放送交響楽団
00:12:53

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

10
第2楽章: Adagio
フランクフルト放送交響楽団
00:07:35

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

11
第3楽章: Scherzo. Allegro vivace
フランクフルト放送交響楽団
00:07:58

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

12
第4楽章: Lento - Allegro vivace
フランクフルト放送交響楽団
00:12:01

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Philipp Knop, Balance Engineer, StudioPersonnel - Frankfurt Radio Symphony, Orchestra, MainArtist - Christoph Claßen, Producer, Recording Producer

℗ 2020 Deutsche Grammophon GmbH, Berlin

交響曲 第4番 ハ長調 (フランツ・シュミット)

13
第1楽章: Allegro molto moderato - Passionato
Balázs Nemes
00:14:27

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist - Balázs Nemes, Trumpet, MainArtist, AssociatedPerformer - Lisa Harnest, Balance Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

14
第2楽章: Adagio - Piu lento - Adagio
Ulrich Edelmann
00:12:33

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Udo Wüstendorfer, Producer, Recording Producer - Ulrich Edelmann, Violin, MainArtist, AssociatedPerformer - Frankfurt Radio Symphony, Orchestra, MainArtist - Lisa Harnest, Balance Engineer, StudioPersonnel - Peter-Philipp Staemmler, Cello, MainArtist, AssociatedPerformer

℗ 2020 Deutsche Grammophon GmbH, Berlin

15
第3楽章: Molto Vivace
フランクフルト放送交響楽団
00:07:12

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist - Lisa Harnest, Balance Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

16
第4楽章: Tempo primo un poco sostenutoーPassionatoーTempo primo. Allegro molto moderato
Balázs Nemes
00:10:20

Franz Schmidt, Composer - Paavo Jarvi, Conductor, MainArtist - Udo Wüstendorfer, Producer, Recording Producer - Frankfurt Radio Symphony, Orchestra, MainArtist - Balázs Nemes, Trumpet, MainArtist, AssociatedPerformer - Lisa Harnest, Balance Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

アルバム·レビュー

The music of composer Franz Schmidt fell out of the repertory after it emerged that he had been hailed by the Nazis, although he apparently never asked for the honor and was less than comfortable with it. His essentially conservative style put him out of commission for several more decades during the period of modernist repression, but there have been modest signs of a revival, including a complete cycle from conductor Neeme Järvi, leading the Chicago and Detroit Symphony Orchestras (not yet heard by this writer). Now his son Paavo weighs in with this set, leading the Frankfurt Radio Symphony Orchestra. The music will be new to most listeners, and it's attractive stuff. Its most striking feature is a radiant, optimistic tone, defined right from the first movement of the Symphony No. 1 in E major. Järvi grabs the listener's attention here and doesn't release across substantial movements that are mostly between ten and 20 minutes long. A place to start sampling would be the entr'acte, an Intermezzo from the opera Notre Dame, which exemplifies the almost mystical tone Schmidt's music retained, even amid great personal tragedy. That tragedy is explicitly addressed in Schmidt's Symphony No. 4 in C major, designed "a requiem for my daughter" by the composer; the daughter died in childbirth in 1932. That work is perhaps the most Straussian of Schmidt's symphonies with its transfigured trumpet theme at the beginning and end, but Schmidt's style, although certainly conservative by the 1930s, was not derivative of anybody. It is not so much a matter of tonality, where he is, like Mahler, sometimes pushing the edges and, at other times, innocently diatonic. Instead, it is the historical scope of his music, encompassing styles as far back as Schubert (hear the echoes of the "Great" Symphony No. 9 in C major, D. 944) in the Symphony No. 3 in A major, while living very much in the world of Strauss and Bruckner overall. Järvi and the Frankfurt Radio Symphony catch the energy in the music and display no weaknesses over a very large orchestra in these live recordings. It seems possible that this release will expand the big symphonic repertory a bit. Try the music out and speculate on this possibility.

© TiVo

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