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Malika Ayane|Ricreazione (Sanremo Edition!)

Ricreazione (Sanremo Edition!)

Malika Ayane

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The third studio outing by Malika Ayane introduces a significant change in the singer's rising career, as for the first time she dispensed with the services of producer, main songwriter, and mentor Ferdinando Arnò and chose instead to produce herself. Furthermore, Ayane was also in charge of arrangements and co-wrote most of the material (including the first song penned entirely on her own, the opener "Grovigli," left in demo form). On the other hand, Ayane balanced her newly found independence with an even greater number of collaborators, from mainstays Pacifico and Paolo Conte to an assorted range of associates including Tricarico, Boosta, Paolo Buonvino, Romeus, and the Niro, among others. The list goes a long way to explain Ricreazione's heterogeneous nature, which unfortunately ends up becoming less than the sum of its parts. As always, Ayane's voice is the album's focal point, but for the first time it often seems to be its only running thread. Smoky and intimate as ever, it can make a batch of songs admittedly a notch down from her previous efforts into sophisticated background music, but the album's eclecticism prevents it from becoming a full-blown mood piece. A case in point is Ricreazione's first single, and true highlight, the Belle & Sebastian look-alike "Tre Cose." The song has enjoyed considerable success in Italy, but at the same time has been criticized for giving an erroneous impression of the album, as nothing else in it is this bouncy and carefree -- rather, the opposite is true. By the time the record is over, the clutch of unremarkable songs in English on its second half reinforce the impression that the glass is half empty rather than half full. A textbook example of a transition album, Ricreazione is probably a necessary rite of passage in the career of the talented Ayane.

© Mariano Prunes /TiVo

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Ricreazione (Sanremo Edition!)

Malika Ayane

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1
Grovigli
00:03:37

Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2013 Sugar Srl

2
Tre Cose
00:04:59

Alessandro Raina, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2013 Sugar Srl

3
Il Tempo Non Inganna
00:04:30

Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Luigi de Crescenzo, ComposerLyricist - Carmine Tundo, ComposerLyricist

℗ 2013 Sugar Srl

4
Cosa Hai Messo Nel Caffè?
00:03:52

GIANCARLO BIGAZZI, Author - Riccardo Del Turco, Composer - Malika Ayane, Vocals, MainArtist, AssociatedPerformer

℗ 2016 Sugar Srl

5
Glamour
00:04:24

Paolo Conte, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer

℗ 2013 Sugar Srl

6
Medusa
00:03:21

Malika Ayane, Vocals, MainArtist, AssociatedPerformer - Davide Combusti, ComposerLyricist - Maurizio Mariani, ComposerLyricist

℗ 2013 Sugar Srl

7
Niente
00:05:02

Malika Ayane, Vocals, MainArtist, AssociatedPerformer - Giuliano Sangiorgi, ComposerLyricist

℗ 2013 Sugar Srl

8
The Morns Re Meeker Than They Were
00:02:13

Sergio Endrigo, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer - Emily Dickinson, ComposerLyricist

℗ 2013 Sugar Srl

9
Mars
00:05:43

Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Philipp Mersa, ComposerLyricist - Christian Pescosta, ComposerLyricist

℗ 2013 Sugar Srl

10
Shine
00:03:25

Davide Dileo, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2013 Sugar Srl

11
Neve Casomai (Un Amore Straordinario)
00:03:49

Danijel Vuletic, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Luigi de Crescenzo, ComposerLyricist

℗ 2013 Sugar Srl

12
E Se Poi
00:04:43

Malika Ayane, Vocals, MainArtist, AssociatedPerformer - Giuliano Sangiorgi, ComposerLyricist

℗ 2013 Sugar Srl

13
Something Is Changing
00:04:19

Paolo Buonvino, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2013 Sugar Srl

14
Guess What ???
00:04:27

Vito Lucente, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2013 Sugar Srl

15
Occasionale
00:03:22

Francesco Tricarico, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer

℗ 2013 Sugar Srl

16
Glamour (Alternative Version / Bonus Track)
00:03:53

Paolo Conte, ComposerLyricist - Malika Ayane, Vocals, MainArtist, AssociatedPerformer

℗ 2013 Sugar Srl

17
Dear (Medusa) (Bonus Track)
00:03:24

Malika Ayane, Vocals, MainArtist, AssociatedPerformer - Davide Combusti, ComposerLyricist

℗ 2013 Sugar Srl

アルバム·レビュー

The third studio outing by Malika Ayane introduces a significant change in the singer's rising career, as for the first time she dispensed with the services of producer, main songwriter, and mentor Ferdinando Arnò and chose instead to produce herself. Furthermore, Ayane was also in charge of arrangements and co-wrote most of the material (including the first song penned entirely on her own, the opener "Grovigli," left in demo form). On the other hand, Ayane balanced her newly found independence with an even greater number of collaborators, from mainstays Pacifico and Paolo Conte to an assorted range of associates including Tricarico, Boosta, Paolo Buonvino, Romeus, and the Niro, among others. The list goes a long way to explain Ricreazione's heterogeneous nature, which unfortunately ends up becoming less than the sum of its parts. As always, Ayane's voice is the album's focal point, but for the first time it often seems to be its only running thread. Smoky and intimate as ever, it can make a batch of songs admittedly a notch down from her previous efforts into sophisticated background music, but the album's eclecticism prevents it from becoming a full-blown mood piece. A case in point is Ricreazione's first single, and true highlight, the Belle & Sebastian look-alike "Tre Cose." The song has enjoyed considerable success in Italy, but at the same time has been criticized for giving an erroneous impression of the album, as nothing else in it is this bouncy and carefree -- rather, the opposite is true. By the time the record is over, the clutch of unremarkable songs in English on its second half reinforce the impression that the glass is half empty rather than half full. A textbook example of a transition album, Ricreazione is probably a necessary rite of passage in the career of the talented Ayane.

© Mariano Prunes /TiVo

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