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内田光子|Robert Schumann : G Minor Sonata - Waldszenen - Gesänge der Frühe

Robert Schumann : G Minor Sonata - Waldszenen - Gesänge der Frühe

Mitsuko Uchida

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Japanese-British pianist Mitsuko Uchida continues to impress with recordings that are not so much intellectual as simply well thought out, making a challenging yet extremely satisfying overall impression. Consider the three works by Robert Schumann recorded here. Only the Waldszenen, Op. 82 (Forest Scenes), are well known. The Piano Sonata No. 2 in G minor, Op. 22, is an early but not immature work, composed in 1830 and supplied with a new finale in 1838 at the suggestion of Clara Schumann, who pointed out that while she could play the original version, few others would be able to. There is already plenty to chew on here, for Schumann incorporates motivic links to the first movement in the new finale. Clara was lukewarm about the work (calling it "not too incomprehensible"), but Schumann himself thought highly of it. The genesis of the work is fascinating; it began with a song Schumann composed in his student days, and Schumann incorporated it into an inner voice of the slow movement. Rather like Beethoven's theater music, it does have the feel of an innovative composer's ideas being forced into an older mold. But Uchida, with her precise yet explosive style, is the perfect interpreter of the work, which seems to spill over the boundaries of sonata form with quasi-improvisatory ideas. Her performance connects the work to the rest of the output of the young Schumann in an ideal way. Also interesting are the Gesänge der Frühe, Op. 133 (Dawn Songs), one of the last things Schumann finished before going insane: they are strangely serene little miniatures. The Waldszenen themselves are full of fresh, even daring interpretations. Decca's engineering staff outdoes itself with its capture of an ideal sound environment for the work: not the usual concert hall or studio but the well-known audiophile venue the Reitstadel in the German city of Neumarkt. An essential Schumann release.

© TiVo

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Robert Schumann : G Minor Sonata - Waldszenen - Gesänge der Frühe

内田光子

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森の情景 作品82 (Robert Schumann)

1
第1曲: 森の入り口
内田光子
00:02:25

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

2
第2曲: 獲物を狙う狩人
内田光子
00:01:24

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

3
第3曲:孤独な花
内田光子
00:02:40

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

4
第4曲:不気味な場所
内田光子
00:03:56

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

5
第5曲: 親しみのある風景
内田光子
00:01:01

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

6
第6曲: 宿
内田光子
00:02:07

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

7
第7曲: 予言の鳥
内田光子
00:03:42

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

8
第8曲: 狩の歌
内田光子
00:02:57

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

9
第9曲: 別れ
内田光子
00:04:08

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

ピアノ・ソナタ 第2番 ト短調 作品22 (Robert Schumann)

10
第1楽章: Vivacissimo: So rasch wie moglich - Schneller - Noch schneller
内田光子
00:06:35

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

11
第2楽章: Andantino, getragen
内田光子
00:04:44

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

12
第3楽章: Scherzo: Sehr rasch und markiert
内田光子
00:02:04

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

13
第4楽章: Rondo:Presto - Prestissimo, quasi cadenza
内田光子
00:06:01

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

暁の歌 作品133 (Robert Schumann)

14
第1曲: Im ruhigen Tempo
内田光子
00:03:16

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

15
第2曲: Belebt, nicht zu rasch
内田光子
00:02:35

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

16
第3曲: Lebhaft
内田光子
00:02:58

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

17
第4曲:Bewegt
内田光子
00:03:10

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

18
第5曲: Im Anfang ruhiges, im Verlauf bewegtes Tempo
内田光子
00:03:20

Robert Schumann, Composer - Everett Porter, Producer, Recording Producer - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

19
Im Herbste
ドロテア・レシュマン
00:01:43

Robert Schumann, Composer - Dorothea Röschmann, Soprano, MainArtist, AssociatedPerformer - Everett Porter, Producer, Recording Producer - Justinus Kerner, Author - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Lauran Jurrius, Recording Engineer, StudioPersonnel

℗ 2013 Decca Music Group Limited

アルバム·レビュー

Japanese-British pianist Mitsuko Uchida continues to impress with recordings that are not so much intellectual as simply well thought out, making a challenging yet extremely satisfying overall impression. Consider the three works by Robert Schumann recorded here. Only the Waldszenen, Op. 82 (Forest Scenes), are well known. The Piano Sonata No. 2 in G minor, Op. 22, is an early but not immature work, composed in 1830 and supplied with a new finale in 1838 at the suggestion of Clara Schumann, who pointed out that while she could play the original version, few others would be able to. There is already plenty to chew on here, for Schumann incorporates motivic links to the first movement in the new finale. Clara was lukewarm about the work (calling it "not too incomprehensible"), but Schumann himself thought highly of it. The genesis of the work is fascinating; it began with a song Schumann composed in his student days, and Schumann incorporated it into an inner voice of the slow movement. Rather like Beethoven's theater music, it does have the feel of an innovative composer's ideas being forced into an older mold. But Uchida, with her precise yet explosive style, is the perfect interpreter of the work, which seems to spill over the boundaries of sonata form with quasi-improvisatory ideas. Her performance connects the work to the rest of the output of the young Schumann in an ideal way. Also interesting are the Gesänge der Frühe, Op. 133 (Dawn Songs), one of the last things Schumann finished before going insane: they are strangely serene little miniatures. The Waldszenen themselves are full of fresh, even daring interpretations. Decca's engineering staff outdoes itself with its capture of an ideal sound environment for the work: not the usual concert hall or studio but the well-known audiophile venue the Reitstadel in the German city of Neumarkt. An essential Schumann release.

© TiVo

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