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Arianna Zukerman|Salieri: Requiem

Salieri: Requiem

Antonio Salieri - Johann Wolfgang von Goethe

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Antonio Salieri remains best known for the image of him promoted by the play and film Amadeus, both based on a story that went back almost to the time of Mozart's death: even Alexander Pushkin, writing in Russia in the 1820s, could assume the audience for his short play Mozart and Salieri was familiar with the idea that Salieri killed Mozart out of what might be called professional jealousy. Modern historians believe that it's all a load of tosh, and in fact the pendulum is swinging to the other extreme with suggestions that Mozart might have written his three final symphonies for a private orchestra Salieri maintained. Performers are starting to resurrect Salieri's works, which are competent, splendid (as Joseph II's court composer he had resources at his command that were hard for Mozart to muster), and almost always square and conventional. Even the fact that he apparently wrote this Requiem in C minor for his own funeral (it was performed there) did not stimulate much of a personal response to the text, which is mostly given to the choir. For Amadeus fans, the work does not betray any anxiety of influence from Mozart and really sounds very little like Mozart's Requiem in D minor, K. 626, at all. The news on the performance front is all good, and if you want to try out one of Salieri's large-scale works this makes a fine place to start. The venerable Chorus of the Gulbenkian Foundation of Lisbon under Lawrence Foster still has a smoother sound than just about any all-adult choir around, and the super audio sound is superb. A final attraction is the presence of two short works, the only occasionally heard late Beethoven cantatas Meeresstille und glückliche Fahrt, Op. 112 (Calm Sea and Prosperous Voyage), and the still rarer and unaccountably neglected Intende voci in B flat major for tenor, chorus, and orchestra, D. 963, dating from the last few months of Franz Schubert's life. This 10-minute work distills the large-scale harmonic thinking of Schubert's late masses down to a modest size and receives a fine performance here. Booklet notes are in English, French, and German.

© TiVo

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Salieri: Requiem

Arianna Zukerman

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Requiem in C Minor (アントニオ・サリエリ)

1
Introitus - Kyrie
Arianna Zukerman
00:06:33

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

2
Sequence
Arianna Zukerman
00:14:50

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

3
Offertory
Arianna Zukerman
00:04:04

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

4
Sanctus
Arianna Zukerman
00:02:03

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

5
Benedictus
Arianna Zukerman
00:02:50

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

6
Agnus Dei - Communio
Arianna Zukerman
00:05:25

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

7
Libera me, Domine
Arianna Zukerman
00:03:16

Lawrence Foster, Conductor, MainArtist - Antonio Salieri, Composer - Luis Rodrigues, Artist, MainArtist - Arianna Zukerman, Artist, MainArtist - Adam Zdunikowski, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist - Simona Ivas, Artist, MainArtist - Alice Caplow-Sparks, Artist, MainArtist - Antonio Esteireiro, Artist, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

Meeresstille (ルートヴィヒ・ヴァン・ベートーヴェン)

8
Meeresstille
Coro Gulbenkian
00:04:50

Ludwig van Beethoven, Composer - Lawrence Foster, Conductor, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

Meeresstille und glückliche Fahrt, Op. 112 (ルートヴィヒ・ヴァン・ベートーヴェン)

9
Gluckliche Fahrt
Coro Gulbenkian
00:02:51

Ludwig van Beethoven, Composer - Lawrence Foster, Conductor, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

Offertory (Franz Schubert)

10
Intende voci in B-Flat Major, D. 963
Marius Brenciu
00:09:30

Franz Schubert, Composer - Lawrence Foster, Conductor, MainArtist - Marius Brenciu, Artist, MainArtist - Pedro Ribeiro, Artist, MainArtist - Orquestra Gulbenkian, Orchestra, MainArtist - Coro Gulbenkian, Choir, MainArtist

(C) 2010 PENTATONE (P) 2010 PENTATONE

アルバム·レビュー

Antonio Salieri remains best known for the image of him promoted by the play and film Amadeus, both based on a story that went back almost to the time of Mozart's death: even Alexander Pushkin, writing in Russia in the 1820s, could assume the audience for his short play Mozart and Salieri was familiar with the idea that Salieri killed Mozart out of what might be called professional jealousy. Modern historians believe that it's all a load of tosh, and in fact the pendulum is swinging to the other extreme with suggestions that Mozart might have written his three final symphonies for a private orchestra Salieri maintained. Performers are starting to resurrect Salieri's works, which are competent, splendid (as Joseph II's court composer he had resources at his command that were hard for Mozart to muster), and almost always square and conventional. Even the fact that he apparently wrote this Requiem in C minor for his own funeral (it was performed there) did not stimulate much of a personal response to the text, which is mostly given to the choir. For Amadeus fans, the work does not betray any anxiety of influence from Mozart and really sounds very little like Mozart's Requiem in D minor, K. 626, at all. The news on the performance front is all good, and if you want to try out one of Salieri's large-scale works this makes a fine place to start. The venerable Chorus of the Gulbenkian Foundation of Lisbon under Lawrence Foster still has a smoother sound than just about any all-adult choir around, and the super audio sound is superb. A final attraction is the presence of two short works, the only occasionally heard late Beethoven cantatas Meeresstille und glückliche Fahrt, Op. 112 (Calm Sea and Prosperous Voyage), and the still rarer and unaccountably neglected Intende voci in B flat major for tenor, chorus, and orchestra, D. 963, dating from the last few months of Franz Schubert's life. This 10-minute work distills the large-scale harmonic thinking of Schubert's late masses down to a modest size and receives a fine performance here. Booklet notes are in English, French, and German.

© TiVo

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