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ルーサー・アリスン|Reckless

Reckless

Luther Allison

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Luther's third album for Alligator finds the 50-something bluesman truly at the peak of his powers. His superb guitar playing has never been more focused, and his singing shows a fervent shouter in full command. But Allison's songwriting has made giant strides as well, and ten of the 14 tracks aboard feature him as a co-writer as well. The production by Jim Gaines delivers a modern-sounding album that stays firmly in the blues tradition while giving full vent to Luther's penchant for blending soul, rock and funk grooves into his musical stew. There are really no duff tracks aboard, but special attention should be paid to the sloppy but right slide guitar-meets-rock & roll groove of "Low Down And Dirty," and Allison's incredibly hot minor key soloing (at full rock volume) on "Drowning At The Bottom," an acoustic duet with his son Bernard on "Playin' A Losing Game," and the grinding social commentary of "Pain In The Streets." If Allison had made albums like this for Motown 20-some years ago, it would be very interesting to speculate on how the blues history books just might have been rewritten.

© Cub Koda /TiVo

詳細はこちら

Reckless

ルーサー・アリスン

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現在、試聴中です。

無制限ストリーミングプランで1億曲以上の楽曲を聴くことができます。

無制限のストリーミング プランで、このプレイリストと1億曲以上の楽曲を聴くことができます。

¥1,280/ 月から

1
I'm Back
00:04:11

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

2
Drownin' At The Bottom
00:03:58

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

3
There Comes A Time
00:04:13

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

4
Cancel My Check
00:04:21

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

5
Just As I Am
00:05:07

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

6
You Can Run But You Can't Hide
00:03:40

Luther Allison, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

7
Playin' A Losin' Game
00:05:40

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

8
Will It Ever Change?
00:05:10

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

9
Living In The House Of The Blues
00:05:34

Luther Allison, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

10
You Can, You Can
00:03:44

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

11
It's A Blues Thing
00:05:42

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

12
Pain In The Streets
00:04:49

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

13
Low Down And Dirty
00:03:46

Luther Allison, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

14
You're Gonna Make Me Cry
00:06:13

Luther Allison, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

アルバム·レビュー

Luther's third album for Alligator finds the 50-something bluesman truly at the peak of his powers. His superb guitar playing has never been more focused, and his singing shows a fervent shouter in full command. But Allison's songwriting has made giant strides as well, and ten of the 14 tracks aboard feature him as a co-writer as well. The production by Jim Gaines delivers a modern-sounding album that stays firmly in the blues tradition while giving full vent to Luther's penchant for blending soul, rock and funk grooves into his musical stew. There are really no duff tracks aboard, but special attention should be paid to the sloppy but right slide guitar-meets-rock & roll groove of "Low Down And Dirty," and Allison's incredibly hot minor key soloing (at full rock volume) on "Drowning At The Bottom," an acoustic duet with his son Bernard on "Playin' A Losing Game," and the grinding social commentary of "Pain In The Streets." If Allison had made albums like this for Motown 20-some years ago, it would be very interesting to speculate on how the blues history books just might have been rewritten.

© Cub Koda /TiVo

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