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Alban Gerhardt|Rostropovich Encores: A Cello Tribute to Mstislav Rostropovich

Rostropovich Encores: A Cello Tribute to Mstislav Rostropovich

Alban Gerhardt, Markus Becker

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An album of encores once played by someone else, even someone as famous as Mstislav Rostropovich, might seem an overspecialized product, but German cellist Alban Gerhardt had some success with a similar album devoted to Pablo Casals, and is now back for more. Gerhardt does a reasonable impression of Rostropovich's songful style, overlaid with a bit of mysterious and gloomy Russian philosophy. But the really innovative feature of the album is the program, which draws out the breadth of the great Russian's musical interests, even in the seemingly restricted feel of the encore. Rostropovich understood how to communicate with an audience in a way of which cellists today can only dream, and if he did not have the music he needed at hand, he had it arranged from other media, or arranged it himself. Or he wrote it himself: the album features two Rostropovich compositions, neither terribly common. There are big tunes like the Rachmaninov Vocalise, Op. 34, No. 14; brilliant virtuoso pieces like the Elfentanz, Op. 39, of David Popper; folkish fun like Rostropovich's own Moderato; familiar tunes like the "March" from Prokofiev's The Love of Three Oranges; and even influences from the world of popular music like Ravel's Pièce en forme de habanera and Rostropovich's own arrangement of Debussy's jazzy Minstrels, from Book I of the Preludes. Rostropovich's affinity for Minstrels showed just how wide his interests were, and the album as a whole does a good job of surveying that. Recommended for Rostropovich fans.

© TiVo

詳細はこちら

Rostropovich Encores: A Cello Tribute to Mstislav Rostropovich

Alban Gerhardt

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1
Humoresque, Op. 5
Alban Gerhardt
00:02:09

Mstislav Rostropovich, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

2
Adagio. The Prince and the Cinderella, Op. 97a
マーカス・ベッカー
00:04:52

Sergei Prokofiev, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

3
Suite, Op. 10: I. Presto
Alban Gerhardt
00:01:59

Christian Sinding, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

4
Oriental Dance, Op. 2 No. 2
マーカス・ベッカー
00:06:43

Sergei Rachmaninoff, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

5
Divertimento from Le baiser de la fée, K49 (Arr. Stravinsky/Dushkin): IV. Pas de deux: a. Adagio (Transcr. Rostropovich for Cello & Piano)
マーカス・ベッカー
00:03:49

Igor Stravinsky, Composer - Samuel Dushkin, Arranger, Work Arranger - Mstislav Rostropovich, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

6
Divertimento from Le baiser de la fée, K49 (Arr. Stravinsky/Dushkin): IV. Pas de deux: b. Variation and Coda (Transcr. Rostropovich for Cello & Piano)
マーカス・ベッカー
00:03:09

Igor Stravinsky, Composer - Samuel Dushkin, Arranger, Work Arranger - Mstislav Rostropovich, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

7
The Love for Three Oranges, Op. 33: March (Arr. Rostropovich for Cello & Piano)
Alban Gerhardt
00:01:44

Sergei Prokofiev, Composer - Mstislav Rostropovich, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

8
Vocalise, Op. 34 No. 14 (Arr. for Cello & Piano)
Alban Gerhardt
00:06:24

Sergei Rachmaninoff, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

9
Suite bergamasque, CD 82: III. Clair de lune (Arr. Rostropovich for Cello & Piano)
マーカス・ベッカー
00:05:05

Claude Debussy, Composer - Mstislav Rostropovich, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

10
12 Etudes, Op. 8: No. 11 in B-Flat Minor. Andante cantabile
マーカス・ベッカー
00:04:14

ALEXANDER SCRIABIN, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Gregor Piatigorsky, Arranger, Work Arranger - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

11
Cinderella, Op. 87: Waltz-Coda (Arr. Rostropovich for Cello & Piano)
Alban Gerhardt
00:02:51

Sergei Prokofiev, Composer - Mstislav Rostropovich, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

12
Mavra, K39: Chanson russe. Russian Maiden's Song (Arr. Markevitch for Cello & Piano)
Alban Gerhardt
00:03:39

Igor Stravinsky, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer - Dimitry Markevitch, Arranger, Work Arranger

℗ 2017 Hyperion Records Limited

13
Elfentanz, Op. 39
Alban Gerhardt
00:02:35

Markus Becker, Piano, MainArtist, AssociatedPerformer - David Popper, Composer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

14
Nocturne et scherzo, CD 39
マーカス・ベッカー
00:05:24

Claude Debussy, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

15
12 Etudes, Op. 25: No. 7 in C-Sharp Minor. Lento (Orch. Glazunov)
マーカス・ベッカー
00:06:21

Frederic Chopin, Composer - Alexander Glazunov, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

16
Préludes, Book 1, CD 125: XII. Minstrels
マーカス・ベッカー
00:03:01

Claude Debussy, Composer - Mstislav Rostropovich, Arranger, Work Arranger - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

17
Pièce en forme de habanera, M. 51 (Arr. Cello & Piano)
マーカス・ベッカー
00:03:06

Maurice Ravel, Composer - Markus Becker, Piano, MainArtist, AssociatedPerformer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

18
Moderato
Alban Gerhardt
00:03:04

Mstislav Rostropovich, Composer - Alban Gerhardt, Cello, MainArtist, AssociatedPerformer

℗ 2017 Hyperion Records Limited

アルバム·レビュー

An album of encores once played by someone else, even someone as famous as Mstislav Rostropovich, might seem an overspecialized product, but German cellist Alban Gerhardt had some success with a similar album devoted to Pablo Casals, and is now back for more. Gerhardt does a reasonable impression of Rostropovich's songful style, overlaid with a bit of mysterious and gloomy Russian philosophy. But the really innovative feature of the album is the program, which draws out the breadth of the great Russian's musical interests, even in the seemingly restricted feel of the encore. Rostropovich understood how to communicate with an audience in a way of which cellists today can only dream, and if he did not have the music he needed at hand, he had it arranged from other media, or arranged it himself. Or he wrote it himself: the album features two Rostropovich compositions, neither terribly common. There are big tunes like the Rachmaninov Vocalise, Op. 34, No. 14; brilliant virtuoso pieces like the Elfentanz, Op. 39, of David Popper; folkish fun like Rostropovich's own Moderato; familiar tunes like the "March" from Prokofiev's The Love of Three Oranges; and even influences from the world of popular music like Ravel's Pièce en forme de habanera and Rostropovich's own arrangement of Debussy's jazzy Minstrels, from Book I of the Preludes. Rostropovich's affinity for Minstrels showed just how wide his interests were, and the album as a whole does a good job of surveying that. Recommended for Rostropovich fans.

© TiVo

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