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エリック・カンゼル|Ravel: Boléro, M. 81 - Borodin: Music from "Kismet" - Bizet: Suites from "Carmen"

Ravel: Boléro, M. 81 - Borodin: Music from "Kismet" - Bizet: Suites from "Carmen"

Erich Kunzel, Cincinnati Pops Orchestra

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With more than 80 albums produced on the Telarc label, the commitment of Erich Kunzel -- the so-called Prince of Pops -- and the Cincinnati Pops Orchestra to the proliferation of classical music is abundantly clear. Not only does the orchestra reach record numbers of live audience members each year, but the superbly produced and recorded Telarc CDs introduce classical music the world over. The recordings of the Cincinnati Pops completely sidestep the throngs of other pop classical recordings out there that employ inferior orchestras led by mediocre conductors performing randomly programmed pieces.
This album opens with Ravel's Boléro, which in its own time was completely scandalous. Cincinnati's grand crescendo is a bit quicker than most, a wise decision considering the target audience. The middle work on the program is the one most likely to be unknown to modern audiences. Arranged by Kunzel himself, listeners are taken back to the 1950s with music from the extremely popular musical Kismet by Robert Wright and George Forrest. Excerpts are drawn from the music of Alexander Borodin; even casual listeners are likely to recognize many of the melodies even if the Broadway show itself is unfamiliar. After these two already great performances, the orchestra really shows its panache in two suites from Bizet's Carmen. Every aspect of these performances is timed to make listening to the music alone just as captivating and exciting as they would have been with their original live-action components. Telarc's sound -- both in standard stereo and SACD surround -- is crystal clear and enveloping.

© TiVo

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Ravel: Boléro, M. 81 - Borodin: Music from "Kismet" - Bizet: Suites from "Carmen"

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1
Boléro, M. 81
シンシナティ・ポップス・オーケストラ
00:13:31

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Maurice Ravel, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

2
Music As Popularized in "Kismet": Pt. 1, Symphony No. 2 - In the Steppes of Central Asia - String Quartet No. 2 - Symphony No. 1 (Excerpts) [Arr. E. Kunzel]
シンシナティ・ポップス・オーケストラ
00:06:29

Erich Kunzel, Conductor, Arranger, Work Arranger, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Alexander Borodin, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

3
Music As Popularized in "Kismet": Pt. 2, String Quartet No. 2 - Overture to "Prince Igor" - Petite Suite - Polovtsian Dances from "Prince Igor" (Excerpts) [Arr. E. Kunzel]
シンシナティ・ポップス・オーケストラ
00:09:15

Erich Kunzel, Conductor, Arranger, Work Arranger, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Alexander Borodin, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

4
Carmen Suite No. 1: I. Prélude to Act I
シンシナティ・ポップス・オーケストラ
00:01:07

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

5
Carmen Suite No. 1: II. Aragonaise (Entr'acte to Act IV)
シンシナティ・ポップス・オーケストラ
00:02:27

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

6
Carmen Suite No. 1: III. Intermezzo (Entr'acte to Act III)
シンシナティ・ポップス・オーケストラ
00:02:31

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

7
Carmen Suite No. 1: IV. Seguidilla (Act I)
シンシナティ・ポップス・オーケストラ
00:01:52

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

8
Carmen Suite No. 1: V. The Dragons of Alcala (Entr'acte to Act II)
シンシナティ・ポップス・オーケストラ
00:01:43

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

9
Carmen Suite No. 1: VI. The Toreadors (Prelude to Act I)
シンシナティ・ポップス・オーケストラ
00:02:18

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

10
Carmen Suite No. 2: I. March of the Smugglers (Act III)
シンシナティ・ポップス・オーケストラ
00:04:13

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

11
Carmen Suite No. 2: II. Habañera (Act I)
シンシナティ・ポップス・オーケストラ
00:02:01

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

12
Carmen Suite No. 2: IV. Song of the Toreador (Act II)
シンシナティ・ポップス・オーケストラ
00:02:21

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

13
Carmen Suite No. 2: V. The Changing of the Guard (Children's Chorus from Act I)
シンシナティ・ポップス・オーケストラ
00:03:48

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

14
Carmen Suite No. 2: VI. Danse bohème (Act II)
シンシナティ・ポップス・オーケストラ
00:04:33

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Georges Bizet, Composer - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

15
Iberia, T. 105, Book 1: III. Fête-dieu à Seville (Orch. E.F. Arbós)
シンシナティ・ポップス・オーケストラ
00:07:09

Erich Kunzel, Conductor, MainArtist - Cincinnati Pops Orchestra, Orchestra, MainArtist - Isaac Albeniz, Composer - Enrique Fernández Arbós, Arranger, Orchestrator - Todd Brown, Asst. Recording Engineer, StudioPersonnel - Robert Woods, Producer, Recording Producer - Robert Friedrich, Recording Engineer, StudioPersonnel - Thomas C. Moore, Editor, StudioPersonnel - Bill McKinney, Asst. Recording Engineer, StudioPersonnel

℗ 2008 Telarc International Corp.

アルバム·レビュー

With more than 80 albums produced on the Telarc label, the commitment of Erich Kunzel -- the so-called Prince of Pops -- and the Cincinnati Pops Orchestra to the proliferation of classical music is abundantly clear. Not only does the orchestra reach record numbers of live audience members each year, but the superbly produced and recorded Telarc CDs introduce classical music the world over. The recordings of the Cincinnati Pops completely sidestep the throngs of other pop classical recordings out there that employ inferior orchestras led by mediocre conductors performing randomly programmed pieces.
This album opens with Ravel's Boléro, which in its own time was completely scandalous. Cincinnati's grand crescendo is a bit quicker than most, a wise decision considering the target audience. The middle work on the program is the one most likely to be unknown to modern audiences. Arranged by Kunzel himself, listeners are taken back to the 1950s with music from the extremely popular musical Kismet by Robert Wright and George Forrest. Excerpts are drawn from the music of Alexander Borodin; even casual listeners are likely to recognize many of the melodies even if the Broadway show itself is unfamiliar. After these two already great performances, the orchestra really shows its panache in two suites from Bizet's Carmen. Every aspect of these performances is timed to make listening to the music alone just as captivating and exciting as they would have been with their original live-action components. Telarc's sound -- both in standard stereo and SACD surround -- is crystal clear and enveloping.

© TiVo

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